The nephew of a murdered millionaire decides to track down his uncle's killer. He faces many life-threatening dangers as he tries to break into the inner circle of the sinister criminal "The Tortoise."
'The Oilprince' is an unscrupulous businessman. He looks forward to a lucrative deal with the "Western Arizona Bank'. He sells the bank oil wells at Shelly Lake that do actually not exist. ... See full summary »
Old Surehand and his faithful old friend Old Wabble are on the trail of a cold-blooded killer with the nickname 'The General'. The brother of Old Surehand was murdered by him. On the way ... See full summary »
For all intents and purposes, the Apocalypse has happened. "Aftermath" is the story of those who have survived. But their nightmare has only begun. In a world where those infected kill and ... See full summary »
In New York City, a young man searches for the "master" to obtain the final level of martial arts mastery known as the glow. Along the way, he must fight an evil martial arts expert and ... See full summary »
Pedro Ortiz (Mario Adorf) is released from prison and returns soon to free a young man called Carlos (Thomas Fritsch). Together with Jose (Klaus Kinski) and Fernando (Sieghardt Rupp), they start a new gang for bank robbery and the usual things bandits do. They take Ortiz' friend Juanita (Marisa Mell) and the servile piano player Woody (Walter Giller) with them. When former sheriff Kelly (Edmund Purdom) follows them, they take his wife Liz (Marianne Koch) and his young son for hostages. During the perilous journey to Mexico, the group is reduced one by one, while Ortiz' has delusions of grandeur, looking for a hidden treasure.
Shot on the island of Gran Canaria shortly after the success of the German Karl May westerns 'Treasure of Silver Lake' and 'Winnetou I', this Austrian production tried to cash in on their success and even signed Mario Adorf, the villain of the latter. But it is totally different in tone, in a darker and more violent mood it is foreshadowing the Italian westerns soon to follow. Koch would reappear in "A Fistful of Dollars" and Kinski in "For A Few Dollars More". The villain (Adorf) is in the center of the show all the time, whereas the hero (Purdom) remains pale and only starts moving when his family is in danger. On one hand, it makes the movie original to put the villain in the foreground, on the other hand, it is a weakness not to have a more memorable hero. Mixed feelings, but in any case an interesting movie on the border line between American western influences and new European western style.
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