Palmares is a 17th-century quilombo, a settlement of escaped slaves in northeast Brazil. In 1650, plantation slaves revolt and head for the mountains where they find others led by the aged ... See full summary »
The Caravana Rolidei rolls into town with the Gypsy Lord at the mike: he does magic tricks, the erotic Salomé dances, and the mute Swallow performs feats of strength. A young accordion ... See full summary »
A poor family in the Northeast of Brazil (Fabiano, the father; Sinhá Vitória, the mother; their 2 children and a dog called Baleia) wander about the barren land searching for a better place... See full summary »
Fictionalized account of the adventures of hired gunman Antonio das Mortes, set against the real life last days of rural banditism. The movie follows Antonio as he witnesses the descent of ... See full summary »
Geraldo Del Rey,
In 1594 in Brazil, the Tupinambás Indians are friends of the Frenches and their enemies are the Tupiniquins, friends of the Portugueses. A Frenchman (Arduíno Colassanti) is captured by the ... See full summary »
Nelson Pereira dos Santos
Ana Maria Magalhães,
Eduardo Imbassahy Filho
Joana is a sophisticated, beautiful woman, so she has a choice of lovers, and destinies. She will let down Pierre, the French consul at Sao Paulo, and with him the frivolity of tea-parties ... See full summary »
The camera follows an ordinary morning of famous Brazilian poet Manuel Bandeira in his small apartment, making breakfast, typewriting in bed, walking through the streets of Castelo, in downtown Rio de Janeiro.
A semi-documentary on the people of Rio de Janeiro. The camera follows boys from a hillside shanty town who sell peanuts at Copacabana, Sugar Loaf Mountain, and a soccer game. Various ... See full summary »
Nelson Pereira dos Santos
Modesto De Souza,
"Ganga Zumba" is, to this very day, one of the greatest films ever made about slavery and the formation of African-based cultures on the Americas. Its brutally honest and poetic style are drenched in respect and admiration for the African people, in a nostalgic, hopeful way.
It's unfortunate that director Carlos Diegues went on to produce increasingly worse films with each new of his outings, for this one has stood the test of time like a fine black diamond.
Along with "Black God, White Devil" and "Barren Lives" this is a Brazilian Classic from the now legendary art movement "Cinema Novo", yet for some unknown reason this film is seldom talked about or remembered. A fact that does not diminish its astounding quality, easily on-par with the titles mentioned above.
1 of 2 people found this review helpful.
Was this review helpful to you?