A group of young boys are stranded alone on an island. Left to fend for themselves, they must take on the responsibilities of adults, even if they are not ready to do so. Inevitably, two factions form: one group (lead by Ralph) want to build shelters and collect food, whereas Jack's group would rather have fun and HUNT; illustrating the difference between civilization and savagery. Written by
Murray Chapman <email@example.com>
The boys go on the monster hunt, and leave Piggy behind to take care of the smaller boys. As Piggy looks out to sea, you can see (from behind, at a 3/4 angle) that his left lens is intact at 44:22 on the DVD. This is after Jack had already broken it in a fight previously. See more »
I've got the conch!
[the boys jeer and taunt him from above the cliff]
Which is it better to be, a pack of painted savages like you are, or sensible like Ralph is? Which is better, to have rules and agree, or to hunt and kill?
[Roger goes angry and pushes a huge boulder, which heads right to Piggy]
[the boys go silently still as they see Piggy's body wash away in the sea]
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The opening credits list the entire production crew but none of the actors. See more »
It has been three years since I read the book and saw the movie, and I have still not forgotten it. "Lord of the Flies" is one of the most harrowing film expiriences I have ever seen.
You don't need Hannibal Lecter to make a movie scary, and this movie proves it. Actually, a film is most scary when it provokes fear on a most basic level. This is not a story that is scary because of plot twists or original characters. This film is scary because it uses techniques that will scare anyone in the deepest way.
The plot is simple. School boys crash land on a remote island with no adults. The boys set up their own government, with Ralph in charge. But things start to fall apart very quickly.
The set up is perfect. All the boys are perfectly cast, and their performances are strong all around. All the characters are likable in the beginning, which is important because as Roger Ebert (I think) said, a person is scarier when the viewer knows more about them.
The directing is perfect. Even though the film is in black and white, the imagery still retains a sense of wonder and awe. Each shot is perfectly used to create the optimum effect. Pacing is key here, because if it is too slow, the film gets boring, but if it goes by too fast, the film feels rushed. The director nails it perfectly. He starts out slow but even, but as the story degenerates into madness, the intensity grows, which magnifies the fear.
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