| Erwin Geschonneck | ... | Kalle | |
| Marita Böhme | ... | Karla | |
| Manja Behrens | ... | Clara | |
| Margot Busse | ... | Karin | |
| Kurt Rackelmann | ... | Riese | |
| Rudolf Asmus | ... | Sänger | |
| Hans-Dieter Schlegel | ... | US-Offizier | |
| Fred Delmare | ... | Kutscher | |
| Bruno Carstens | ... | Polizeikommissar | |
| Aleksei Presnetsov | ... | Sowjetischer Kommandant (as A. M. Presnezow) | |
| L.P. Svetlov | ... | Wirtschaftsoffizier (as L.P. Swetlow) | |
| Werner Möhring | ... | Peter | |
| Peter Dommisch | ... | Paul | |
| Fred Ludwig | ... | Ganove | |
| Günter Rüger | ... | Mann mit Marmeladeneimer | |
| Fritz Diez | ... | Arbeiter (as Fritz Dietz) | |
| Jochen Thomas | ... | LKW-Fahrer | |
| Elsa Grube-Deister | ... | Frau im Sägewerk | |
| Gina Presgott | ... | Frau im Sägewerk | |
| Otto Saltzmann | ... | Alter Mann | |
| Albert Zahn | ... | LKW-Fahrer | |
| Wolfram Handel | ... | Beifahrer | |
| Gerd Ehlers | ... | Fleischer | |
| Hans Hardt-Hardtloff | ... | Kommissar | |
| Agnes Kraus | ... | Frau auf dem Friedhof | |
| Sabine Thalbach | ... | Frau auf dem Friedhof | |
| Else Korén | ... | Frau auf dem Friedhof | |
| Maria Besendahl | ... | Frau auf dem Friedhof | |
| Gertrud Brendler | ... | Frau auf dem Friedhof | |
| Frank Michelis | ... | Arbeiter | |
| Hermann Eckhardt | ... | Arbeiter | |
| Georg Helge | ... | Arbeiter | |
| Peter Kalisch | ... | Mann mit Hut | |
| Anita Drechsler | |||
| Hanna Rieger | |||
| Jochen Diestelmann | |||
| Harald Moszdorf | |||
| Horst Giese | |||
| Werner Pfeifer | |||
| Eberhard Schneider | |||
| Gisela Graupner | |||
| Ilona Rüger | |||
| Hans Schmidt |
Directed by | |||
| Frank Beyer | |||
Writing credits(in alphabetical order) | ||
| Frank Beyer | writer | |
| Hans Oliva | scenario | |
Original Music by | |||
| Joachim Werzlau | |||
Cinematography by | |||
| Günter Marczinkowsky | |||
Film Editing by | |||
| Hildegard Conrad | |||
Production Design by | |||
| Alfred Hirschmeier | |||
Costume Design by | |||
| Helga Scherff | |||
Makeup Department | |||
| Lothar Stäglich | .... | makeup artist | |
| Rosemarie Stäglich | .... | makeup artist | |
Production Management | |||
| Gert Klisch | .... | unit manager | |
| Oscar Ludmann | .... | unit manager (as Oskar Ludmann) | |
| Martin Sonnabend | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Helmut Dziuba | .... | assistant director | |
| Sigrid Meyer | .... | assistant director | |
Art Department | |||
| Theo Görgens | .... | property master | |
| Bruno Möller | .... | set builder | |
| Willi Schafer | .... | set builder | |
Sound Department | |||
| Bernd Gerwien | .... | sound | |
Camera and Electrical Department | |||
| Jörg Erkens | .... | assistant camera | |
| Günther Müller | .... | lighting design | |
| Hans-Jürgen Sasse | .... | second camera operator | |
| Heinz Wenzel | .... | still photographer | |
Other crew | |||
| Christel Gräf | .... | dramaturgist | |
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| Mother Night | As Far As My Feet Will Carry Me | A Canterbury Tale | Crossfire | Bankett für Achilles |
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| Full cast and crew | Company credits | External reviews |
| IMDb Comedy section | IMDb East Germany section |
Filmed by the famous East German DEFA studio, this 1963 film looks back at the immediate post war life in the Soviet zone of defeated Germany in 1945. As such, political notes are not to be missed. The one American character is a stupid Army officer with incredibly ugly teeth patrolling the Elbe River in a nice little motorboat. On the other hand, a Soviet officer is a handsome, intelligent, decent man. There are ruins, but people aren't in absolute misery; they're rebuilding the future. This film does not have the despair and nihilism of the real Truemmer Filme produced in the early post war years. Geshonneck delivers an excellent character, an Anthony Quinn with a subtler touch. Despite the political touches, this is a sweet comedy, the type that keeps you smiling, not guffawing. A good film for people interested in post War Europe, even if it looks back with a telescope of almost twenty years.