Sinbad and his crew intercept a homunculus carrying a golden tablet. Koura, the creator of the homunculus and practitioner of evil magic, wants the tablet back and pursues Sinbad. Meanwhile... See full summary »
John Phillip Law,
Jason has been prophesied to take the throne of Thessaly. When he saves Pelias from drowning, but does not recognize him as the man who had earlier killed his father, Pelias tells Jason to travel to Colchis to find the Golden Fleece. Jason follows his advice and assembles a sailing crew of the finest men in Greece, including Hercules. They are under the protection of Hera, queen of the gods. Their voyage is replete with battles against harpies, a giant bronze Talos, a hydra, and an animated skeleton army, all brought to life by the special effects wizardry of Ray Harryhausen. Written by
Rick Gregory <firstname.lastname@example.org>
While filming footage of the Argo off the coast of Italy, shooting was interrupted when a replica of the Golden Hind sailed into view. The British television series Sir Francis Drake (1961) happened to be filming in the same location. Producer Charles H. Schneer shouted, "Get that ship out of here. You're in the wrong century!" at the British crew, dispelling any tensions that arose from both shots being lost. See more »
In the opening battle scene, some of the streets appear wet with rain, while others are dry. See more »
Zeus, king of the gods of the Greeks, brighten the ashes that I may read the future. I see... a great tree at the end of the world. And in its branches there hang the skull and skin of a ram. They gleam and shine for it is a prize of the gods, a Golden Fleece.
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Fans of Ray Harryhausen's stop motion animation process will have a field day with JASON AND THE ARGONAUTS, which Harryhausen considered his best work. And certainly Harryhausen's special effects are the highlight of this film, which is generally based on the ancient Greek myth of Jason's search for the golden fleece.
The film as a whole is very much like a superior sword-and-sandal epic of the 1950s and 1960s, very colorful and over-run with manly men and beautiful dancing girls. A bit slow to start, once the story line is established the pace leaps forward--and we are treated to some of Harryhausen's most enjoyable creations, including Talos, the bronze statue; two of the most evil looking harpies you can imagine; a really nasty hydra; and Harryhausen's most famous (and his own personal favorite) bit of work: an attack by skeleton warriors.
In the wake of computer generated graphics, Harryhausen's work may strike some as dated, but this is actually part of its charm, for we will never see its like on screen again; it has a certain visual appeal not found in contemporary films, and Harryhausen's creations always have remarkable personality. On the downside, however, some of the film's other techniques have not aged as well, and the use of rearview projection is extremely noticeable (and often annoying) to the modern eye. Still, even those who aren't overly enthusiastic about these types of special effects will find the film an excellent choice as a "family night" film. As for Harryhausen fans--the film is a must-see, must-own, and must-watch as often as possible! Gary F. Taylor, aka GFT, Amazon Reviewer
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