| Leslie Caron | ... | Jane Fosset | |
| Anthony Booth | ... | Youth in Street | |
| Avis Bunnage | ... | Doris | |
| Patricia Phoenix | ... | Sonia | |
| Verity Edmett | ... | Jane II | |
| Tom Bell | ... | Toby | |
| Cicely Courtneidge | ... | Mavis | |
| Harry Locke | ... | Newsagent | |
| Ellen Dryden | ... | Girl in Newsagent's | |
| Emlyn Williams | ... | Dr. Weaver | |
| Jennifer White | ... | Monica | |
| Brock Peters | ... | Johnny | |
| Gerry Duggan | ... | Bert | |
| Joan Ingram | ... | Woman in Park | |
| Mark Eden | ... | Terry | |
| Stanley Morgan | ... | Waiter in Club | |
| Gerald Sim | ... | Doctor in Hospital | |
| Pamela Sholto | ... | Nurse | |
| Ruth Burns | ... | Nurse | |
| Diane Clare | ... | Nurse | |
| Arthur White | ... | Milkman | |
| Bernard Lee | ... | Charlie | |
| Nanette Newman | ... | Girl at End | |
| rest of cast listed alphabetically: | |||
| Kay Walsh | ... | Prostitute (uncredited) | |
Directed by | |||
| Bryan Forbes | |||
Writing credits | ||
| Lynne Reid Banks | (novel) | |
| Bryan Forbes | (written for the screen by) | |
Produced by | |||
| Richard Attenborough | .... | producer | |
| Jack Rix | .... | associate producer | |
| James Woolf | .... | producer | |
| John Woolf | .... | producer (uncredited) | |
Cinematography by | |||
| Douglas Slocombe | (photographed by) | ||
Film Editing by | |||
| Anthony Harvey | |||
Casting by | |||
| Jenia Reissar | |||
Art Direction by | |||
| Ray Simm | |||
Set Decoration by | |||
| Peter James | |||
Costume Design by | |||
| Beatrice Dawson | |||
Makeup Department | |||
| Harry Frampton | .... | makeup artist | |
| Barbara Ritchie | .... | hairdresser | |
Second Unit Director or Assistant Director | |||
| Gerry O'Hara | .... | assistant director (as Gerald O'Hara) | |
| John Quested | .... | assistant director | |
Art Department | |||
| Martin Atkinson | .... | assistant art director | |
| Ted Ambrose | .... | draughtsman (uncredited) | |
| Percy Godbold | .... | property buyer (uncredited) | |
| Basil Mannin | .... | scenic artist (uncredited) | |
Sound Department | |||
| Red Law | .... | sound recordist | |
| Terry Rawlings | .... | dubbing editor | |
| George Stephenson | .... | sound recordist | |
| Jack Davies | .... | boom operator (uncredited) | |
Camera and Electrical Department | |||
| Chic Waterson | .... | camera operator | |
| Ray Jones | .... | grip (uncredited) | |
| Laurie Ridley | .... | still photographer (uncredited) | |
Costume and Wardrobe Department | |||
| Laurel Staffell | .... | wardrobe | |
| May Walding | .... | wardrobe | |
| Ben Foster | .... | wardrobe master (uncredited) | |
Editorial Department | |||
| Eunice Mountjoy | .... | second assistant editor (uncredited) | |
Music Department | |||
| John Barry | .... | composer: jazz sequences | |
| Muir Mathieson | .... | conductor | |
| Muir Mathieson | .... | music arranger: Brahms | |
| Sidney Margo | .... | music contractor (uncredited) | |
Other crew | |||
| Penny Daniels | .... | continuity | |
| Ann Skinner | .... | production secretary | |
| Arthur Cleaver | .... | production accountant (uncredited) | |
| Diana Hawkins | .... | publicist (uncredited) | |
| Michael Hyatt | .... | film restoration (uncredited) | |
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| Saved! | Rosemary's Baby | Match Point | 101 Reykjavík | Possession |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Drama section | IMDb UK section |
The characters in the oddly appealing drama are so deliciously flawed and the texture is so utterly British art. Leslie Caron is underrated as a dramatic actor--having made a name for herself in musicals--but she shines in this one. Her performance is reminiscent of the character she played in "The Subterraneans." She is perfect as the tortured free-spirit who stumbles. Another standout is Brock Peters. You feel the closeness of his room when he is lying in bed, talking to Jane through the wall. In fact, the whole boarding house feels real, seedy and full of dashed hopes. You ache for the pain and loneliness each person on the
house endures--I felt myself like a resident in this menagerie. The direction is taut, spare and real. I would have liked to have learned more about Toby's background, what drove him to this place. But I suppose a good film is supposed to leave a place for the viewers imagination.