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The Leopard (1963)
"Il gattopardo" (original title)

PG  |   |  Drama  |  15 July 1963 (USA)
8.1
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Ratings: 8.1/10 from 13,999 users   Metascore: 100/100
Reviews: 90 user | 93 critic | 12 from Metacritic.com

The Prince of Salina, a noble aristocrat of impeccable integrity, tries to preserve his family and class amid the tumultuous social upheavals of 1860's Sicily.

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Title: The Leopard (1963)

The Leopard (1963) on IMDb 8.1/10

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Nominated for 1 Oscar. Another 10 wins & 5 nominations. See more awards »

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Cast

Cast overview, first billed only:
...
...
...
Paolo Stoppa ...
Rina Morelli ...
Romolo Valli ...
...
Count Cavriaghi (as Mario Girotti)
Pierre Clémenti ...
Lucilla Morlacchi ...
Giuliano Gemma ...
Ida Galli ...
Carolina
Ottavia Piccolo ...
Carlo Valenzano ...
Brook Fuller ...
Anna Maria Bottini ...
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Storyline

In the 1860s, a dying aristocracy struggles to maintain itself against a harsh Sicilian landscape. The film traces with a slow and deliberate rhythm the waning of the noble home of Fabrizio Corbero, Prince of Salina (the Leopard) and the corresponding rise to eminence of the enormously wealthy ex-peasant Don Calogero Sedara. The prince himself refuses to take active steps to halt the decline of his personal fortunes or to help build a new Sicily but his nephew Tancredi, Prince of Falconeri swims with the tide and assures his own position by marrying Don Calogero's beautiful daughter Angelica. The climatic scene is the sumptuous forty-minute ball, where Tancredi introduces Angelica to society. Written by alfiehitchie

Plot Summary | Add Synopsis

Plot Keywords:

prince | noble | 1860s | sicily | nephew | See All (100) »

Taglines:

Luchino Visconti's Enduring Romantic Adventure

Genres:

Drama

Certificate:

PG | See all certifications »

Parents Guide:

 »
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Details

Country:

|

Language:

| |

Release Date:

15 July 1963 (USA)  »

Also Known As:

The Leopard  »

Filming Locations:

 »

Box Office

Budget:

ITL 2,900,000,000 (estimated)

Opening Weekend:

£39,102 (UK) (2 May 2003)

Gross:

£112,329 (UK) (9 May 2003)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

| (cut) | (cut) | (cut) | | (premiere) | (cut)

Sound Mix:

(Westrex Recording System)

Color:

(Technicolor)

Aspect Ratio:

2.20 : 1
See  »
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Did You Know?

Trivia

Director Luchino Visconti was disappointed that the producers of the film insisted on casting Burt Lancaster in the lead role, because he felt he was not right for the part. This caused tension between the two during the first few weeks of filming. Visconti's harsh treatment toward Lancaster eventually led to the actor publicly confronting him on the set. Visconti was so impressed with the passion and sincerity that Lancaster displayed during his tirade that the two developed a close and amicable relationship for the rest of the filming process. See more »

Goofs

There is much kissing of hands during the movie. According to the book "Histoire de la politesse de 1789 à nos jours (History of good manners from 1789 till today)" by F. Rouvillois, the kissing of hands only appeared at the turn of the XXth century when the story in the movie was supposed to take place in 1860-1862, more than 40 years before. See more »

Quotes

Prince Don Fabrizio Salina: Yes, love, of course! Fire and flames for a year, ashes for thirty. I too know what love is.
See more »

Connections

Edited into Histoire(s) du cinéma: Le contrôle de l'univers (1998) See more »

Soundtracks

Angelica e Tancredi
Composed by Nino Rota
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User Reviews

 
Exhausting, rewarding
13 September 2004 | by (San Francisco) – See all my reviews

Luchino Visconti directed this rich, emotional, and intellectually rewarding study of the aristocracy in 19th century Sicily. Starring Burt Lancaster (his voice well-dubbed in his very best role), this would qualify as a character study if its canvas weren't so large.

As Garibaldi burns his way to a possible worker's revolution, the upper class seems to circle in a different orbit, taking vacations while the situation is at its least stable. With mutton chops beard and careful bearing, Lancaster is very much the Leopard, slyly shifting alliances when it's to his advantage. That's why his protégé (Alain Delon) is so likable to him, a young leopard certain to earn his own place.

This is more a film of character and theme, taking its time to show the contrasts between rich and poor, young and old. The famous ballroom sequence at the end of the film ties it all together with sensitivity and sadness.

The Leopoard requires some patience, but there's much to like. Fans of classic Italian cinema would be advised to seek out the full-length version.


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