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The Leopard (1963)
"Il gattopardo" (original title)

 -  Drama  -  15 July 1963 (USA)
8.1
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Ratings: 8.1/10 from 13,752 users   Metascore: 100/100
Reviews: 89 user | 94 critic | 12 from Metacritic.com

The Prince of Salina, a noble aristocrat of impeccable integrity, tries to preserve his family and class amid the tumultuous social upheavals of 1860's Sicily.

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Title: The Leopard (1963)

The Leopard (1963) on IMDb 8.1/10

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Nominated for 1 Oscar. Another 10 wins & 5 nominations. See more awards »

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Cast

Cast overview, first billed only:
...
...
...
Paolo Stoppa ...
Rina Morelli ...
Romolo Valli ...
...
Count Cavriaghi (as Mario Girotti)
Pierre Clémenti ...
Lucilla Morlacchi ...
Giuliano Gemma ...
Ida Galli ...
Ottavia Piccolo ...
Carlo Valenzano ...
Brook Fuller ...
Anna Maria Bottini ...
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Storyline

In the 1860s, a dying aristocracy struggles to maintain itself against a harsh Sicilian landscape. The film traces with a slow and deliberate rhythm the waning of the noble home of Fabrizio Corbero, Prince of Salina (the Leopard) and the corresponding rise to eminence of the enormously wealthy ex-peasant Don Calogero Sedara. The prince himself refuses to take active steps to halt the decline of his personal fortunes or to help build a new Sicily but his nephew Tancredi, Prince of Falconeri swims with the tide and assures his own position by marrying Don Calogero's beautiful daughter Angelica. The climatic scene is the sumptuous forty-minute ball, where Tancredi introduces Angelica to society. Written by alfiehitchie

Plot Summary | Add Synopsis

Plot Keywords:

prince | noble | 1860s | sicily | nephew | See All (100) »

Taglines:

Luchino Visconti's Enduring Romantic Adventure

Genres:

Drama

Certificate:

PG | See all certifications »

Parents Guide:

 »
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Details

Country:

|

Language:

| |

Release Date:

15 July 1963 (USA)  »

Also Known As:

The Leopard  »

Filming Locations:

 »

Box Office

Budget:

ITL 2,900,000,000 (estimated)

Opening Weekend:

£39,102 (UK) (2 May 2003)

Gross:

£112,329 (UK) (9 May 2003)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

| (cut) | (cut) | (cut) | | (premiere) | (cut)

Sound Mix:

(Westrex Recording System)

Color:

(Technicolor)

Aspect Ratio:

2.20 : 1
See  »
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Did You Know?

Trivia

Luchino Visconti wanted Laurence Olivier for the title role but his producers insisted on a movie star with clout at the box office and thus, Burt Lancaster was cast. See more »

Goofs

In the first scenes of the movie, Burt Lancaster goes to his girlfriend's home, who is about 40 year's old in 1860, but she has a vaccine scar on her left arm. The first vaccine was found in 1885 by Louis Pasteur. See more »

Quotes

Don Francisco Ciccio Tumeo: It seems Donna Bastiana is a kind of animal. She can't read, write, or tell time. She can barely talk. She's even incapable of loving her own daughter. Good for bed, and that's all. But what can you expect? You know whose daughter she is? She's the daughter of one of your peasants from Runci. His name was Peppe Giunta. He was so filthy and savage that everyone called him Peppe Cowshit.
See more »

Connections

Referenced in Zwischen Kino und Konzert - Der Komponist Nino Rota (1993) See more »

Soundtracks

Titoli di Testa / Viaggio A Donnafugata
Composed by Nino Rota
See more »

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User Reviews

The lost world
10 August 1999 | by (los angeles) – See all my reviews

Could it be that Visconti's 1963 epic--long lying in ruins until its 1983 partial restoration--is the greatest movie ever made? The real subject of this movie, surely the wisest and most beautiful of all "period pictures," is the twentieth century--what has been gained and above all what is lost. Only a Marxist duke like Visconti could have had the split sensibility, and the anecdotal knowhow, to render Sicily just before its entry to modernity with the splendor and the caginess that radiates through every frame of this masterpiece. As the prince making final compromises before leaving the faded world he has inherited, Burt Lancaster gives one of the greatest performances in movies. Possessed of both an elegiac melancholy and a shrewd, dry-eyed appraisal of the failures and the glorious extroversion of its aristocratic world, THE LEOPARD is like a dream you can't bear to let go of. Contemporary viewers will see echoes of THE DEER HUNTER, 1900 and THE AGE OF INNOCENCE--and will see those films shrivel to the size of cocktail franks.


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