Jewish brothers in Nazi-occupied Eastern Europe escape into the Belarussian forests, where they join Russian resistance fighters and endeavor to build a village in order to protect themselves and about 1,000 Jewish non-combatants.
After an Egyptian army, commanded by British officers, is destroyed in a battle in the Sudan in the 1880's, the British government is in a quandary. It does not want to commit a British ... See full summary »
Based on a true story, a group of allied escape artist-type prisoners-of-war (POW's) are all put in an 'escape proof' camp. Their leader decides to try to take out several hundred all at once. The first half of the film is played for comedy as the prisoners mostly outwit their jailers to dig the escape tunnel. The second half is high adventure as they use boats and trains and planes to get out of occupied Europe. Written by
John Vogel <email@example.com>
Donald Pleasence's character was based partly on London-born John Cordwell, later a Chicago architect and then proprietor of the Red Lion Pub on the city's N. Lincoln Avenue. Cordwell died in 1999. Stories about him and the Red Lion are told from various points of view in the collection "Tales from the Red Lion" (Chicago: Twilight Tales, 2007, ISBN 0977985623). See more »
The film shows the executions being carried out by uniformed German troops using a Spandau machine gun. In reality, the executions were done by Gestapo agents who used pistols at close range. See more »
It's all right. It's all right, mate. We're just having a friendly little argument.
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Credit should be given to the brilliant score by Elmer Bernstein. If you listen to it closely, it literally is a battle between the Allied Prisoners (flutes & woodwinds) and the Germans (tubas). The escape scenes with the little boat on the scenic german river is evocative of Wagner and his heroic Germanic Operas. The scenery of the German countryside and the Alps is breathtaking. I believe that the scriptwriters emphasized the heroism, humor, and character of the prisoners to make an uplifting statement of what is essentially a cruel and tragic story. As a child growing up in the seventies, our 7th grade glass was reading the Paul Brickhill book and we had the opportunity to meet a former (American) Stalag Luft III prisoner from that era. He had arrived at the camp after the Great Escape, but was placed on the monument detail for the 50 executed men. He said that few men seriously contemplated escape after this incident and the emphasis was on surviving the war and going home alive.
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