Elvis is a singing rodeo rider who drifts into an expensive dude ranch patronized by wealthy glamour girls. The owner, Vera Radford, hires Elvis as a stable man. Pretty physical fitness ... See full summary »
Charlie Rogers is a leather-jacketed biker who's fired from a singing engagement after getting into a fight with a group of college toughs. While riding his cycle to the next gig, an irate ... See full summary »
Mike and Danny fly a crop duster, but because of Danny's gambling debts, a local sheriff seizes it. Trying to earn money, they hitch-hike to the World's Fair in Seattle. While Danny tries ... See full summary »
Rick Richards is a helicopter pilot who wants to set up a charter flying service in Hawaii -- along the way he makes some friends, including a young Hawaiian girl and her father, romances Judy Hudson, and sings a few songs.
Michael D. Moore
When the Kwimper family car runs out of gas on a new Florida highway and an officous state supervisor tries to run them off, Pop Kwimper digs in his heels and decides to do a little ... See full summary »
When he finds out his boss is retiring to Arizona, a sailor has to find a way to buy the Westwind, a boat that he and his father built. He is also caught between two women: insensitive club singer Robin and sweet Laurel.
Elvis Presley supposedly loathed the "strawberry blond" wig he had to wear as the hillbilly cousin in this film, in part because it made him look as he had before deciding to dye his hair black in the mid-fifties. See more »
Captain Salbo introduces himself as being from SAC, the Air Force's Strategic Air Command, but he is wearing an Army, not an Air Force, uniform (as are all the enlisted men). See more »
At the end of the movie, the "THE END" sign is shown by Pappy Tatum (Arthur O'Connell) and Captain Salbo (Jack Albertson) as they each hold up a paddle, one reading THE, and the other reading END as they both shake hands. See more »
A Good Glenda Farrell Film But Who Was The Guy in The Wig
Glenda Farrell was in some of the greatest films of the early 1930's, including, "Little Caesar," "I Was Fugitive From a Chain Gang," "Mysteries of the Wax Museum," and "Gold Diggers of 1935". It was delightful to see her as a hillbilly mammy in this film. The director, to his eternal credit, even gave her a song to sing without Elvis. It was the best song in the film. I wonder if anybody else ever got to sing a solo in an Elvis picture?
It was also nice to see Yvonne Craig, she because famous a couple of years later when she became a regular on the "Batman" television series as "Batgirl". It was a gimmick that helped save the rapidly fading series for a short while. She was rather adorable and perky in the role, as she was in this movie. Unfortunately, her career went nowhere, except for occasional television guest spots.
Pam Austin also looked great in this film. She became famous for a Dodge television commercial a couple of years later, inviting people to join the "Dodge Rebellion." She starred in "the Perils of Pauline" with Pat Boone two years later. It was quite an amusing and sweet movie, but sadly her career also went nowhere afterward.
We have to remember that three of the most popular television series at the time this film was made were 1) The Patty Duke Show (Patty Duke playing cousins with opposite personalities), 2) Petticoat Junction (rural comedy) and 3) Hootenanny (music variety show). It must have seemed like a great idea to combine all three themes in one movie. The conflicted cousins theme comes off the worse. Air Force Major Elvis is fine, but Hillbilly Elvis just stands around looking grouchy. The Petticoat Junction theme is transformed into a "Little Abner" theme, but there is no Julie Newmar (Stupifying Jones)to focus on. The Hootenanny that takes up the last 25 minutes is the only part that sort of works. It would have been nicer if there was more time for the choreography. It looks like they only had a couple of days to get it together, but everyone seems to be having a good time and it does send the audience out of the theater tapping their toes.
While not a good film, it is fun and worth seeing for Elvis and Glenda Farrell fans, and people who enjoy 1960's television sitcoms. I thought this was much better than the other Elvis film that Gene Nelson directed, "Harum Scarum". That one really is only for die-hard Elvis.
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