Two New Yorkers are accused of murder in rural Alabama while on their way back to college, and one of their cousins--an inexperienced, loudmouth lawyer not accustomed to Southern rules and manners--comes in to defend them.
Three buddies wake up from a bachelor party in Las Vegas, with no memory of the previous night and the bachelor missing. They make their way around the city in order to find their friend before his wedding.
After a long prison sentence Smiler Grogan is heading at high speed to a California park where he hid $350,000 from a job 15 years previously. He accidentally careens over a cliff in view of four cars whose occupants go down to help. The dying Grogan gives details of where the money is buried and when the witnesses fail to agree on sharing the cash, a crazy chase develops across the state. Written by
Col Needham <firstname.lastname@example.org>
Stanley Kramer once said that Phil Silvers was the biggest gambler he had ever seen in or out of Las Vegas. See more »
When Otto Meyer has a blowout you can clearly see the dirt on the blacktop showing that the scene has been done more than once. See more »
[after hitting Pike unconscious with a pop bottle]
Holy mackerel. When he started... Listen, we better get him tied up. What are we gonna do when he comes to?
Hit him again.
Oh I couldn't!
See more »
The animators who animated the opening title sequence were technically uncredited on film, but they did get their names in during the shot where the giant globe "explodes" and there is a shower of name credits strewn over the screen. Freeze-frame reveals the names of all the animators. This is the same animation team who did A Charlie Brown Christmas (1965). See more »
Having been born in 1965, it's safe to say that the first time I ever saw "It's a Mad, Mad, Mad, Mad World" was on network television. Every other user comment already reveals enough about the movie, so I'll just stick with my own experiences regarding the film.
If you must know, yes I do believe this film is a well-deserved comedy classic, but it's also loaded with breathtaking scenery (natural and contemporary) that's often overlooked by most critics. Many a fan wants to know where that mountain road is. Since I'm also a fan of big cars of the post-WW2 era I can easily spot every one. Mickey Rooney's Volkswagen must be worth a fortune if it's still around. And I don't care if this movie is over 3 hours long. As one commenter put it it has been edited to pieces. I envy those who saw the original 1963 version of this movie, but even they didn't see everything. The versions I've seen include the original television edit, the director's cut on 2 VHS tapes which contain some "lost scenes" and people I never even knew were in the movie, the DVD, and even a version on TV where some scenes were shown out of order. The director's cut VHS tapes is the best, partially because of those scenes such as additional police observations, as well as having the sense to keep the original overture, entr'acte, and exit music title cards. Unfortunately, the DVD removes those lost scenes and mixes them with a section of other deleted scenes, like a louder version of Buddy Hackett's "17 ways of figuring it" speech, and some riskier ordeals in Santa Rosita Park.
I've come to the conclusion that there's only one solution to this problem -- unless all footage is found and re-installed into the original version, the screenplay must be released into a book and sold to the public.
48 of 68 people found this review helpful.
Was this review helpful to you?