Jason has been prophesied to take the throne of Thessaly. When he saves Pelias from drowning, but does not recognize him as the man who had earlier killed his father, Pelias tells Jason to travel to Colchis to find the Golden Fleece. Jason follows his advice and assembles a sailing crew of the finest men in Greece, including Hercules. They are under the protection of Hera, queen of the gods. Their voyage is replete with battles against harpies, a giant bronze Talos, a hydra, and an animated skeleton army, all brought to life by the special effects wizardry of Ray Harryhausen. Written by
Rick Gregory <email@example.com>
Curiously, for the first time in the history of the trade name of Ray Harryhausen's "Dynamation" process, this film didn't carry the "Dynamation" brand, even in the opening credits. Early publicity materials for the film did, however, advertise it as being filmed in "Dynamation 90" (90 referring to the double 45-degree exposure in the sodium-light traveling matte process, used in this film and some of his previous films as well), but was reportedly dropped for being "too gimmicky". Additionally, the original pre-release prints carried the film's original title card, "Jason and the Golden Fleece" (which can be seen on the 1992 LaserDisc release by Criterion), before deciding on the film's eventual title, "Jason and the Argonauts", on March 1, three months prior to the film's release in early June. See more »
After Jason's fight with Acastus, when Medea is telling Jason of the flower which can heal his wound, if you look past Medea you can see a mountain in the distance. On top of the mountain you can see a lighted building of some sort that appears to be a modern structure. See more »
Zeus, king of the gods of the Greeks, brighten the ashes that I may read the future. I see... a great tree at the end of the world. And in its branches there hang the skull and skin of a ram. They gleam and shine for it is a prize of the gods, a Golden Fleece.
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Possibly. His first "Sinbad" film in 1958 had one moving skeleton for the hero to fight; this one has a whole platoon of them, each part painstakingly moved one tiny distance at a time personally by Harryhausen through stop-motion techniques. The seven-headed Hydra is another technical marvel. There are some other nifty creatures for Jason and his crew to battle, but for me, the most impressive of them all turns up first: the gigantic Talos, the Man of Bronze.
I was a kid when this came out, and I don't think I'll ever forget that moment when the huge, crouched statue came to life, turned his head towards the two men below him (his bronze head screeching with the tear of metal), climbed off of his pedestal, and proceeded to chase Jason and his men. Talos was giant like Godzilla, but as single-minded as the Terminator: all he wants to do is track Jason's crew down until he kills them all. This gave me nightmares. Bernard Herrmann's score is one of his best, making music to match Harryhausen's images. (Herrmann was coming off of other Harryhausen's, plus Hitchcock's "Vertigo," "North by Northwest" and "Psycho," and knew how to thrill you.)
Tom Hanks, who was also a kid when this came out, has said: "Everybody thinks that 'Citizen Kane' was the greatest movie ever made. But if you were young in 1963, you know the real answer is: 'Jason and the Argonauts.'"
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