8 items from 2016
“The boat can leave now. Tell the crew.” With these words, a horror classic was born. Zombie (1979) was the first Lucio Fulci film that assaulted my eyeballs, And it was the first zombie flick I ever saw. Heady stuff for a quivering ten-year-old, but it proved to be the perfect gateway to the splattery splendors of Italian terror, a door that will forever remain ajar.
Let me be as straightforward as I can: if you’re a fan of Fulci but haven’t caught this yet, you can forget about the surrealism of The Beyond (1981) or the Lovecraftian flourishes of City of the Living Dead (1980). This is Fulci driving a simple narrative right through the hearts of horror lovers everywhere, coming out the back bloodied and unbound, unapologetic in its mission statement to horrify and repulse. Mission accomplished.
- Scott Drebit
Sarah Dobbs Oct 7, 2016
The director of the brilliant Under The Shadow chats to us about how his childhood memories and love of horror movies inspired him
Every now and then, a horror movie comes along that gets people excited. Not just horror fans, but critics and cinemagoers who aren’t normally into scares. Recently we’ve had The Babadook, with its story about grief and difficult relationships between parents and their kids, and The Witch, which grabbed attention with its authentic 17th century setting and hard-to-understand accents even before the devil worshipping kicked off.
Now, there’s another scary movie that’s racking up glowing reviews left, right, and centre – everyone from the Guardian to the NME to Variety and, well, Den of Geek has raved about Under The Shadow. A brilliantly scary portrayal of life in war-torn Iran, it’s got a claustrophobic atmosphere, stunning camerawork, and some excellent »
This kitty needs no introduction: Simone Simon is the purring-sweet immigrant with a dark atavistic secret. It's Val Lewton's debut smash hit. The real hero is director Jacques Tourneur, who conveys a feeling of real life being lived that won over audiences of 1942 and drew them into his web of fantasy. Cat People Blu-ray The Criterion Collection 833 1942 / B&W / 1:37 flat Academy / 73 min. / available through The Criterion Collection / Street Date September 20, 2016 / 39.95 Starring Simone Simon, Kent Smith, Tom Conway, Jane Randolph, Jack Holt, Elizabeth Russell, Theresa Harris. Cinematography Nicholas Musuraca Art Direction Albert S. D'Agostino, Walter E. Keller Film Editor Mark Robson Original Music Roy Webb Written by De Witt Bodeen Directed by Jacques Tourneur
Reviewed by Glenn Erickson
Val Lewton never had to be 'discovered,' actually. Life magazine awarded him his own photo layout and the critics praised him as the maker of a new brand of psychologically based horror films. »
- Glenn Erickson
Radical changes were required to adapt Lillian Hellman's Broadway play for post-Code Hollywood, to eradicate a theme that in 1934 was entirely taboo. But were audiences really unaware of the subject matter switch? William Wyler excels with this bowdlerized, yet curiously near-perfect, story about the power of scandal. These Three DVD-r The Warner Archive Collection 1936 / B&W / 1:37 flat Academy / 93 min. / Street Date February 9, 2016 / available through the WBshop / 21.99 Starring Miriam Hopkins, Merle Oberon, Joel McCrea, Catharine Doucet, Alma Kruger, Bonita Granville, Marcia Mae Jones , Carmencita Johnson, Mary Ann Durkin, Margaret Hamilton, Walter Brennan. Cinematography Gregg Toland Film Editor Daniel Mandell Original Music Alfred Newman Written by Lillian Hellman Produced by Samuel Goldwyn Directed by William Wyler
Reviewed by Glenn Erickson
William Wyler directed half a decade's worth of silent westerns before his big break came. From that point on he made high profile dramas, almost all of which are excellent movies. »
- Glenn Erickson
Ryan Lambie Jul 7, 2016
Marred by a troubled production, Event Horizon was a box office flop in 1997. But time has been kind to the sci-fi horror, Ryan writes...
In the spring of 1997, movie journalism was dominated by discussions of doomed ships. James Cameron’s Titanic, originally scheduled for the lucrative 4th July slot that summer, had suffered yet another delay. It added fuel to the growing speculation that Cameron was at the helm of a potential disaster akin to Heaven's Gate. The cost of making the movie had swollen to such huge levels - $200m according to some accounts, and possibly higher according to others - that the financial burden was shouldered by two of Hollywood’s biggest studios, Fox and Paramount.
By Todd Garbarini
The Ahrya Fine Arts Theatre in Los Angeles will be presenting a 55th anniversary screening of Robert Wise’s Oscar-winning 1961 musical West Side Story. The 152-minute film will be screened on Wednesday, June 29, 2016 at 7:30 pm. Starring Natalie Wood, Richard Beymer, Russ Tamblyn and Rita Moreno, the screening is scheduled to precede appearances by George Chakiris who played Bernardo and Russ Tamblyn who played Riff.
From the press release:
Part of our Anniversary Classics series. For details, visit: laemmle.com/ac.
West Side Story (1961)
55th Anniversary Screening
One of the most honored and commercially successful of all movie musicals, West Side Story earned a near-record 10 Academy Awards in 1961.The film version of the groundbreaking stage musical that re-imagined Romeo and Juliet in contemporary New York City retained and deepened the play’s emotional impact by bringing together a show business all-star team. The show’s director and choreographer, »
- firstname.lastname@example.org (Cinema Retro)
When I was a kid, there were a number of films that could genuinely scare me: “The Haunting” (the original Robert Wise version), “The Innocents”, “The Uninvited.” These were all films that dealt in the shadows; that tantalized and scared us with what might be hidden in that half open closet in the bedroom versus what actually was. The filmmakers who made these groundbreaking thrillers were hip to one key rule of horror and that is that our imagination is often times more frightening than the man in the rubber monster suit who jumps out and shouts “boo!” The “Omen”
A Bad “Omen:” A Review of A&E’s “Damien” »
- Ryan Vandergriff
Robert Wise's taut noir suspenser about the Mafia takeover of a small city is like an underworld Invasion of the Body Snatchers. John Forsythe's newsman slowly realizes that gambling corruption has infiltrated the business district, city hall, and even his close associates; he's expected to become a crook too, or else. Great docudrama style aided by a special deep-focus lens; Estes Kefauver makes a personal appearance touting the crime-busting Washington committee that inspired the picture. The Captive City Blu-ray Kl Studio Classics 1952 / B&W / 1:33 flat full frame / 91 min. Street Date January 5, 2016 / available through Kino Lorber / 29.95 Starring John Forsythe, Joan Camden, Marjorie Crossland, Victor Sutherland, Ray Teal, Martin Milner, Geraldine Hall, Hal K. Dawson, Paul Brinegar, Estes Kefauver, Victor Romito. Cinematography Lee Garmes Film Editor Robert Swink Original Music Jerome Moross Written by Alvin M. Josephy Jr., Karl Kamb Produced by Theron Warth Directed by Robert Wise
- Glenn Erickson
8 items from 2016
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