| Photos (See all 11 | slideshow) |
| Sophia Loren | ... | Adelina Sbaratti / Anna Molteni / Mara | |
| Marcello Mastroianni | ... | Carmine Sbaratti / Renzo / Augusto Rusconi | |
| Aldo Giuffrè | ... | Pasquale Nardella (segment "Adelina") | |
| Agostino Salvietti | ... | Dr. Verace (segment "Adelina") | |
| Lino Mattera | ... | Amedeo Scapece (segment "Adelina") | |
| Tecla Scarano | ... | Verace's sister (segment "Adelina") | |
| Silvia Monelli | ... | Elivira Nardella (segment "Adelina") | |
| Carlo Croccolo | ... | Auctioneer (segment "Adelina") | |
| Pasquale Cennamo | ... | Chief Police (segment "Adelina") | |
| Tonino Cianci | ... | (segment "Adelina") (as Antonio Cianci) | |
| Armando Trovajoli | ... | Giorgio Ferrario (segment "Anna") | |
| Tina Pica | ... | Grandmother Ferrario (segment "Mara") | |
| Gianni Ridolfi | ... | Umberto (segment "Mara") (as Giovanni Ridolfi) | |
| Gennaro Di Gregorio | ... | Grandfather (segment "Mara") |
Directed by | |||
| Vittorio De Sica | |||
Writing credits | ||
| Eduardo De Filippo | (segment "Adelina") story and | |
| Eduardo De Filippo | (segment "Adelina") screenplay & | |
| Isabella Quarantotti | (segment "Adelina") screenplay | |
| Alberto Moravia | (segment "Anna") novella "Troppo Ricca" and | |
| Cesare Zavattini | (segment "Anna") screenplay & | |
| Bella Billa | (segment "Anna") screenplay & | |
| Lorenza Zanuso | (segment "Anna") screenplay | |
| Cesare Zavattini | (segment "Mara") story and | |
| Cesare Zavattini | (segment "Mara") screenplay | |
Produced by | |||
| Carlo Ponti | .... | producer | |
Original Music by | |||
| Armando Trovajoli | |||
Cinematography by | |||
| Giuseppe Rotunno | |||
Film Editing by | |||
| Adriana Novelli | |||
Production Design by | |||
| Ezio Frigerio | |||
Costume Design by | |||
| Piero Tosi | |||
Production Management | |||
| Mario Abussi | .... | production supervisor: Naples | |
| Antonio Altoviti | .... | general manager | |
| Mario Di Biase | .... | production supervisor: Rome and Milan | |
Second Unit Director or Assistant Director | |||
| Luisa Alessandri | .... | assistant director | |
| Nino Segurini | .... | assistant director (as Antonio Segurini) | |
Art Department | |||
| Andrea Crisanti | .... | assistant art director | |
Sound Department | |||
| Ennio Sensi | .... | sound supervisor | |
Camera and Electrical Department | |||
| Giuseppe Di Biase | .... | assistant camera | |
| Giuseppe Maccari | .... | camera operator | |
| Luciano Tovoli | .... | assistant camera (as Luciano Tavoli) | |
Costume and Wardrobe Department | |||
| Cesare Rovatti | .... | costume assistant (as Cesare Rovati) | |
Editorial Department | |||
| Marisa Letti | .... | assistant editor | |
Music Department | |||
| Armando Trovajoli | .... | conductor | |
Other crew | |||
| Carla Fierro | .... | script girl | |
| Matteo Spinola | .... | publicist | |
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| 8½ | Ossessione | Madame Bovary | The Best of Youth | My Brother Is an Only Child |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Comedy section | IMDb Italy section |
Oscar-winning Italian film from Vittorio De Sica, wildly overrated in its day, now a faded piece of fluff. Three portraits of Italian womanhood, each featuring Sophia Loren in the lead: Adelina is a saleswoman on the black market who dodges the police through pregnancy (they can't lock her up if she's with child), resulting in seven bambinos and bambinas; Anna is the wealthy wife of an industrialist at an impasse with her frustrated lover; Mara is a prostitute who becomes involved in the troubles of her neighbors, which frustrates her horny client waiting in the bedroom. Marcello Mastroianni plays the men in Loren's lives, however the expected sparks between the two charismatic stars fail to arrive (this seems a perfunctory screen-combination). Giuseppe Rotunno's cinematography is especially pretty in the third chapter (by far the best of the lot), and Armando Trovajoli has composed a nice background score; otherwise, a surprisingly unfunny tease, with more shouting than lovemaking. ** from ****