Jane, a young French woman, pregnant and unmarried, takes a room in a seedy London boarding house, which is inhabited by an assortment of misfits. She considers getting an abortion, but is ...
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A young lady has been widowed and left with a baby son to bring up alone. She decides that the baby needs a father figure and decides to marry a psychologist. She hides her son with an ... See full summary »
The title refers to the creatures a very poor addled old lady (Dame Edith Evans) imagines in her paranoid fantasies. They lurk behind every drip, drip, drip of a leaky faucet. They listen ... See full summary »
Mrs. Dubedat loves and idolizes her artist husband, Louis, but he is dying of tuberculosis. She goes to a doctor and convinces him to save her husband. The doctor can keep only so many ... See full summary »
In New Orleans, prizefighter Socks Barbarrosa suddenly runs out of the ring before his title bout, and swears he'll never fight again. He gives no reason for his strange actions. His girl ... See full summary »
A hardboiled aging private eye is hired to find and protect a missing government witness sought after by the gangsters. The witness is a beautiful French woman and even the cops can't be trusted. The case is tough, but so is Chandler.
Jane, a young French woman, pregnant and unmarried, takes a room in a seedy London boarding house, which is inhabited by an assortment of misfits. She considers getting an abortion, but is unhappy with this solution. She falls into a relationship with Toby, a struggling young writer who lives on the first floor. Eventually she comes to like her odd room, and makes friends with all the strange people in the house. But she still faces two problems: what to do with her baby, and what to do with Toby. Written by
John Oswalt <email@example.com>
If I were asked to name my second favourite film I would have to consider many; my favourite is an easy choiceThe L-Shaped Room. As a teenager I saw it on its first release, then four times soon after. Bryan Forbes has crafted this film from a rather maudlin novel by Lynne Reid Banks; it becomes, in his hands, quite a different storya work of art. Leslie Caron, although uniformly fine in all her films, has never been better than she is here. The supporting actors (and there are many) all give sensitive, human performances. The evocative score (parts of the first movement of the First Piano Concerto by Brahms) is a consummate fit with the narrative. The result of this collaboration of sources and talents is a restrained, perfect tapestry that depicts the human condition. The L-Shaped Room has no flawsnone.
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