Hud Bannon is a ruthless young man who tarnishes everything and everyone he touches. Hud represents the perfect embodiment of alienated youth, out for kicks with no regard for the ... See full summary »
A mountain man who wishes to live the life of a hermit becomes the unwilling object of a long vendetta by Indians, and proves to be a match for their warriors in one-on-one combat on the ... See full summary »
Tom Logan is a horse thief. Rancher David Braxton has horses, and a daughter, worth stealing. But Braxton has just hired Lee Clayton, an infamous "regulator", to hunt down the horse thieves; one at a time.
Hud Bannon is a ruthless young man who tarnishes everything and everyone he touches. Hud represents the perfect embodiment of alienated youth, out for kicks with no regard for the consequences. There is bitter conflict between the callous Hud and his stern and highly principled father, Homer. Hud's nephew Lon admires Hud's cheating ways, though he soon becomes aware of Hud's reckless amorality to bear him anymore. In the world of the takers and the taken, Hud is a winner. He's a cheat, but, he explains "I always say the law was meant to be interpreted in a lenient manner." Written by
An extra playing the pharmacist/cashier in the drugstore diner scene resembles actor Richard Deacon enough that Deacon is sometimes erroneously credited with the role. It is not he. See more »
When the vet first comes and is talking to them all about possible causes of the cow death, the wind comes up and causes one of the mylar reflectors to wobble, creating a flash in the scene like someone fired a camera. See more »
Hud is the finest American movie ever made. One hundred years from now people will want to know who we were, how we lived and what kind of problems we faced. Hud is a great movie not only because it is a great story with great actors, great direction and a great score but also because it helps future generations understand us. It is a great human interest story, a classic story of right and wrong. The movie gains power because it is shot in black and white with a spare score; and it is not afraid to experiment as when Hud Bannon (Paul Newman) refers to Lon (Brandon de Wilde) as Fantan. The scenes of everyday Texas in the 1950s are pure Americana. This movie is as refreshing today as when I first saw it as a boy in the 1960s; and the performances have not aged.
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