Father Rivard is a priest in a small, economically depressed coal mining town. Working on what he thinks is a "controversial" work, he lives with the brutal lives of his poor parishioners, ... See full summary »
Dick Van Dyke,
R.P.M. stands for (political) revolutions per minute. Anthony Quinn plays a liberal college professor at a west coast college during the hedy days of campus activism in the late 1960s. ... See full summary »
Tucker is a chronic underachiever and a loser. A Vietnam war veteran who just can't seem to keep out of trouble, in the years since his discharge. The only thing he got out of the war was ... See full summary »
The money that fluttered away in the original 1963 film was counterfeit - "a red herring" - and the real treasure is still buried but down deeper in the ground. The sons, daughters and ... See full summary »
After a long prison sentence Smiler Grogan is heading at high speed to a California park where he hid $350,000 from a job 15 years previously. He accidentally careens over a cliff in view of four cars whose occupants go down to help. The dying Grogan gives details of where the money is buried and when the witnesses fail to agree on sharing the cash, a crazy chase develops across the state. Written by
Col Needham <firstname.lastname@example.org>
When the cast first assembled for a meeting with the director, they were shown the stunts and second unit footage that had already been shot. Buddy Hackett was so impressed, that he went to Stanley Kramer and asked, "What do you need *us* for?" See more »
Meyer clearly cuts in front of Captain Culpeper's car to drive up the ramp to the park, but when the camera cuts to the front shot of Meyer's car the Captain's black car is no where to be found near the base of the ramp. (It should be in the background on the left-hand side.) See more »
J. Russell Finch:
[pulls a blue bicycle from the mess of furniture that fell out of Pike's van]
J. Russell Finch:
take this and go hire us the best car you can find.
But... this is a little girl's bike. This is for a little girl. Oh listen, I got to get this stuff back in so I can lock up the van.
J. Russell Finch:
We'll put everything away. Will you get going please, will you hurry?
Oh okay... I gotta admit. I feel kinda silly. You know what I mean?
[Pedals away on the bicycle]
See more »
The animators who animated the opening title sequence were technically uncredited on film, but they did get their names in during the shot where the giant globe "explodes" and there is a shower of name credits strewn over the screen. Freeze-frame reveals the names of all the animators. This is the same animation team who did A Charlie Brown Christmas (1965). See more »
Having been born in 1965, it's safe to say that the first time I ever saw "It's a Mad, Mad, Mad, Mad World" was on network television. Every other user comment already reveals enough about the movie, so I'll just stick with my own experiences regarding the film.
If you must know, yes I do believe this film is a well-deserved comedy classic, but it's also loaded with breathtaking scenery (natural and contemporary) that's often overlooked by most critics. Many a fan wants to know where that mountain road is. Since I'm also a fan of big cars of the post-WW2 era I can easily spot every one. Mickey Rooney's Volkswagen must be worth a fortune if it's still around. And I don't care if this movie is over 3 hours long. As one commenter put it it has been edited to pieces. I envy those who saw the original 1963 version of this movie, but even they didn't see everything. The versions I've seen include the original television edit, the director's cut on 2 VHS tapes which contain some "lost scenes" and people I never even knew were in the movie, the DVD, and even a version on TV where some scenes were shown out of order. The director's cut VHS tapes is the best, partially because of those scenes such as additional police observations, as well as having the sense to keep the original overture, entr'acte, and exit music title cards. Unfortunately, the DVD removes those lost scenes and mixes them with a section of other deleted scenes, like a louder version of Buddy Hackett's "17 ways of figuring it" speech, and some riskier ordeals in Santa Rosita Park.
I've come to the conclusion that there's only one solution to this problem -- unless all footage is found and re-installed into the original version, the screenplay must be released into a book and sold to the public.
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