| Photos (see all 83 | slideshow) |
Directed by | |||
| Terence Young | |||
Writing credits | ||
| Richard Maibaum | (screenplay) | |
| Johanna Harwood | (adaptation) | |
| Ian Fleming | (novel) | |
Produced by | |||
| Albert R. Broccoli | .... | producer | |
| Harry Saltzman | .... | producer | |
| Stanley Sopel | .... | associate producer (uncredited) | |
Original Music by | |||
| John Barry | |||
Cinematography by | |||
| Ted Moore | (director of photography) | ||
Film Editing by | |||
| Peter R. Hunt | (as Peter Hunt) | ||
Casting by | |||
| Weston Drury Jr. | (uncredited) | ||
Art Direction by | |||
| Syd Cain | |||
Costume Design by | |||
| Jocelyn Rickards | |||
Makeup Department | |||
| Basil Newall | .... | makeup artist | |
| Paul Rabiger | .... | makeup artist | |
| Eileen Warwick | .... | dresser | |
Production Management | |||
| William Hill | .... | production manager (as Bill Hill) | |
Second Unit Director or Assistant Director | |||
| David C. Anderson | .... | assistant director (as David Anderson) | |
| Terence Churcher | .... | second assistant director (uncredited) | |
Art Department | |||
| Freda Pearson | .... | set dresser | |
| Michael White | .... | assistant art director | |
| Roger Cain | .... | draughtsman (uncredited) | |
| John Chisholm | .... | props (uncredited) | |
| Ron Quelch | .... | production buyer (uncredited) | |
Sound Department | |||
| C. Le Mesurier | .... | sound recordist (as C. le Messurier) | |
| Harry Miller | .... | dubbing editor | |
| John W. Mitchell | .... | sound recordist | |
| Norman Wanstall | .... | dubbing editor | |
Special Effects by | |||
| Frank George | .... | special effects assistant | |
| John Stears | .... | special effects | |
| Wally Armitage | .... | special effects (uncredited) | |
| Jimmy Harris | .... | special effects (uncredited) | |
| Garth Inns | .... | special effects (uncredited) | |
| Jimmy Snow | .... | special effects (uncredited) | |
| Jimmy Ward | .... | special effects (uncredited) | |
Visual Effects by | |||
| Cliff Culley | .... | matte artist (uncredited) | |
| Roy Field | .... | visual effects (uncredited) | |
Stunts | |||
| Peter Perkins | .... | stunt work arranger | |
| Bob Anderson | .... | stunts (uncredited) | |
| Peter Brace | .... | stunts (uncredited) | |
| Ken Buckle | .... | stunts (uncredited) | |
| Jack Cooper | .... | train fight double: Robert Shaw (uncredited) | |
| Gerry Crampton | .... | stunts (uncredited) | |
| Leslie Crawford | .... | stunts (uncredited) | |
| Bill Cummings | .... | stunts (uncredited) | |
| Peter Diamond | .... | stunts (uncredited) | |
| Cliff Diggins | .... | stunts (uncredited) | |
| Joe Dunne | .... | stunts (uncredited) | |
| Max Faulkner | .... | stunts (uncredited) | |
| Tex Fuller | .... | stunts (uncredited) | |
| Sol Gorss | .... | stunts (uncredited) | |
| Richard Graydon | .... | stunts (uncredited) | |
| Arthur Howell | .... | stunts (uncredited) | |
| Jimmy Lodge | .... | stunts (uncredited) | |
| Peter Perkins | .... | stunts (uncredited) | |
| Peter Perkins | .... | train fight double: Sean Connery (uncredited) | |
| Terence Plummer | .... | stunts (uncredited) | |
| Dinny Powell | .... | stunts (uncredited) | |
| Eddie Powell | .... | stunts (uncredited) | |
| Nosher Powell | .... | stunts (uncredited) | |
| Terry Richards | .... | stunts (uncredited) | |
| Jack Sholomir | .... | stunt driver (uncredited) | |
| Bob Simmons | .... | stunt double (uncredited) | |
| Bob Simmons | .... | train fight double: Sean Connery (uncredited) | |
| Rocky Taylor | .... | stunts (uncredited) | |
Camera and Electrical Department | |||
| Bob Kindred | .... | camera operator: second unit (as Robert Kindred) | |
| John Winbolt | .... | camera operator (as Johnny Winbolt) | |
| Ray Hearne | .... | still photographer (uncredited) | |
| Simon Ransley | .... | clapper loader (uncredited) | |
| John Shinerock | .... | focus puller (uncredited) | |
Costume and Wardrobe Department | |||
| Ernie Farrer | .... | wardrobe master | |
| Eileen Sullivan | .... | wardrobe mistress | |
Editorial Department | |||
| Ben Rayner | .... | assembly editor | |
Music Department | |||
| John Barry | .... | conductor | |
| Monty Norman | .... | composer: James Bond theme | |
| Vic Flick | .... | musician: guitar (uncredited) | |
| Sidney Margo | .... | music contractor (uncredited) | |
Other crew | |||
| Trevor Bond | .... | assistant title designer | |
| Albert R. Broccoli | .... | presenter | |
| Robert Brownjohn | .... | title designer | |
| Frank Ernst | .... | location manager | |
| Ilhan Filmer | .... | production assistant: Istanbul (as Ilham Filmer) | |
| Kay Mander | .... | continuity | |
| Harry Saltzman | .... | presenter | |
| Captain John Crewdson | .... | helicopter pilot (uncredited) | |
| Maureen Newman | .... | assistant production accountant (uncredited) | |
| Golda Offenheim | .... | production office (uncredited) | |
| Golda Offenheim | .... | production secretary (uncredited) | |
| Charles Russhon | .... | military liaison: Turkey (uncredited) | |
| Charles Russhon | .... | technical advisor (uncredited) | |
| Bob Simmons | .... | body double: James Bond, in opening sequence (uncredited) | |
| Captain Cyril Sweetman | .... | helicopter pilot (uncredited) | |
| Terence Young | .... | body double: Pedro Armendáriz (uncredited) | |
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| Thunderball | Casino Royale | Goldfinger | The World Is Not Enough | Dr. No |
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The first three Bonds (Dr. No, FRWL, Goldfinger) are without question the best in the series, though From Russia with Love may well be the best of the best. It has all things we look for in a great Bond film - exotic locales, sinister villains, beautiful women - but it was made before Goldfinger established the ingenious-yet-demented-supervillain-plus-indestructible-henchman formula as canonical, so its plot line may surprise viewers reared on the later Bond films. For one thing, there's little or nothing in the way of gadgetry (though Q does provide our hero with a pretty nifty briefcase). Beyond a brief encounter with the faceless Number One, there's no arch-villain looming over the action, and the henchmen are at once less invulnerable and more interesting than most of their successors in the series. Particularly memorable, of course, are Lotte Lenya as the hatchet-faced Colonel ("She's had her kicks") Kleb and Robert Shaw as the brutish Donald "Red" Grant. Kleb's edgy menace is neatly offset by her terror at the prospect of failure (an option which Number One refuses to countenance); her subtle come-on to Tatiana Romanova was positively daring by 1963 standards, and she manages to do for footwear what Goldfinger's Odd Job went on to do for head gear. Grant is no superman, but a vicious, small-time thug, recruited by SPECTRE and transformed into a fearsome enforcer; his bitter encounter with Bond on the train speaks volumes about the class tensions that still underlay British society in the post-war era.
Connery, for his part, gets to build on the character he first fleshed out in Dr. No. His Bond really emerges here as a complex man, formidable but flawed. He's genteel and sophisticated, but he doesn't always keep his cool; unlike the too-often unflappable Roger Moore, Connery's Bond betrays both anger and fear when the circumstances seem to warrant it. He intervenes chivalrously to stop a fight between two Gypsy women, but he's not above slugging a woman in the service of his mission. I've always enjoyed the humanizing chemistry between Connery and Pedro Armendariz's larger-than-life Kerim ("I've led a fascinating life") Bey, the most charming of Bond sidekicks; their friendship comes across as genuine and multi-dimensional. Today's viewers (especially women) will likely find Daniela Bianchi's Tanya ("I LOVE you, James") Romanova an uncomfortably passive damsel-in-distress, but, hey: she's drop-dead gorgeous and has some nice scenes with Connery. The Turkish and Balkan settings are spectacular and the train sequence at the end is both exciting and suspenseful. Cold War scenario notwithstanding, this one has aged very well. Shake yourself a pitcher of vodka martinis and spend a Friday night watching Dr. No, From Russia with Love and Goldfinger.