Colini, an exiled American gangster living in Sicily, rescues Giordano, a young Sicilian outlaw, from the police. After Giordano is groomed, polished, and renamed "Johnny Cool," Colini ... See full summary »
Actor Jason Steele plays a caring, godlike doctor on television. Off the set, he's the insecure fiancee of Melissa, a pretty art teacher. Jason doesn't know what to expect of marriage, ... See full summary »
During their first year of internship at New North Hospital, a group of aspiring doctors undergo both personal and professional upheavals. John Paul Otis destroys his medical career when he... See full summary »
When his car breaks down during a trip from Los Angeles to Texas John Emmett meets another motorist, Ann Nicholson, who offers him a lift. He learns that she is running away from her ... See full summary »
Henry S. Kesler
Political corruption is vividly depicted as a ruthless WWI veteran takes almost complete control of a state with the help of a crooked lawyer. The film is enhanced by John Payne's persuasive performance as "The Boss."
The partner--and best friend--of a tough New York detective is murdered by killers working for a local mob. Infuriated at the inability of the Police Department to bring in the murderers, ... See full summary »
Bob Hope is a New York theater critic and his wife (Lucille Ball in their final motion picture pairing) writes a play that may or may not be very good. Now Hope must either get out of ... See full summary »
After discovering the body of a murdered female agent in their trendy Soho, London nightclub, groovy owners Charles Salt and Christopher Pepper partake in a fumbling investigation and ... See full summary »
Sammy Davis Jr.,
Colini, an exiled American gangster living in Sicily, rescues Giordano, a young Sicilian outlaw, from the police. After Giordano is groomed, polished, and renamed "Johnny Cool," Colini sends him on a vengeance mission to the United States to assassinate the men who plotted his downfall and enforced exile. Johnny arrives in New York and quickly kills several of the underworld figures on Colini's list. Meanwhile, he picks up Dare Guiness, a wealthy divorcée who becomes his accomplice, and she is severely beaten by the gangsters as a warning against the vendetta. Written by
William Asher, the director of the movie, and Elizabeth Montgomery, the female lead, were married in the same month that the film was released in the United States, October 1963. See more »
When Johnny and Dare last part, they agree to meet "tomorrow night, 7:00 at The Real Tony's". The next morning Dare says "he'll be in a restaurant called The Real Tony's 7:00 tomorrow night" but it would actually be that night. See more »
'Lost' classic crime movie, with 'Rat Pack' member Peter Lawford as Executive Producer, and featuring Rat Packers Sammy Davis Jr. and Joey Bishop in single scene cameos, this is an often brutal mob movie featuring glacial Henry Silva as a pitiless, downbeat anti-hero pitting his wits and weaponry against a variety of slick-suited, big-city mobsters operating behind an outwardly respectable veneer. Opening the movie as a Salvatore Giuliano-type Sicilian folk-hero (the early scenes show a young 'Johnny' being taken under Giuliano's wing in World War II after witnessing his mother's death at the hands of the Nazis), 'Johnny' is reinvented and resurrected by Marc Lawrence's exiled 'Lucky Luciano' type syndicate boss, who has arranged his faked death in order to set him loose against the former Stateside associates who are now lining their pockets with his ill-gotten gains. Swiftly acquiring Elizabeth Montgomery's thrill-seeking, well-heeled moll (a cinematic half-sister to the similarly enthralled Claire Trevor in Robert Wise's BORN TO KILL), Johnny sets about his one-man vendetta amidst the boardrooms, casinos and fancy spreads with a singleminded ruthlessness that, in its settings and attitude (if not it's visual style) appears to foreshadow Lee Marvin's similarly brutal rampage through the well-heeled trappings of contemporary corporate America four years later in POINT BLANK. Comparisons aside, this is a slick slice of thick-ear hardboiled crime, aided by a snappy Billy May score and Sammy Davis Jr. theme which adds to the sense of pace and rhythm engendered by William (BEACH PARTY) Asher's snappy direction. And the ending's a killer (pun intended). Undoubtedly worthy of wider (any!) availability, as it's an often cynical, but arresting crime movie (pun similarly intended)with the makings of a cult. Catch it if you can.
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