After settling his differences with a Japanese PoW camp commander, a British colonel co-operates to oversee his men's construction of a railway bridge for their captors - while oblivious to a plan by the Allies to destroy it.
Based on a true story, a group of allied escape artist-type prisoners-of-war (POW's) are all put in an 'escape proof' camp. Their leader decides to try to take out several hundred all at once. The first half of the film is played for comedy as the prisoners mostly outwit their jailers to dig the escape tunnel. The second half is high adventure as they use boats and trains and planes to get out of occupied Europe. Written by
John Vogel <email@example.com>
The character of von Luger was actually based on Friedrich von Lindeiner-Wildau. As with von Luger, the real commandant was an Oberst (Colonel), a general staff officer, and a holder of the "Blue Max" (Pour le Merite) medal. However, while the pictures on the wall of von Luger's office are of World War I flying units, von Lindeiner-Wildau earned his Blue Max in the East Africa campaigns in 1905-07 and served as an infantry officer before and during World War I. He retired from the Army in 1919 and only joined the Luftwaffe in 1937 at 'Hermann Goring''s personal invitation. See more »
At the start of the escape sequence Capt. Hilts, the "cooler king", is wearing a dark top and white trousers and can easily be seen against the background. It seems implausible to attempt to escape through tunnel dirt in the middle of the night dressed in white. See more »
Hold on to yourself, Bartlett. You're twenty feet short.
What do you mean, twenty feet short?
You're twenty feet short of the woods. The hole is right here in open. The guard is between us and the lights.
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Credit should be given to the brilliant score by Elmer Bernstein. If you listen to it closely, it literally is a battle between the Allied Prisoners (flutes & woodwinds) and the Germans (tubas). The escape scenes with the little boat on the scenic german river is evocative of Wagner and his heroic Germanic Operas. The scenery of the German countryside and the Alps is breathtaking. I believe that the scriptwriters emphasized the heroism, humor, and character of the prisoners to make an uplifting statement of what is essentially a cruel and tragic story. As a child growing up in the seventies, our 7th grade glass was reading the Paul Brickhill book and we had the opportunity to meet a former (American) Stalag Luft III prisoner from that era. He had arrived at the camp after the Great Escape, but was placed on the monument detail for the 50 executed men. He said that few men seriously contemplated escape after this incident and the emphasis was on surviving the war and going home alive.
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