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Johnny Cool (1963)

Approved | | Action, Crime, Drama | 17 January 1964 (France)
2:24 | Trailer

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Exiled American gangster Colini sends his protégé-killer Giordano to the USA to eliminate Colini's mob enemies.



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Cast overview, first billed only:
Johnny Cool / Salvatore Giordano
Darien 'Dare' Guiness
Louis Murphy
Holmes - Used Car Salesman
Lennart Crandall
Miss Connolly
Hank Henry ...
Larry - Bus Driver
Johnny Colini
Oscar B. 'Oby' Hinds
Gregory Morton ...
Ben Morrow
Vincenzo 'Vince' Santangelo


Colini, an exiled American gangster living in Sicily, rescues Giordano, a young Sicilian outlaw, from the police. After Giordano is groomed, polished, and renamed "Johnny Cool," Colini sends him on a vengeance mission to the United States to assassinate the men who plotted his downfall and enforced exile. Johnny arrives in New York and quickly kills several of the underworld figures on Colini's list. Meanwhile, he picks up Dare Guiness, a wealthy divorcée who becomes his accomplice, and she is severely beaten by the gangsters as a warning against the vendetta. Written by alfiehitchie

Plot Summary | Add Synopsis


The Czar of International Mobsterism! See more »


Approved | See all certifications »




Release Date:

17 January 1964 (France)  »

Also Known As:

A Mafia Manda Matar  »

Filming Locations:

Company Credits

Production Co:

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Technical Specs


Sound Mix:

(Westrex Recording System)

Aspect Ratio:

1.66 : 1
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Did You Know?


Frank Albertson's last theatrical film. See more »


In the second half of the film, after Darien abandons her car in front of the beauty parlor, the police show up. The police later describe it as being a "1961 Ford". It is in fact a 1962 Ford (Galaxie 500 Sunliner). See more »


words and music by Les Vandyke
sung by Sammy Davis Jr.
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User Reviews

A Bleak, Nihilistic Ride
11 September 2010 | by (nashville, tn) – See all my reviews

There's murder and mayhem to spare in this wild ride through the underworld of the early 1960s.

There's simply no one who could play a merciless killer better than Henry Silva, with his beady black eyes, and that inimitable smirk which plays across his face as he dispatches his victims. Here he's put to perfect use as a remorseless "messenger boy of death" sent by deported mobster Johnny Colini (Marc Lawrence) to settle scores with Colini's former associates in the US.

In the odd and somewhat awkward opening scenes of "Johnny Cool", we're introduced to Silva's character as a young boy in Sicily. When fascists kill his mother, he's adopted by the hill bandits who rescued him. Next we see him as a bandit chief, a sort of Sicilian Robin Hood who's an honored guest at a local wedding. Which makes Silva's seemingly easy transition to a cold-blooded hit man a bit inexplicable, after Colini on his own initiative bribes the authorities to fake the bandit's death. I have a feeling there's something missing here; maybe the novel explained it better.

But once Silva -- who at the mobster's behest has taken Colini's name for his own -- hits New York, the movie shifts into high gear, and from that point on it never lets up. Bouncing from New York to Vegas to LA and back, the new Johnny Colini -- or "Johnny Cool" as he's inevitably nicknamed -- eliminates his targets with icy aplomb, leaving a trail of corpses to mark his journey through the underworld.

Along the way, he gets involved with bored little rich girl Darien 'Dare' Guiness (Elizabeth Montgomery), who demonstrates dramatic chops which may come as quite a surprise to those who only know her as Samantha from the TV series "Bewitched". Though she's basically a decent person, something within her is fascinated by the darkness she senses in Johnny, and she's swiftly drawn into the violence that swirls around him. He loves her, but of course in traditional "Beauty and the Beast" fashion, it will be his undoing.

Besides being produced by Peter Lawford and featuring a couple of songs by fellow Rat Pack member Sammy Davis, Jr. as well as cameos by Davis and Joey Bishop, this film sports a striking assemblage of actors in supporting roles: from up-and-comers like Telly Savalas to noir and gangster flick icons like Elisha Cook, Jr. and Robert Armstrong, to some not-so-obvious choices for mob bosses in Jim Backus and Mort Sahl. In his brief appearance Sahl leaves quite an impression, as he greets the prospect of his imminent death with a sort of weary, good-humored resignation. He correctly divines Johnny's fate, offering him some rueful advice that he really should have taken.

And Silva's final scene is unbelievably wrenching, incredibly disturbing for all that it lacks any gore or overt violence. I guarantee you, you will never forget it.

This is a neat little film, compact and brutal as a sawed-off shotgun. While not as stylishly executed as later gangster revenge sagas like "Point Blank" or the original "Get Carter", this one still carries one hell of a punch.

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Johnny Cool on tonight on TCM 3.27.07 6:00PM john-2678
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