7.4/10
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Irma la Douce (1963)

Unrated | | Comedy, Romance | 5 June 1963 (USA)
In Paris, a former policeman falls in love with a prostitute, and tries to get her out of that life by paying for all of her time.

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Won 1 Oscar. Another 5 wins & 7 nominations. See more awards »
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Cast

Cast overview, first billed only:
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Nestor Patou / Lord X
...
...
...
...
...
Lolita
...
Amazon Annie
...
Kiki the Cossack
Paul Dubov ...
Andre
...
Concierge
...
Police Sergeant
Diki Lerner ...
Jojo
Herb Jones ...
Casablanca Charlie
Ruth Earl ...
One of the Zebra Twins
Jane Earl ...
One of the Zebra Twins
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Storyline

Naive, by the book French police officer Nester Patou, is transferred to the Red Light district. Upon witnessing what must be a brothel, he calls the station and organizes a raid, transporting all the 'ladies' to the jail. This unfortunately disrupts the well organized system of the police and the Pimps union. Not to mention inadvertently netting his station superior at the brothel. Fired, he goes to a bar to drink, is befriended by Irma, beats up her pimp, and finds he is now Irma's new pimp. Nester's doesn't like the thought of his girl seeing other men, so comes up with a plan. Written by Brian W Martz <B.Martz@Genie.com>

Plot Summary | Add Synopsis

Taglines:

YOU COULDN'T ASK FOR FRIENDLIER FEMALES OR A FUNNIER PICTURE! (original print ad - all caps) See more »

Genres:

Comedy | Romance

Certificate:

Unrated | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

5 June 1963 (USA)  »

Also Known As:

Irma la dulce  »

Box Office

Budget:

$5,000,000 (estimated)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Westrex Recording System)

Color:

(Technicolor)

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

In order to be able to portray Irma properly, Shirley MacLaine travelled to Paris to see what it was like for real Parisian prostitutes. They were eager to tell her what it was like and very willing to answer any questions she had. When asked if she would like to "watch them in action" she politely declined, but to her surprise they became indignant. They requested that she WATCH one of their weekly customers with three of the girls through a small window in the hotel door- she unwillingly obliged. See more »

Goofs

During the film, one of the girls has her heart shaped glasses broken by an angry Irma, but during the wedding scene her glasses are intact. See more »

Quotes

Moustache: Shows you the kind of world we live in. Love is illegal - but not hate. That you can do anywhere, anytime, to anybody. But if you want a little warmth, a little tenderness, a shoulder to cry on, a smile to cuddle up with, you have to hide in dark corners, like a criminal. Pfui.
See more »


Soundtracks

Our Language of Love
Music by Marguerite Monnot
French lyrics by Alexandre Breffort
English lyrics by Julian More, David Heneker and Monty Norman
See more »

Frequently Asked Questions

See more (Spoiler Alert!) »

User Reviews

More Wilder than Breffort
4 April 2002 | by (United States) – See all my reviews

This film is Billy Wilder's rewriting of Alexandre Breffort's French musical farce. In 1960, David Merrick brought an English version of the piece to the United States. This Brechtian play concerned penniless law student Nestor le Fripe and his jealous love for his prostitute girl friend, Irma. He disguises himself as Monsieur Oscar and becomes her only client. When he becomes jealous of Oscar, he pretends to murder the fake client. He is assisted in this scheme by Bob, a bartender who also serves as a narrator of sorts.

Wilder keeps the basic idea of the play, but turns le Fripe, now Nestor Patou, into a policeman who falls for Irma. Bob becomes known as Moustache and Monnot's songs are used only for background music. In the leading roles, Jack Lemmon, Shirley MacLaine, Lou Jacobi, Hershel Bernardi and Bruce Yarnell are as French as French fries. Wilder injects the farce with his usual cynical romanticism. The shame is that all of the leading players had musical comedy backgrounds and could have put across the musical numbers with style. Wilder did not have to use all 14 musical numbers, but 2 or 3 would have made the point. There is no reason why Jacobi could not have opened the film with "Valse Milieu". The "Dis-donc" number is almost performed by Shirley MacLaine in the film; why wasn't it done? Jack Lemmon could have crooned "Our Language of Love" to Shirley in the early bedroom scene. Maybe Wilder felt that the music would take the bite out the his film. It would have, but it would have made the film warmer. Thank goodness Wilder decided to include some silly slapstick to lighten the piece a bit.

When I first saw this film, I was disappointed in it, but after a few more viewings, it stands up well against Wilder's other cynical-romantic comedies of this era. And it is the only one in color!


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