A poor family in the Northeast of Brazil (Fabiano, the father; Sinhá Vitória, the mother; their 2 children and a dog called Baleia) wander about the barren land searching for a better place... See full summary »
The story of a famous Brazilian criminal, called The Red Light Bandit because he always used a red flashlight to break in the houses during the night. Working alone, he also used to rape his female victims.
In a small town in Minas Gerais, the arrival of a young priest causes a commotion in the conservative atmosphere of the place, aggravated by the sudden attraction this priest feels for a ... See full summary »
In 1594 in Brazil, the Tupinambás Indians are friends of the Frenches and their enemies are the Tupiniquins, friends of the Portugueses. A Frenchman (Arduíno Colassanti) is captured by the ... See full summary »
Nelson Pereira dos Santos
Ana Maria Magalhães,
Eduardo Imbassahy Filho
Our story begins with Macunaima's miraculous birth to an old woman in a tiny jungle settlement. Born full grown, he discovers his life's purpose which leads him and his family/followers on ... See full summary »
In the State of Bahia, Brazil, an educated black man returns to his home fishing village to try and free people from mysticism, in particular the Candomblé religion, which he considers a ... See full summary »
Lucy de Carvalho
In the 1930's, in the South of State of Bahia, Brazil, an adventurer with no name or history, who had already been shot 7 times, gets involved in the battle for land and cacao plantations. ... See full summary »
The camera follows an ordinary morning of famous Brazilian poet Manuel Bandeira in his small apartment, making breakfast, typewriting in bed, walking through the streets of Castelo, in downtown Rio de Janeiro.
"Ganga Zumba" is, to this very day, one of the greatest films ever made about slavery and the formation of African-based cultures on the Americas. Its brutally honest and poetic style are drenched in respect and admiration for the African people, in a nostalgic, hopeful way.
It's unfortunate that director Carlos Diegues went on to produce increasingly worse films with each new of his outings, for this one has stood the test of time like a fine black diamond.
Along with "Black God, White Devil" and "Barren Lives" this is a Brazilian Classic from the now legendary art movement "Cinema Novo", yet for some unknown reason this film is seldom talked about or remembered. A fact that does not diminish its astounding quality, easily on-par with the titles mentioned above.
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