In this adaptation of the Thomas Mann novel, avant-garde composer Gustave Aschenbach (loosely based on Gustav Mahler) travels to a Venetian seaside resort in search of repose after a period... See full summary »
Historical evocation of Ludwig, king of Bavaria, from his crowning in 1864 until his death in 1886, as a romantic hero. Fan of Richard Wagner, betrayed by him, in love with his cousin ... See full summary »
In the 1860s, a dying aristocracy struggles to maintain itself against a harsh Sicilian landscape. The film traces with a slow and deliberate rhythm the waning of the noble home of Fabrizio Corbero, Prince of Salina (the Leopard) and the corresponding rise to eminence of the enormously wealthy ex-peasant Don Calogero Sedara. The prince himself refuses to take active steps to halt the decline of his personal fortunes or to help build a new Sicily but his nephew Tancredi, Prince of Falconeri swims with the tide and assures his own position by marrying Don Calogero's beautiful daughter Angelica. The climatic scene is the sumptuous forty-minute ball, where Tancredi introduces Angelica to society. Written by
The same year he finished "8½", Nino Rota dusted off an old symphony of his own composition, he proposed it to Luchino Visconti for this film, the director loved it, and it became the score for this fresco of the social and political changes in Sicily in the midst of the 19th century. The editor Mario Serandrei had given Visconti as a present the sheet music of an unpublished waltz by Giuseppe Verdi that he had found in one drawer of an old chest he bought in a flea market. Rota added this composition to the long final ball sequence. See more »
During one of the long shots of the journey to Donnafugata, a blur crosses the screen near the center, apparently caused by a fly crawling over the lens. See more »
Prince Don Fabrizio Salina:
We were the leopards, the lions, those who take our place will be jackals and sheep, and the whole lot of us - leopards, lions, jackals and sheep - will continue to think ourselves the salt of the earth.
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Portrait of powerful yet reflective man, who doesn't abuse his power
This beautiful film, which I saw some time ago, remains in my memory as a profound study of a man in a position of power who thinks, reflects on important values, as well as his own aging process...and yet the film is never static. Burt Lancaster gave a brilliant performance...which I read was his favorite role. Visually, it is stunning. The long dance scene with Claudia Cardinale is justifiably famous...one of the sexiest scenes on film, in my opinion. To anyone interested in serious concerns, cinematically expressed with grace and intelligence, I would urge you to see this splendid film.
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