MOVIEmeter
SEE RANK
Up 2,753 this week

I Could Go on Singing (1963)

7.1
Your rating:
    1 2 3 4 5 6 7 8 9 10 -/10 X  
Ratings: 7.1/10 from 835 users  
Reviews: 38 user | 7 critic

Jenny Bowman is a successful singer who, while on an engagement at the London Palladium, visits David Donne to see her son Matt again, spending a few glorious days with him while his father... See full summary »

Director:

Writers:

(story), (screenplay), 1 more credit »
0Check in
0Share...

User Lists

Related lists from IMDb users

list image
a list of 331 images
created 03 Jul 2011
 
a list of 75 titles
created 20 Dec 2011
 
a list of 5121 titles
created 29 May 2012
 
a list of 464 titles
created 29 Nov 2012
 
a list of 49 titles
created 8 months ago
 

Connect with IMDb


Share this Rating

Title: I Could Go on Singing (1963)

I Could Go on Singing (1963) on IMDb 7.1/10

Want to share IMDb's rating on your own site? Use the HTML below.

Take The Quiz!

Test your knowledge of I Could Go on Singing.
Edit

Cast

Cast overview:
...
...
...
Aline MacMahon ...
Ida
Gregory Phillips ...
Russell Waters ...
Reynolds
Pauline Jameson ...
Miss Plimpton
Jeremy Burnham ...
Young Hospital Doctor
Eric Woodburn
Robert Rietty
Gerald Sim ...
Assistant Mgr. at the Palladium
David Lee ...
Pianist
Leon Cortez ...
The Busker
Al Paul
Edit

Storyline

Jenny Bowman is a successful singer who, while on an engagement at the London Palladium, visits David Donne to see her son Matt again, spending a few glorious days with him while his father is away in Rome in an attempt to attain the family that she never had. When David returns, Matt is torn between his loyalty to his father and his affection for Jenny. Written by John Teo <jt224@cam.ac.uk>

Plot Summary | Add Synopsis

Taglines:

IT'S JUDY! Lighting up the lonely stage in the singing-acting role of her life! See more »

Genres:

Drama | Musical

Certificate:

See all certifications »
Edit

Details

Country:

|

Language:

Release Date:

11 October 1963 (Finland)  »

Also Known As:

The Lonely Stage  »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Westrex Recording System)

Color:

(Technicolor)

Aspect Ratio:

2.35 : 1
See  »
Edit

Did You Know?

Trivia

Costume designer Edith Head was much criticized for the dreadful red dress Judy wears to sing "By Myself," but she insisted that she had not designed it or been asked to approve it. See more »

Quotes

David Donne: Do you still knit?
Jenny Bowman: Oh, no. Nothing I knitted ever fitted.
See more »

Connections

Edited into Chop Suey (2001) See more »

Soundtracks

I COULD GO ON SINGING
Music by Harold Arlen
Lyrics by E.Y. Harburg
See more »

Frequently Asked Questions

This FAQ is empty. Add the first question.

User Reviews

 
Judy in her last attempt at a film triumph.
2 February 2004 | by (New York City) – See all my reviews

Just prior to starting her controversial TV series, Judy Garland returned to the big screen for two films: the straight drama "A Child is Waiting", and the musical drama "I Could Go on Singing". This last film could have been a personal triumph for her, and based upon her excellent performance, should have been. She sings, she emotes, she clowns, and not once does she disappoint. What turned off the critics was the old-fashioned mother love story attached to the glitz and glamour of Judy's performance.

The story tells of an American singer, Jenny Bowman who comes to London for a sold-out series of concerts. She longs to see her illegitimate son Matt (Gregory Phillips) whom she left with his father, Dr. David Donne (handsome Dirk Bogarde) years before to pursue a career. Matt, unaware of who Jenny really is, is taken under her magic spell much to David's chagrin. Jenny becomes attached to Matt and undergoes a lot of trauma as she seeks to pursue her way back into David's life in order to become Matt's mother at last.

The obvious Madame X story could be an instant turnoff for those who are sickened by sappy dramas like this, even the best ones of the 30's and 40's.

However, Judy takes this beyond possible Ross Hunter soap opera twists and turns it into a one-woman show where she gave movie audiences a chance to see what she had been doing live on stage since her MGM years ended 13 years before. The excitement builds with Jenny's manager George (a young Jack Klugman) helping to build up her excitement and the audience's enthusiastic rise to their feet when she makes her first entrance. Matt's smile as she begins to sing is one that must have crossed many a young man's face during this era, particularly the gay fan base Judy had been building up during the past 10 years. His earlier performance in drag in a production of "HMS Pinafore" could have come off as camp (especially when he introduces Judy to one of his co-stars as "One of the Pinafore's best top men"), but fortunately, his youth kept him from looking like a female impersonator.

Each of Garland's numbers are carefully staged with her outfits matching the backdrops, yet not blending in. Particularly dramatic is Garland's rendition of "By Myself", a Fred Astaire tune from "The Bandwagon". In a flaming sequined red dress (and an equally fiery mood), Garland unleashes all the passion of her performance. One solo ballad, "It Never Was You", is reminiscent of "Friendly Star" from her last MGM movie, "Summer Stock", done in a way which proves Judy could sing any type of song. "Hello, Blue Bird" is a companion tune with "Over the Rainbow", done in a subtle shade of blue, indicating that maybe Dorothy did find where those happy little blue birds fly. She sings the title song over the credits and in the rousing finale.

Dirk Bogarde gets second billing, but doesn't appear as much as the sweet looking Gregory Phillips, then 14 years old, just a few years younger than Judy's daughter Liza. Bogarde and Garland do have some great scenes together, but lack the chemistry of Garland and her previous British co-star, James Mason. Phillips' excitement in the concert scenes is most believable, and he works well with the great lady of song. Following his Broadway experience with another great entertainer, Ethel Merman in "Gypsy", Jack Klugman does well as Garland's patient agent, George; It would be almost another decade before he found lasting fame on TV as part of "The Odd Couple" and later "Quincy". In the confrontation scenes with Garland, Klugman is outstanding. The small role of Ida, Garland's wardrobe lady, is played by the wonderful stage and screen actress Aline MacMahon, a tall lanky character performer who once had the opportunity for screen stardom but preferred the more real characters she ultimately played. (See her as one of the wisecracking "Gold Diggers of 1933" as well as one of the many kind hearted characters she played during her Warner Brothers days; You will see what a lovely performer she was, and the chance to appear with Garland was an excellent way to top her career.)

It is a shame that this film came and went. It probably did very well in cities such as New York, Los Angeles, and San Francisco, where Judy's gay audiences flocked to see it, but probably failed in smaller areas where audiences wanted to remember Judy as Dorothy and not see her as a troubled adult with a scandalous past (much like herself). Sometimes its hard to tell where Judy ends and Jenny begins, but life is not imitating art here; She is only playing several aspects of who Judy was. Yes, she could be trouble (as Dirk Bogarde would reveal about her behavior on the set), but many people (Dirk included) would admit that when she did deliver, the magic she gave was worth the trouble. Jenny comes off as a troubled woman filled with the love for her audience that Judy indeed had, and an almost unfullfillable need for love from those immediately around her. There is a pain in Judy's eyes that comes out in the character that makes you wonder if she wasn't feeling pain inside from playing part of her own life. Yet, there is a humor that shows the survivor side as well, something Judy could portray as well. Both Jenny and Judy were very complex women, and Judy's ability to play that side of her without coming off as self-parody is a performance that was more than deserving of Academy Award consideration. It is that performance which takes away some of the clichés of an old formula and makes it fresh and moving.


30 of 34 people found this review helpful.  Was this review helpful to you?

Message Boards

Recent Posts
Judy's Last Movie McPearson
favorite scenes. FroggieBabie08
Mama Rose sschimel
Please explain the ending... VelvetVoice
Anone notice this goof? Maddy-17
Hard to believe rooster_davis
Discuss I Could Go on Singing (1963) on the IMDb message boards »

Contribute to This Page

Create a character page for:
?