The Shakespeare tragedy that gave us the expression "How sharper than a serpent's tooth it is to have a thankless child." King Lear has not one but two ungrateful children, and it's ... See full summary »
Amid a semi-documentary portrait of New York and its people, Jean Dexter, an attractive blonde model, is murdered in her apartment. Homicide detectives Dan Muldoon and Jimmy Halloran ... See full summary »
Set against the backdrop of the 80's music scene, this documentary charts the meteoric rise, fall and ultimate reunion of pop sensation, Spandau Ballett told by the band members themselves ... See full summary »
A group of young boys are stranded alone on an island. Left to fend for themselves, they must take on the responsibilities of adults, even if they are not ready to do so. Inevitably, two factions form: one group (lead by Ralph) want to build shelters and collect food, whereas Jack's group would rather have fun and HUNT; illustrating the difference between civilization and savagery. Written by
Murray Chapman <email@example.com>
Once filming began, Peter Brook largely dispensed with the script and encouraged his young cast to improvise. He shot over 60 hours of footage which was then edited down into a 90-minute film. Consequently, there is no screenplay credit. See more »
After the vote for chief, a stake is visible in the sand at 14:23 on the DVD
saying "Anthony M", telling Anthony McCall-Judson, one of the actors, where in the group he is supposed to sit. See more »
[thinking about Simon's death]
Piggy, that was murder.
You stop it! What good are you doing talking like that? It was dark. There was that bloody dance. There was thunder and lightning and rain. We were scared. It wasn't what you said.
It was an accident. He was batty. He asked for it. It was an accident.
Oh, God, I want to go home!
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The opening credits list the entire production crew but none of the actors. See more »
This is one of those rarest of rare birds: a film that is totally faithful to the novel upon which it is based.
During his lifetime, William Golding was ever protective of his greatest creation. When it came to making a film of 'Lord of the Flies' some of the greatest screen writers and playwrights of the day had a go at producing a script for it - all of them being turned down by Golding himself. Finally, it was decided to attempt the film as a sort of Drama Workshop. Thus it was that 30+ boys, plus director Peter Brook, a film crew and the regulation chaperones found themselves living in a bunk house, which had been an old canning factory, on the island of Vieques off Puerto Rico, with little more than copies of the novel and an outline of the idea and the limitation of the school holidays in which to make the film.
The result defies belief. This is a masterpiece of Youth Drama, years ahead of its time. Even today, 40 years on, it is still staggering in its truth and clarity. The powerful imagery, chilling in its simplicity, far transcends anything which could be achieved with present day digital trickery. Not for this film the obvious blood and guts of action horror; here we have the most unspeakable acts made far more terrifying by their very understatement. (Simon's death must be one of the foulest acts ever filmed - but then, in reality, it was not - it is all in the imagination of the viewer and becomes far more terrible than any actual depiction of the act of ritualistic murder could ever be!).
When the great day of reckoning comes, this film will stand head and shoulders above all other film adaptations of novels.
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