Hud Bannon is a ruthless young man who tarnishes everything and everyone he touches. Hud represents the perfect embodiment of alienated youth, out for kicks with no regard for the ... See full summary »
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Notorious gunfighter Jimmy Ringo rides into town to find his true love, who doesn't want to see him. He hasn't come looking for trouble, but trouble finds him around every corner.
Director:
Henry King
Stars:
Gregory Peck,
Helen Westcott,
Millard Mitchell
A mountain man who wishes to live the life of a hermit becomes the unwilling object of a long vendetta by Indians when he proves to be the match of their warriors in one-to-one combat on ... See full summary »
A fiercely independent cowboy arranges to have himself locked up in jail in order to then escape with an old friend who has been sentenced to the penitentiary.
Director:
David Miller
Stars:
Kirk Douglas,
Gena Rowlands,
Walter Matthau
A gambler and a prostitute become business partners in a remote Old West mining town, and their enterprise thrives until a large corporation arrives on the scene.
Tom Logan is a horse thief. Rancher David Braxton has horses, and a daughter, worth stealing. But Braxton has just hired Lee Clayton, an infamous "regulator", to hunt down the horse thieves... See full summary »
When his cattle drivers abandon him for the gold fields, rancher Wil Andersen is forced to take on a collection of young boys as his drivers in order to get his herd to market in time to ... See full summary »
Hud Bannon is a ruthless young man who tarnishes everything and everyone he touches. Hud represents the perfect embodiment of alienated youth, out for kicks with no regard for the consequences. There is bitter conflict between the callous Hud and his stern and highly principled father, Homer. Hud's nephew Lon admires Hud's cheating ways, though he soon becomes aware of Hud's reckless amorality to bear him anymore. In the world of the takers and the taken, Hud is a winner. He's a cheat, but, he explains "I always say the law was meant to be interpreted in a lenient manner." Written by
alfiehitchie
The novel "Exodus" is briefly but clearly visible on the paperback rack in the pharmacy scene. Paul Newman had starred in the film of the novel (Exodus) three years earlier. See more »
Goofs
After Hud hits the guy at the bar, he takes a swig from his bottle-in-bag, which is on the bar, but which he had left at the table. See more »
"The Great Titanic (It Was Sad When That Great Ship Went Down)"
(uncredited) (ca 1915)
American folk song
Sung a cappella by Paul Newman and Brandon De Wilde See more »
It's difficult to grasp that Melvyn Douglas spent most of his career sailing through light, romantic roles and emerged in old age as one of the greatest actors in cinema history. Knowing the talent he possessed, how did he keep from killing the heads of the studios? Paul Newman, Melvyn Douglas, Patricia Neal, and Brandon de Wilde star in "Hud," an unsparing 1963 morality story about a Texas rancher, Homer Bannon, his bastard son, Hud, his housekeeper, and his grandson. The bastard, of course, is Paul Newman, who doesn't have a decent bone in his body. People on this board have said it's his greatest performance. He's given so many great ones, it's hard to say for me. An astounding actor, and he gets a run for his money from Douglas, who plays the moral center of the story.
The two characters couldn't be more opposite, as one sees in their treatment of a potential run of hoof and mouth disease that could wipe out Homer's entire herd. Hud wants to ship the whole herd out and possibly infect other people's cattle - he couldn't care less. Homer won't hear of it.
If you love animals, this is a difficult film to watch, but it's worth it. Melvyn Douglas is absolutely gut-wrenching as Homer, a proud man who loves the land and his cattle and who has no use for his son, who smashed his car and killed Homer's other son. de Wilde is Hud's nephew who admires him and wants to emulate him but as time goes by, realizes that Hud is made of ice. de Wilde doesn't give an emotional performance
he's almost more of an observer. It works well here amidst the very
contained Douglas and the free and easy Newman. You can see he's a good kid trying to grow up and decide what kind of man to be.
Patricia Neal is the housekeeper; she and Douglas both deservingly won Oscars. Her delivery is wry and knowing; she can't help being attracted to the virile Hud but she knows he's trouble and never gives in to her desires willingly.
As much as I love Newman and think he's one of the greatest actors ever to hit the movies, for me, Douglas' searing performance is the one that will stay with me. It's easy to see why in 1963 this was such a dramatic breakthrough for Newman, but 43 years and many roles later, we're more familiar with what he can do. We know he can play a cold bastard now. His greatest performances for me will always be those in the "The Verdict" and "The Hustler," both of which called for many more nuances of character. Hud represents '60s disillusionment - which as the decade went on was only going to get worse; this is one of the reasons it is an iconic role. For me, Newman had more surprises in store.
Brilliant performances, excellent direction, stark photography, Hud is a great American film, not easily forgotten once seen.
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It's difficult to grasp that Melvyn Douglas spent most of his career sailing through light, romantic roles and emerged in old age as one of the greatest actors in cinema history. Knowing the talent he possessed, how did he keep from killing the heads of the studios? Paul Newman, Melvyn Douglas, Patricia Neal, and Brandon de Wilde star in "Hud," an unsparing 1963 morality story about a Texas rancher, Homer Bannon, his bastard son, Hud, his housekeeper, and his grandson. The bastard, of course, is Paul Newman, who doesn't have a decent bone in his body. People on this board have said it's his greatest performance. He's given so many great ones, it's hard to say for me. An astounding actor, and he gets a run for his money from Douglas, who plays the moral center of the story.
The two characters couldn't be more opposite, as one sees in their treatment of a potential run of hoof and mouth disease that could wipe out Homer's entire herd. Hud wants to ship the whole herd out and possibly infect other people's cattle - he couldn't care less. Homer won't hear of it.
If you love animals, this is a difficult film to watch, but it's worth it. Melvyn Douglas is absolutely gut-wrenching as Homer, a proud man who loves the land and his cattle and who has no use for his son, who smashed his car and killed Homer's other son. de Wilde is Hud's nephew who admires him and wants to emulate him but as time goes by, realizes that Hud is made of ice. de Wilde doesn't give an emotional performance
- he's almost more of an observer. It works well here amidst the very
contained Douglas and the free and easy Newman. You can see he's a good kid trying to grow up and decide what kind of man to be.Patricia Neal is the housekeeper; she and Douglas both deservingly won Oscars. Her delivery is wry and knowing; she can't help being attracted to the virile Hud but she knows he's trouble and never gives in to her desires willingly.
As much as I love Newman and think he's one of the greatest actors ever to hit the movies, for me, Douglas' searing performance is the one that will stay with me. It's easy to see why in 1963 this was such a dramatic breakthrough for Newman, but 43 years and many roles later, we're more familiar with what he can do. We know he can play a cold bastard now. His greatest performances for me will always be those in the "The Verdict" and "The Hustler," both of which called for many more nuances of character. Hud represents '60s disillusionment - which as the decade went on was only going to get worse; this is one of the reasons it is an iconic role. For me, Newman had more surprises in store.
Brilliant performances, excellent direction, stark photography, Hud is a great American film, not easily forgotten once seen.