4.7/10
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4 user

Gunfighters of Casa Grande (1964)

Approved | | Western | 1 April 1964 (USA)
When a gambler wins a Mexican cattle ranch at a game of poker, he plans to drive the herd across the Rio Grande to Texas, sell the cattle and leave the ranch behind. He hires on local hands... See full summary »

Director:

Writers:

(screenplay), (story) | 3 more credits »
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Cast

Cast overview, first billed only:
...
Joe Daylight
...
Viajero (Traveler)
...
Doc
...
Kid
Phil Posner ...
Henri
Mercedes Alonso ...
Dona Maria de Castellar
...
Gitana, Daylight's Girl
María Granada ...
Pacesita, Maria's Maid
...
Don Castellar de Verdugo
...
Rojo, Bandit Chief
Toni Fuentes ...
Carlos, Casa Grande's 1st Vaquero (as Anthony Fuentes)
Ángel Solano ...
Don Ariola
Pepe Martín ...
Don Luis (as José Martín)
Jim Gillen ...
Sheriff
Mike Ekiss ...
Deputy
Edit

Storyline

When a gambler wins a Mexican cattle ranch at a game of poker, he plans to drive the herd across the Rio Grande to Texas, sell the cattle and leave the ranch behind. He hires on local hands, but during the drive, the discover that he plans to cheat them.

Plot Summary | Add Synopsis

Genres:

Western

Certificate:

Approved | See all certifications »
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Details

Country:

|

Language:

Release Date:

1 April 1964 (USA)  »

Also Known As:

Banditterne fra Casa Grande  »

Filming Locations:


Company Credits

Production Co:

,  »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Westrex Recording System)

Color:

(Metrocolor)

Aspect Ratio:

2.35 : 1
See  »
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Did You Know?

Trivia

The trailer for this movie was the first to feature the voice of Don LaFontaine. He was a recording engineer and copy writer who replaced the announcer who didn't show up for the session. See more »

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User Reviews

 
End of the Line
8 November 2006 | by (New York City) – See all my reviews

Veteran MGM B director Roy Rowland ended his career with three cheap westerns co-produced with MGM and shot in Spain. In some ways this looks like one of the gritty westerns that were being turned out by Italy, but while the body count is adequate, Rowland was too steeped in the MGM mystique -- this movie is too visually polite, the music score a tad too lush and the actors too clean to compare with Sergio Leone's 'Man With No Name', so the result is nothing particular: too pretty for grit, too gritty for a traditional B and even a script co-written by Borden Chase can't do much.

The actors try to do something with their performances, particularly Alex Nicol, but his character lacks enough definition to be particularly interesting. Director Rowland's son, Steve has a featured role as 'The Kid'. One wonders how he felt about that during the shoot.


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