Sinbad and his crew intercept a homunculus carrying a golden tablet. Koura, the creator of the homunculus and practitioner of evil magic, wants the tablet back and pursues Sinbad. Meanwhile... See full summary »
John Phillip Law,
Jason has been prophesied to take the throne of Thessaly. When he saves Pelias from drowning, but does not recognize him as the man who had earlier killed his father, Pelias tells Jason to travel to Colchis to find the Golden Fleece. Jason follows his advice and assembles a sailing crew of the finest men in Greece, including Hercules. They are under the protection of Hera, queen of the gods. Their voyage is replete with battles against harpies, a giant bronze Talos, a hydra, and an animated skeleton army, all brought to life by the special effects wizardry of Ray Harryhausen. Written by
Rick Gregory <firstname.lastname@example.org>
While filming footage of the Argo off the coast of Italy, shooting was interrupted when a replica of the Golden Hind sailed into view. The British television series Sir Francis Drake (1961) happened to be filming in the same location. Producer Charles H. Schneer shouted, "Get that ship out of here. You're in the wrong century!" at the British crew, dispelling any tensions that arose from both shots being lost. See more »
As King Aeetes and his men watch the skeleton warriors emerge from the ground, Aeetes cries out as each one appears. But at one point, as a skeleton emerges, Aeetes is plainly seen mouthing something (probably "And still more!"), but his voice is not heard. See more »
Zeus, king of the gods of the Greeks, brighten the ashes that I may read the future. I see... a great tree at the end of the world. And in its branches there hang the skull and skin of a ram. They gleam and shine for it is a prize of the gods, a Golden Fleece.
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Back in 1963 I was only 7 at the time, but I can still remember going to the Tower Theater in Downtown Los Angeles and being totally awed with the effects created by Ray Harryhausen. In today's world it may seem below standard compared to computer effects, but for those of us growing up in that time period, the Harryhausen style of special effects will continue to bring back warm memories of those years. With computer graphics, you see it and like it the first time you see it, but then many movies of today have the same and it becomes moot. Jason and the Argonaunts was one of those few movies at the time along with the Sinbad saga that lives on in your heart. The pace of the film is perfectly put together along with the many creatures, 7-headed hydra, huge fish-man, huge metal man and skeletons fighting is what makes it a classic which lives on in the hearts of those growing up in the sixties.
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