Inspector Clouseau travels to Rome to catch a notorious jewel thief known as "The Phantom" before he conducts his most daring heist yet--a princess' priceless diamond with one slight imperfection, known as "The Pink Panther."
The money that fluttered away in the original 1963 film was counterfeit - "a red herring" - and the real treasure is still buried but down deeper in the ground. The sons, daughters and ... See full summary »
After a long prison sentence Smiler Grogan is heading at high speed to a California park where he hid $350,000 from a job 15 years previously. He accidentally careens over a cliff in view of four cars whose occupants go down to help. The dying Grogan gives details of where the money is buried and when the witnesses fail to agree on sharing the cash, a crazy chase develops across the state. Written by
Col Needham <email@example.com>
After Spencer Tracy's credit has been shown, the words "and in alphabetical order" appear, and the next group of credits is assembled below them by animated hands: Milton Berle, Sid Caesar, Buddy Hackett, Ethel Merman, Mickey Rooney, Dick Shawn, Phil Silvers, Terry-Thomas, and Jonathan Winters. But after a moment, the hands reappear to pull out Silvers' credit and move it to the top, then Winters', then Caesar's, and so on until everyone has had had a turn at top billing in the group. The hands then quickly shuffle the credits several more times for good measure, all the time with the "and in alphabetical order" label still in place. The final order is Silvers, Rooney, Berle, Winters, Merman, Hackett, Terry-Thomas, Caesar, Shawn. See more »
This was the first time a comedy got the "epic" film treatment and after getting increasingly pretentious in his previous two dramas, Stanley Kramer just went all out for simple old-fashioned fun with the largest ensemble of comic talent he could get his hands on. How big? Consider that this is a film in which both Jack Benny and Rochester appear, but not together (also true of Phil Silvers and his "Sergeant Bilko" nemesis Paul Ford). Just about every big name in TV comedy of the 50s and 60s is here and the results, while not the greatest of its kind ("The Great Race" is a funnier film in my opinion) still manages to deliver the laughs.
It's too bad the remaining ten minutes (plus the police bulletins intermission) of the road show version still is missing, because the expanded version helped me appreciate the film a lot more than I did the first time out when I saw it on TV as a faded pan and scan atrocity. This is one film that makes great use of the widescreen.
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