| Daliah Lavi | ... | Nevenka Menliff | |
| Christopher Lee | ... | Kurt Menliff | |
| Tony Kendall | ... | Christian Menliff | |
| Ida Galli | ... | Katia (as Isli Oberon) | |
| Harriet Medin | ... | Giorgia (as Harriet White) | |
| Gustavo De Nardo | ... | Count Menliff (as Dean Ardow) | |
| Luciano Pigozzi | ... | Losat (as Alan Collins) | |
| Jacques Herlin | ... | Priest |
Directed by | |||
| Mario Bava | (as John M. Old) | ||
Writing credits(in alphabetical order) | ||
| Ernesto Gastaldi | screenplay and dialogue (as Julian Berry) | |
| Ugo Guerra | screenplay and dialogue (as Robert Hugo) | |
| Luciano Martino | screenplay and dialogue (as Martin Hardy) | |
Produced by | |||
| Ferdinando Baldi | .... | associate producer (as Free Baldwin) | |
| Federico Magnaghi | .... | producer (as Tom Rhodes) | |
| Elio Scardamaglia | .... | supervising producer (as John Oscar) | |
Original Music by | |||
| Carlo Rustichelli | (as Jim Murphy) | ||
Cinematography by | |||
| Ubaldo Terzano | (as David Hamilton) | ||
| Mario Bava | (uncredited) | ||
Film Editing by | |||
| Renato Cinquini | (as Rob King) | ||
Casting by | |||
| Priscilla Contardi | (as Priscilla Huston) | ||
Art Direction by | |||
| Ottavio Scotti | (as Dick Grey) | ||
Set Decoration by | |||
| Riccardo Domenici | (as Gus Marrow) | ||
Costume Design by | |||
| Anna Maria Palleri | (as Peg Fax) | ||
Makeup Department | |||
| Raffaele Cristini | .... | assistant makeup artist (as Raf Christie) | |
| Franco Freda | .... | makeup artist (as Frank Field) | |
Production Management | |||
| Ferdinando Baldi | .... | unit manager (as Free Baldwin) | |
Second Unit Director or Assistant Director | |||
| Ernesto Gastaldi | .... | assistant director (as Julian Berry) | |
| Sergio Martino | .... | second assistant director (uncredited) | |
Sound Department | |||
| Peter Jakson | .... | sound | |
| Rex McCrea | .... | boom operator | |
Camera and Electrical Department | |||
| Mark Baer | .... | assistant camera | |
| Robert Schafer | .... | still photographer | |
| Ubaldo Terzano | .... | camera operator (as Art Balsam) | |
Editorial Department | |||
| Lina Caterini | .... | assistant editor (as Kathy Line) | |
Music Department | |||
| Luca di Silverio | .... | soundtrack album producer | |
Other crew | |||
| Joe M. Seery | .... | production secretary | |
| Recent Posts (updated daily) | User |
|---|---|
| Music? | milkhole213 |
| Christopher Lee | jayt_26 |
| Greatest. Movie. Ever. | beccaface |
| Based on Book? | Trilby06 |
|
|
|
|
|
| Spirits of the Dead | Nightmare Castle | Black Sabbath | The Ghost | Kill Baby, Kill |
|
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
IMDb User Rating: |
| Full cast and crew | Company credits | External reviews |
| IMDb Horror section | IMDb Italy section |
As I slowly get to watch more Mario Bava movies my enthusiasm for his extraordinary body of work grows and grows. I was already hooked after watching 'Black Sunday' for the first time, but after subsequently seeing 'Kill, Baby...Kill!', 'Planet Of The Vampires', 'Black Sabbath', 'Diabolik' and 'Lisa And The Devil' (and others) I was convinced that he's THE most underrated director of the Fantastic. Now I've watched 'The Whip And The Body' three times and listened to Tim Lucas' informative DVD commentary I'm almost ready to bow down and worship Bava like a god! This is such a fascinating movie... Visually it's stunning, as to be expected, Bava being a top cinematographer before turning to directing. The subject matter is still provocative, but forty years ago it must have been scandalous! In fact the movie was heavily censored and when eventually released in America given the lousy title 'What'. Christopher Lee counts this among his favourite roles and it is essential viewing for his fans. He plays Kurt Menliff, an evil sadistic nobleman returning to his family home after hearing his younger brother has wed. Lee's family has disowned him after a scandal concerning a servant girl he seduced who subsequently suicided. His father the Count despises him, the dead girl's mother, who still works for the Count, curses him, and his brother's new bride Nevenka (Daliah Lavi) fears him. Kurt and Nevenka have a past, not only that, a complicated sadomasochistic relationship. The whipping scenes between the two actors were a bit too much for the censors to handle back in the day, and while they aren't all that explicit, they are still unsettling even today. Lee and the stunning Lavi (best know to most people for her later appearance in the star-studded Bond spoof 'Casino Royale') make a truly unforgettable couple. Many people regard 'The Whip And The Body' as Bava's single best movie. I wouldn't go that far myself, but it's definitely one of his very best films, and is sure to impress anyone who has enjoyed his other pictures. Ghost story, murder mystery, psychosexual character study, whatever you want to call it, it's a highly original movie that will stay with you for a long time. Newcomers to Bava are still best to start with 'Black Sunday' in my opinion, but this movie comes with my highest recommendation.