San Francisco Police Lieutenant Virgil Tibbs is called in to investigate when a liberal street preacher and political candidate is accused of murdering a prostitute. Tibbs is also battling ... See full summary »
A white family has had the same black maid for many years. When she tells them she wants to go back to school and will be leaving soon, the 20ish year old son decides what she needs is a ... See full summary »
Homer Smith, an unemployed construction worker heading out west, stops at a remote farm in the desert to get water when his car overheats. The farm is being worked by a group of East European Catholic nuns, headed by the strict Mother Maria, who believes that Homer has been sent by God to build a much-needed church in the desert... Written by
Christopher J. Thompson <firstname.lastname@example.org>
Filmed on location in the City of Tucson. The church doors were borrowed from the Chapel in Sasabe, Arizona. See more »
After Homer gets a drink of water from Mother, as he pulls away in the car, the camera's shadow is visible on the car. Also a large white rectangular reflector is reflected briefly in the window. See more »
[Splashing himself with water outside]
Oh! Why couldn't they have asked me to build a bathtub? With nice, *hot* water?
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At the end of the film, the word "Amen" is seen, rather than "The End". See more »
Of all the fine work done by Sidney Poitier during his heyday, this film stands out as the most accessible, the most likable and the most heartwarming. Poitier's portrayal of itinerant builder Homer Smith rings true throughout, a man living life on his own terms...yet still a humane and involved individual.
This film has everything that brings good humor to a movie. The classic "fish out of water" premise, amicable cross-cultural confusion, joyous music...but it is much, much more than a mere comedy; much more than a simple drama.
This film was made in the thick of the civil rights movement. A black man in close juxtaposition to a group of white nuns was an eyebrow raiser in the 60's, as was the overall multicultural setting. White, black, Mexican, Anglo, German, Hispanic - all are tossed together with such a deft hand that the occasional nod to the prevailing racist attitudes of the time is almost brushed aside as the film skillfully makes its point. The emphasis here is on people doing as people should do...working and living together, helping one another and learning and growing from the experience.
Perhaps this is the time for any of us who has seen this film to see it again, and ask ourselves how the lessons of "Lilies of the Field" can be applied to the recovery from the devastation of Hurricane Katrina, and the relief of all the human misery that has resulted.
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