| Vincent Price | ... | Charles Dexter Ward / Joseph Curwen | |
| Debra Paget | ... | Ann Ward | |
| Lon Chaney Jr. | ... | Simon Orne (as Lon Chaney) | |
| Frank Maxwell | ... | Dr. Marinus Willet / Priam Willet | |
| Leo Gordon | ... | Edgar Weeden / Ezra Weeden | |
| Elisha Cook Jr. | ... | Peter Smith / Micah Smith (as Elisha Cook) | |
| John Dierkes | ... | Benjamin West / Jacob West (as John Dierkies) | |
| Milton Parsons | ... | Jabez Hutchinson | |
| Cathie Merchant | ... | Hester Tillinghast | |
| Guy Wilkerson | ... | Gideon Leach / Mr. Leach | |
| I. Stanford Jolley | ... | Carmody, Coachman (as Stanford Jolley) | |
| Harry Ellerbe | ... | Minister | |
| Barboura Morris | ... | Mrs. Weeden | |
| Darlene Lucht | ... | Miss Fitch | |
| Bruno VeSota | ... | Bruno, the Bartender (as Bruno Ve Sota) |
Directed by | |||
| Roger Corman | |||
Writing credits | ||
| Charles Beaumont | (screenplay) | |
| Edgar Allan Poe | poem (as Edgar Allen Poe) & | |
| H.P. Lovecraft | story "The Case of Charles Dexter Ward" & | |
| H.P. Lovecraft | story "The Strange Case of Charles Dexter Ward" | |
| Francis Ford Coppola | additional dialogue (uncredited) | |
Produced by | |||
| Roger Corman | .... | producer | |
| Ronald Sinclair | .... | associate producer | |
| Samuel Z. Arkoff | .... | executive producer (uncredited) | |
| James H. Nicholson | .... | executive producer (uncredited) | |
Original Music by | |||
| Ronald Stein | |||
Cinematography by | |||
| Floyd Crosby | (director of photography) | ||
Film Editing by | |||
| Ronald Sinclair | |||
Art Direction by | |||
| Daniel Haller | |||
Makeup Department | |||
| Ted Coodley | .... | makeup artist | |
| Lorraine Roberson | .... | hair dresser | |
| Verne Langdon | .... | prosthetic supply (uncredited) | |
| Verne Langdon | .... | special prosthetics creator (uncredited) | |
Production Management | |||
| Jack Bohrer | .... | production manager | |
Second Unit Director or Assistant Director | |||
| Paul Rapp | .... | assistant director | |
Art Department | |||
| Harry Reif | .... | set dresser | |
| Richard M. Rubin | .... | prop master (as Dick Rubin) | |
Sound Department | |||
| John L. Bury | .... | sound (as John Bury) | |
| Gene Corso | .... | sound editor (uncredited) | |
Camera and Electrical Department | |||
| Charles Hannawalt | .... | key grip (as Chuck Hannawalt) | |
| Harry Sundby | .... | gaffer | |
Costume and Wardrobe Department | |||
| Marjorie Corso | .... | wardrobe supervisor (as Marge Corso) | |
Other crew | |||
| Armondo Linus Acosta | .... | title designer (as Armand Acosta) | |
| Francis Ford Coppola | .... | dialogue director (uncredited) | |
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| Playing on Big Screen 11/28/2010 | jwc53531 |
| edgar allen poe? | kelticpete |
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| Minority opinion | eddiekluber |
| The scream | cartoonlunchbox |
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| Full cast and crew | Company credits | External reviews |
| News articles | IMDb Horror section | IMDb USA section |
Roger Corman's 'Poe' series is one of the all time highlights of cinema. With low budgets, great stories and Vincent Price; Corman has created a legacy that is hard to react to with anything but admiration, and it's certainly a style of film-making that will never be utilised again. This film is, actually, not based on a story by Edgar Allen Poe; but one by the almost equally excellent HP Lovecraft. You will notice Poe's name on the posters, but that's nothing more than a ploy by American International to ensure that people went to see it. However, whoever wrote it is inconsequential, because it's incredible whatever. From the moment it begins, with an incredibly malevolent Vincent Price being burned for witchcraft shortly after putting a curse on the village of Arkham in one of the man's finest monologues ever; this film grabs you doesn't let go until the words 'The End' appear on your screen. The subject of witchcraft and burning witches has, and will always be absolutely fascinating and this film capitalises on that. Adding to the intrigue is some otherworldly creatures in the basement that Price feeds young women to, and a village full of deformed residents! Lovecraft's Necronomicon joins the party as well...
I don't know how much American International paid Vincent Price for making this and other Corman films, but whatever it was, it wasn't enough. Price holds the viewer's attention like no other actor has ever, and probably will ever do again. He handles his dual role fantastically, and switches between the darkly macabre and an innocent naivety at the drop of a hat. Also joining in the fun is fellow horror legend, Lon Chaney; who puts in a delightful performance and provides most of the scares! Corman does an absolutely fantastic job of building atmosphere in this movie, and the village of Arkham is constantly foreboding and intriguing. The use of smoke is right on cue; as is the music, which is massively over the top; but very, very effective. The problem with many horror films is that in spite of being excellent, they're often not very frightening; but there's one sequence in this film that sees a bunch of deformed villagers surround Price and his wife that is positively nightmare inducing! I have nothing but respect and admiration for this picture as it is an immense achievement in Corman's Poe cycle, and don't let the fact that it's not a Poe story put you off - if you're a fan of Price, Corman or just low budget atmospheric horror in general, see this film NOW!