| Photos (See all 12 | slideshow) |
| Peter Sellers | ... | The Rev. John Smallwood | |
| Cecil Parker | ... | Archdeacon Aspinall | |
| Isabel Jeans | ... | Lady Despard | |
| Ian Carmichael | ... | The Other Smallwood | |
| Bernard Miles | ... | Simpson | |
| Brock Peters | ... | Matthew Robinson | |
| Eric Sykes | ... | Harry Smith | |
| Irene Handl | ... | Rene Smith | |
| Miriam Karlin | ... | Winnie Smith | |
| Joan Miller | ... | Mrs. Smith-Gould | |
| Miles Malleson | ... | Rockeby | |
| Eric Barker | ... | Bank Manager | |
| William Hartnell | ... | Major Fowler | |
| Roy Kinnear | ... | Fred Smith | |
| Joan Hickson | ... | Housewife | |
| Kenneth Griffith | ... | Rev. Owen Smith | |
| Mark Eden | ... | Sir Geoffrey Despard | |
| John Comer | ... | Butcher | |
| Basil Dignam | ... | Prisoner Governor | |
| Franklyn Engelman | ... | TV Commentator | |
| Colin Gordon | ... | Prime Minister | |
| Geoffrey Hibbert | ... | Council Official | |
| Joan Heal | ... | Disgruntled Housewife | |
| Ludovic Kennedy | ... | Himself | |
| Marjie Lawrence | ... | Quarrelling Housewife (as Margery Lawrence) | |
| Harry Locke | ... | Shop Steward | |
| Henry B. Longhurst | ... | Deaf Gentleman | |
| Joan Matheson | ... | Cast Member | |
| Malcolm Muggeridge | ... | Cleric | |
| Derek Nimmo | ... | Director-General's Assistant | |
| Conrad Phillips | ... | P.R.O. | |
| Nicholas Phipps | ... | Director-General | |
| Cardew Robinson | ... | Tramp | |
| Gerald Sim | ... | Self-Service Store Manager | |
| Olive Sloane | ... | Quarreling Housewife | |
| Marianne Stone | ... | Miss Palmer | |
| Elsie Wagstaff | ... | Lady on Parish Church Council | |
| Thorley Walters | ... | Tranquilax Executive | |
| Ian Wilson | ... | Salvation Army Major | |
| George Woodbridge | ... | Bishop | |
| Josephine Woodford | ... | Doris Smith | |
| rest of cast listed alphabetically: | |||
| Ronald Adam | ... | Cabinet Minister #1 (uncredited) | |
| Rodney Bewes | ... | Milkfloat Driver (uncredited) | |
| Tim Brinton | ... | TV Commentator (uncredited) | |
| Peggy Ann Clifford | ... | Bit Part, Crowd Scene (uncredited) | |
| Ed Devereaux | ... | Communications Officer (uncredited) | |
| John Glyn-Jones | ... | Professor (uncredited) | |
| Nora Gordon | ... | Old lady in garden (uncredited) | |
| Fred Griffiths | ... | Angry Man in Crowd Scene (uncredited) | |
| John Harvey | ... | Wilson, Prison Officer (uncredited) | |
| Drewe Henley | ... | Doris' Boy Friend (uncredited) | |
| Rose Hill | ... | Woman (uncredited) | |
| John Junkin | ... | Reporter at Space Launch Site (uncredited) | |
| Barry Keegan | ... | Angry Man in Crowd Scene (uncredited) | |
| Louis Mansi | ... | Man Buying Groceries (uncredited) | |
| Steve Marriott | ... | Jack (uncredited) | |
| Billy Milton | ... | Fellowes (uncredited) | |
| Arthur Mullard | ... | Cast Member (uncredited) | |
| Howard Pays | ... | Astronaut (uncredited) | |
| Frank Sieman | ... | Baptist - Food Queue (uncredited) | |
| Rita Tobin-Weske | ... | Lady at Church Door (uncredited) | |
| Russell Waters | ... | Bit Part, Cabinet Office (uncredited) | |
| Fred Wood | ... | Protester (uncredited) | |
Directed by | |||
| John Boulting | |||
| Roy Boulting | |||
Writing credits(in alphabetical order) | ||
| John Boulting | screenplay | |
| John Boulting | story | |
| Frank Harvey | screenplay | |
| Frank Harvey | story | |
| Malcolm Muggeridge | idea | |
Produced by | |||
| John Boulting | .... | producer | |
| Roy Boulting | .... | producer | |
Original Music by | |||
| Richard Rodney Bennett | |||
Cinematography by | |||
| Mutz Greenbaum | (as Max Greene) | ||
Film Editing by | |||
| Teddy Darvas | |||
Art Direction by | |||
| Albert Witherick | |||
Costume Design by | |||
| David Ffolkes | |||
Makeup Department | |||
| Gerry Fletcher | .... | makeup artist | |
| Stuart Freeborn | .... | makeup artist | |
| Barbara Ritchie | .... | hair stylist | |
Production Management | |||
| Michael F. Johnson | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Derek Cracknell | .... | assistant director | |
| Henry Emery | .... | second assistant director (uncredited) | |
| Malcolm Johnson | .... | third assistant director (uncredited) | |
Art Department | |||
| Robert Cartwright | .... | assistant art director (uncredited) | |
| Peter Childs | .... | draughtsman (uncredited) | |
| Alan Evans | .... | scenic artist (uncredited) | |
| Roy Walker | .... | draughtsman (uncredited) | |
| Frank Willson | .... | draughtsman (uncredited) | |
Sound Department | |||
| Chris Greenham | .... | dubbing editor | |
| Red Law | .... | dubbing mixer | |
| George Stephenson | .... | sound recordist (as George Stevenson) | |
| Jack Davies | .... | boom operator (uncredited) | |
| David Lenham | .... | assistant boom operator (uncredited) | |
| Brian Marshall | .... | dubbing crew (uncredited) | |
| Brian Paxton | .... | sound maintenance (uncredited) | |
| Vorke Scarlett | .... | dubbing crew (uncredited) | |
Visual Effects by | |||
| John Mackey | .... | model photography (uncredited) | |
| John Mackey | .... | travelling matte (uncredited) | |
| George Samuels | .... | model photography (uncredited) | |
| George Samuels | .... | travelling matte (uncredited) | |
| Wally Veevers | .... | model photography (uncredited) | |
| Wally Veevers | .... | travelling matte (uncredited) | |
Camera and Electrical Department | |||
| Peter Allwork | .... | camera operator | |
| Geoff Meldrum | .... | second camera operator (uncredited) | |
| Laurie Ridley | .... | still photographer (uncredited) | |
| Ray Sieman | .... | clapper loader (uncredited) | |
Editorial Department | |||
| Bill Garlic | .... | second assistant editor (uncredited) | |
| John Poyner | .... | assembly cutter (uncredited) | |
| David Woodward | .... | assistant editor (uncredited) | |
Music Department | |||
| John Hollingsworth | .... | conductor | |
Other crew | |||
| Olga Brook | .... | continuity | |
| Harold Ironmonger | .... | consultant (as Rev. Harold Ironmonger) | |
| Theo Richmond | .... | production assistant to producer | |
| Derek Robbins | .... | publicist (uncredited) | |
| Dee Vaughan | .... | production secretary (uncredited) | |
| Recent Posts (updated daily) | User |
|---|---|
| Prefigures 'Being There' | ybrika |
| Lolita reference | viaggio1 |
| Locations? | m-sommers |
|
|
|
|
|
| The Ruling Class | I'm All Right Jack | Private's Progress | Expresso Bongo | Cousin Bette |
|
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
| Full cast and crew | Company credits | External reviews |
| IMDb Comedy section | IMDb UK section |
This was a marvelous little comedy that in many ways is reminiscent of the great Alec Guinness film, THE MAN IN THE WHITE SUIT. Like this other film, the movie's main theme is unintended consequences that arise from some selfless and altruistic acts of the leads.
Peter Sellers plays a rather "straight" role as a well-meaning and decent Anglican minister. Unlike Inspector Clouseau and Dr. Strangelove, this character is much more subtle and believable. He didn't play the part strictly for laughs but was more of a characterization. Sellers was a truly gifted and amazing man in how he could seemingly become the people he was playing. His gentle manner and working-class accent worked perfectly to create one of the nicest and sincere priests in film history.
The movie is exceptional in that I think the movie can be enjoyed by religious and non-religious people alike. The film is very cynical and explores human nature in such a way that everyone can take something profound from the film. It is also unusual in that while technically a comedy, it is also serious social commentary. It had a lot to say about the teachings of Jesus and just how impossible it would be to truly implement them in a basically selfish world! Aside from a bad word used here or there, none of this should put off by the film. It isn't heavy-handed or preachy and isn't meant to offend organized religion.
The only reason the film only merits an 8 is because the ending is a bit of a let-down. It really didn't make much sense and was impossible to believe and because of this it really blunted the overall effect of the movie.