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The Leopard (1963)
"Il gattopardo" (original title)

 -  Drama | History  -  15 July 1963 (USA)
8.1
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Ratings: 8.1/10 from 13,184 users   Metascore: 100/100
Reviews: 88 user | 95 critic | 12 from Metacritic.com

The Prince of Salina, a noble aristocrat of impeccable integrity, tries to preserve his family and class amid the tumultuous social upheavals of 1860's Sicily.

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Title: The Leopard (1963)

The Leopard (1963) on IMDb 8.1/10

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Nominated for 1 Oscar. Another 10 wins & 5 nominations. See more awards »

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Cast

Cast overview, first billed only:
...
...
...
Paolo Stoppa ...
Rina Morelli ...
Romolo Valli ...
...
Count Cavriaghi (as Mario Girotti)
Pierre Clémenti ...
Lucilla Morlacchi ...
Giuliano Gemma ...
Ida Galli ...
Ottavia Piccolo ...
Carlo Valenzano ...
Brook Fuller ...
Anna Maria Bottini ...
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Storyline

In the 1860s, a dying aristocracy struggles to maintain itself against a harsh Sicilian landscape. The film traces with a slow and deliberate rhythm the waning of the noble home of Fabrizio Corbero, Prince of Salina (the Leopard) and the corresponding rise to eminence of the enormously wealthy ex-peasant Don Calogero Sedara. The prince himself refuses to take active steps to halt the decline of his personal fortunes or to help build a new Sicily but his nephew Tancredi, Prince of Falconeri swims with the tide and assures his own position by marrying Don Calogero's beautiful daughter Angelica. The climatic scene is the sumptuous forty-minute ball, where Tancredi introduces Angelica to society. Written by alfiehitchie

Plot Summary | Add Synopsis

Plot Keywords:

prince | noble | 1860s | sicily | nephew | See more »

Taglines:

Luchino Visconti's Enduring Romantic Adventure

Genres:

Drama | History

Certificate:

PG | See all certifications »

Parents Guide:

 »
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Details

Country:

|

Language:

| |

Release Date:

15 July 1963 (USA)  »

Also Known As:

The Leopard  »

Filming Locations:

 »

Box Office

Budget:

ITL 2,900,000,000 (estimated)

Opening Weekend:

£39,102 (UK) (2 May 2003)

Gross:

£112,329 (UK) (9 May 2003)
 »

Company Credits

Show detailed on  »

Technical Specs

Runtime:

| (cut) | (cut) | (cut) | | (premiere) | (cut)

Sound Mix:

(Westrex Recording System)

Color:

(Technicolor)

Aspect Ratio:

2.20 : 1
See  »
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Did You Know?

Trivia

Horst Buchholz turned down the role of Tancredi. See more »

Goofs

During one of the long shots of the journey to Donnafugata, a blur crosses the screen near the center, apparently caused by a fly crawling over the lens. See more »

Quotes

Prince Don Fabrizio Salina: And you, Don Ciccio, how did you vote on the 21st?
Don Francisco Ciccio Tumeo: [coughs up drink]
Prince Don Fabrizio Salina: What are you afraid of? There's no one else here but us, the wind, the dogs.
Don Francisco Ciccio Tumeo: Excuse me, Excellency, but that question is useless. You know that everyone in Donnafugata voted, voted 'yes'. They said you, yourself, advised those who couldn't decide to vote like that.
Prince Don Fabrizio Salina: I did, indeed. So, you voted 'yes', hmm...
Don Francisco Ciccio Tumeo: [walks up to the Prince, and then walks away] No, Excellency! I voted absolutely 'no'! No, I swear I voted 'no'! I know, ...
See more »

Connections

Referenced in The Age of Innocence (1993) See more »

Soundtracks

Galop
Composed by Nino Rota
See more »

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User Reviews

The lost world
10 August 1999 | by (los angeles) – See all my reviews

Could it be that Visconti's 1963 epic--long lying in ruins until its 1983 partial restoration--is the greatest movie ever made? The real subject of this movie, surely the wisest and most beautiful of all "period pictures," is the twentieth century--what has been gained and above all what is lost. Only a Marxist duke like Visconti could have had the split sensibility, and the anecdotal knowhow, to render Sicily just before its entry to modernity with the splendor and the caginess that radiates through every frame of this masterpiece. As the prince making final compromises before leaving the faded world he has inherited, Burt Lancaster gives one of the greatest performances in movies. Possessed of both an elegiac melancholy and a shrewd, dry-eyed appraisal of the failures and the glorious extroversion of its aristocratic world, THE LEOPARD is like a dream you can't bear to let go of. Contemporary viewers will see echoes of THE DEER HUNTER, 1900 and THE AGE OF INNOCENCE--and will see those films shrivel to the size of cocktail franks.


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