After settling his differences with a Japanese PoW camp commander, a British colonel co-operates to oversee his men's construction of a railway bridge for their captors - while oblivious to a plan by the Allies to destroy it.
Based on a true story, a group of allied escape artist-type prisoners-of-war (POW's) are all put in an 'escape proof' camp. Their leader decides to try to take out several hundred all at once. The first half of the film is played for comedy as the prisoners mostly outwit their jailers to dig the escape tunnel. The second half is high adventure as they use boats and trains and planes to get out of occupied Europe. Written by
John Vogel <firstname.lastname@example.org>
Jud Taylor, who played Goff, the third American in the prison, said the camp set was so authentic and impressive that one day he came upon a man walking his dog who was very distressed when he came upon the site. The man was greatly relieved, Goff said, when he learned it was just a movie set. See more »
When Danny prepares to dig the first tunnel, he marks the outline using blue chalk. The outline is round/oval, but during a close-up shot when he writes the number 17 in the corner, the outline is more of a square. In the next shot, the outline is once again oval and the number 17 looks different. See more »
Did the Gestapo give you a rough time?
Not nearly as rough as I now intend to give them.
Roger, personal revenge must be kept out of what we have to do here. Too many lives are at stake.
What my personal feelings are is of no importance. You appointed me Big X. And it's my duty to harass, confound, and confuse the enemy to the best of my ability.
Well, that's what I intend to do. I'm going to cause such a terrible stink in this... Third Reich of theirs, that thousands of ...
[...] See more »
The Great Escape should be a movie every one has seen. It's the definitive P.O.W. movie -- and all other films in the genre fail to compare. It should be noted that this isn't just a Steve McQueen movie (although he is bound to be everyone's favorite character), but this is an ensemble piece with great performances by Richard Attenborough, James Garner, James Coburn, Donald Pleasence, and Charles Bronson. Wonderful build-up, great middle, and a terrific ending. This film is classic.
One of the best scores of all time.
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