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Hud (1963)

Approved | | Drama | 29 May 1963 (USA)
Honest and hard-working Texas rancher Homer Bannon has a conflict with his unscrupulous, selfish, arrogant and egotistical son Hud, who sank into alcoholism after accidentally killing his brother in a car crash.

Director:

Writers:

(screenplay), (screenplay) | 1 more credit »
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Won 3 Oscars. Another 12 wins & 17 nominations. See more awards »
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Cast

Cast overview, first billed only:
...
...
...
...
Lonnie Bannon (as Brandon de Wilde)
...
Mr. Burris
...
Jesse
...
Hermy
...
Jose
...
Joe Scanlon
Curt Conway ...
Truman Peters
Sheldon Allman ...
Mr. Thompson
Pitt Herbert ...
Mr. Larker
Carl Low ...
Mr. Kirby
Robert Hinkle ...
Rodeo Announcer Frank
Don Kennedy ...
Charlie Tucker
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Storyline

Hud Bannon is a ruthless young man who tarnishes everything and everyone he touches. Hud represents the perfect embodiment of alienated youth, out for kicks with no regard for the consequences. There is bitter conflict between the callous Hud and his stern and highly principled father, Homer. Hud's nephew Lon admires Hud's cheating ways, though he soon becomes aware of Hud's reckless amorality to bear him anymore. In the world of the takers and the taken, Hud is a winner. He's a cheat, but, he explains "I always say the law was meant to be interpreted in a lenient manner." Written by alfiehitchie

Plot Summary | Plot Synopsis

Taglines:

After lovin' Hud liked fightin' best . . . after fightin' Hud liked lovin' best! See more »

Genres:

Drama

Certificate:

Approved | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

Release Date:

29 May 1963 (USA)  »

Also Known As:

El indomable  »

Box Office

Budget:

$2,500,000 (estimated)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Westrex Recording System)

Aspect Ratio:

2.35 : 1
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Did You Know?

Trivia

Elmer Bernstein's score for Hud runs approximately six minutes, making it one of the shortest film scores ever. But what a six minutes it is - in fact, it's perfection and just right for the film. Bernstein recorded his six minutes twice: once with a 12-piece ensemble, and then, a week later, re-orchestrated (by Bob Bain) for three guitars. Presumably the revision was at Ritt's request for a smaller and even more intimate sound - which really was the right choice. The music is sparse, yes, but it's potent every time it appears. There's also some source music in the film - car radios, jukeboxes, records. See more »

Goofs

When Hud leaves the married woman's house, he puts on his boots and his pants are tucked into the boots. The next time you see him, his pants are outside of his boots. See more »

Quotes

[first lines]
Lonnie Bannon: OK, thanks for the lift.
See more »

Connections

Referenced in The Making of 'Butch Cassidy and the Sundance Kid' (1970) See more »

Soundtracks

The Great Titanic (It Was Sad When That Great Ship Went Down)
(uncredited) (ca 1915)
American folk song
Sung a cappella by Paul Newman and Brandon De Wilde
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User Reviews

 
Great American prose poem
13 September 2002 | by (Saint Paul, MN) – See all my reviews

One Hell of a movie, and very nearly perfect. Paul Newman, Melvyn Douglas, and Brandon De Wilde star as three generations of a ranching family. Douglas is the patriarch, stern and strong, but clearly moving ever closer to the end of his life. Paul Newman, who plays the title character, is his youngest and only surviving son. There is an obvious but unspoken conflict between the two of them. In the middle is Brandon De Wilde, actually the film's main character (although all the choice acting moments belong to Douglas and Newman, and the yet to be mentioned Patricia Neal). His father, Newman's brother, died when he was very young. Growing up in Douglas' shadow, he worships the man and tries to emulate his moral code. However, his wilder side sees the untamed Newman as a sort of folk hero, and the rare times when he gets to hang out with his uncle seem to him to be the best of his life. Patricia Neal plays their maid (brilliantly, I should immediately state), after whom both uncle and nephew lust. A different conflict arises from this. As Hud, Paul Newman has many chances to be a second James Dean, exploding with emotion. Those scenes are excellent, of course, but where Hud succeeds most is at the edges of the screen. It is an enormously subtle film. The filmmakers should especially be commended for their amazing use of musical score. There is a really beautiful score, but it is never used, not once, to steer the audience's emotions. A good 90% of the film has no music in the background. Hud is an American masterpiece. 10/10.


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