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House of the Damned (1963)

 -  Mystery | Thriller  -  March 1963 (USA)
5.1
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Ratings: 5.1/10 from 201 users  
Reviews: 11 user | 14 critic

An architect and his wife are staying in an empty castle in California. They are joined by an unhappily married lawyer and his wife. Things start getting strange when they spot a half man/... See full summary »

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Title: House of the Damned (1963)

House of the Damned (1963) on IMDb 5.1/10

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Cast

Cast overview:
Ron Foster ...
Scott Campbell
Merry Anders ...
Nancy Campbell
Richard Crane ...
Joseph Schiller
Erika Peters ...
Loy Schiller
...
Mr. Quinby
Georgia Schmidt ...
Priscilla Rochester
Stacey Winters ...
Nurse
...
The Giant
Ayllene Gibbons ...
The Fat Woman
John Gilmore ...
The Legless Man
Frieda Pushnik ...
The Legless Girl
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Storyline

An architect and his wife are staying in an empty castle in California. They are joined by an unhappily married lawyer and his wife. Things start getting strange when they spot a half man/half beast prowling around the house and keep seeing a headless woman wandering the grounds. Written by frankfob2@yahoo.com

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Taglines:

13 keys to unleash the living dead. See more »

Genres:

Mystery | Thriller

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Release Date:

March 1963 (USA)  »

Also Known As:

House of the Damned  »

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Aspect Ratio:

2.35 : 1
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Did You Know?

Goofs

When Ron Foster and Merry Anders set out on their journey to the House they are in a Chrysler, but arrive in a Plymouth. When they go to the estate agent to collect the keys the Chrysler is parked outside, but they return to the house in the Plymouth. See more »

Quotes

The Legless Girl: Where will we go?
The Fat Woman: We'll have to find a new circus.
The Legless Girl: The faces...
The Fat Woman: Oh come on, come on, we've all been looked at before.
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User Reviews

 
Neglected curiosity stays in memory.
17 December 2002 | by (Australia) – See all my reviews

In the sixties, Robert Lippert's Associated Producers scored a contract making black and white 'Scope B movies to run with Fox's big pictures and turned loose house director Maury Dexter on them. The results were uneven but one group - the contemporary thrillers - the Los Angeles films - were more striking than most of the big films that elbowed them out of the advertising space.

Along with WOMAN HUNT, AIR PATROL and the later RAIDERS FROM BENEATH THE SEA, HOUSE OF THE DAMNED spins a thin budget into something surprisingly memorable. It succeeds where the Tod Browning film FREAKS failed in making it's circus performers real rather than monsters. The film's curious gentleness is one of its surprises.

The building of tension is nicely crafted - the unanswered phone, moving shots of the deserted private road, disturbing detail like the broken sculpture, the thirteen keys and the re-appearing sign.

Throw in the winning Merry Anders, anticipating the self reliant seventies woman and the atmospheric Hollywood Hills mansion setting which was once actually a haunt of bootleggers. People I see this with are always surprised that such a film exists.


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