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After settling his differences with a Japanese PoW camp commander, a British colonel co-operates to oversee his men's construction of a railway bridge for their captors - while oblivious to a plan by the Allies to destroy it.
When Dr. Henry Jones, Sr. suddenly goes missing while pursuing the Holy Grail, eminent archaeologist Dr. Henry "Indiana" Jones, Jr. must follow in his father's footsteps to stop the Nazis from getting their hands on the Holy Grail first.
Based on a true story, a group of allied escape artist-type prisoners-of-war (POWs) are all put in an 'escape proof' camp. Their leader decides to try to take out several hundred all at once. The first half of the film is played for comedy as the prisoners mostly outwit their jailers to dig the escape tunnel. The second half is high adventure as they use boats and trains and planes to get out of occupied Europe. Written by
John Vogel <email@example.com>
John Leyton who played Willy, the Tunneler, was one of the most popular UK pop singers in the early '60s. He recorded the title song with lyrics. See more »
In an early scene after the prisoners are brought into the camp, Werner asks Hendley why, as an American, he fights alongside Britain, who burned down the U.S. capital in 1812. While it happened during the War of 1812, the burning of Washington actually occurred in 1814. See more »
Willie, since I was a boy, I hate and fear little rooms, closets, caves.
But Danny, you've dug seventeen tunnels. Over seventeen!
Because I must get out! I hide the fear, and I dig. Tomorrow night in the tunnel with all those men... I'm afraid maybe this time I will lose my head and ruin the escape for everybody.
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Credit should be given to the brilliant score by Elmer Bernstein. If you listen to it closely, it literally is a battle between the Allied Prisoners (flutes & woodwinds) and the Germans (tubas). The escape scenes with the little boat on the scenic german river is evocative of Wagner and his heroic Germanic Operas. The scenery of the German countryside and the Alps is breathtaking. I believe that the scriptwriters emphasized the heroism, humor, and character of the prisoners to make an uplifting statement of what is essentially a cruel and tragic story. As a child growing up in the seventies, our 7th grade glass was reading the Paul Brickhill book and we had the opportunity to meet a former (American) Stalag Luft III prisoner from that era. He had arrived at the camp after the Great Escape, but was placed on the monument detail for the 50 executed men. He said that few men seriously contemplated escape after this incident and the emphasis was on surviving the war and going home alive.
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