The Shakespeare tragedy that gave us the expression "How sharper than a serpent's tooth it is to have a thankless child." King Lear has not one but two ungrateful children, and it's ... See full summary »
A group of young boys are stranded alone on an island. Left to fend for themselves, they must take on the responsibilities of adults, even if they are not ready to do so. Inevitably, two factions form: one group (lead by Ralph) want to build shelters and collect food, whereas Jack's group would rather have fun and HUNT; illustrating the difference between civilization and savagery. Written by
Murray Chapman <email@example.com>
In 1996, 35 years after the film was made, the BBC created a documentary about the making of the film called "Time Flies", which reunited the main cast and crew on the beaches of the Caribbean where it was filmed; an article written by one of the actors, Tom Gaman, mentioned that of the boys, only the one who played Ralph (James Aubrey), pursued an acting career. Others went on to have very different ones: Gaman became a freelance forester in Inverness, California; Hugh Edwards (Piggy) became an engineer for a Russian firm; Tom Chapin became a gold mine geologist in Nevada and the twins David Surtees and Simon Surtees (Samaneric) remained together, living with their families in the UK and working as a guidance counselor and political administrator respectively. (NOTE: Contrary to Mr. Gaman's article, another of the boys besides James Aubrey, Nicholas Hammond, who played Robert, had a quite extensive film AND TV career, playing, among other roles, one of the children in The Sound of Music (1965) and the title role in TV's The Amazing Spider-Man (1977).) See more »
(at around 1h 5 mins) Jack is talking to the group of kids, while eating a banana. Even with the banana in his mouth, and with him taking bites, his voice remains unaltered. He even speaks while chewing. See more »
This is one of those rarest of rare birds: a film that is totally faithful to the novel upon which it is based.
During his lifetime, William Golding was ever protective of his greatest creation. When it came to making a film of 'Lord of the Flies' some of the greatest screen writers and playwrights of the day had a go at producing a script for it - all of them being turned down by Golding himself. Finally, it was decided to attempt the film as a sort of Drama Workshop. Thus it was that 30+ boys, plus director Peter Brook, a film crew and the regulation chaperones found themselves living in a bunk house, which had been an old canning factory, on the island of Vieques off Puerto Rico, with little more than copies of the novel and an outline of the idea and the limitation of the school holidays in which to make the film.
The result defies belief. This is a masterpiece of Youth Drama, years ahead of its time. Even today, 40 years on, it is still staggering in its truth and clarity. The powerful imagery, chilling in its simplicity, far transcends anything which could be achieved with present day digital trickery. Not for this film the obvious blood and guts of action horror; here we have the most unspeakable acts made far more terrifying by their very understatement. (Simon's death must be one of the foulest acts ever filmed - but then, in reality, it was not - it is all in the imagination of the viewer and becomes far more terrible than any actual depiction of the act of ritualistic murder could ever be!).
When the great day of reckoning comes, this film will stand head and shoulders above all other film adaptations of novels.
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