A drab little English seaside town tries to improve its image - and increase its revenues - by holding a film festival. When a famous continental star agrees to attend, things get out of hand.
Late on Guy Fawkes Day, 1892, Oscar Wilde arrives at a high-class brothel where a surprise awaits: a staging of his play "Salome," with parts played by prostitutes, Wilde's host, his lover ... See full summary »
The assistant stage manager of a small-time theatrical company (Polly Browne) is forced to understudy for the leading lady (Rita) at a matinée performance at which an illustrious Hollywood ... See full summary »
Piano teacher Peter Ilych Tchaikovsky struggles against his homosexuality by marrying, but unfortunately he chooses a nymphomaniac whom he cannot satisfy.
Director:
Ken Russell
Stars:
Richard Chamberlain,
Glenda Jackson,
Max Adrian
Both trifles and structure are tossed out the door by director Ken Russell in this film. Here, historical content matters not so much as metaphors, feelings, emotions, and interpretations, ... See full summary »
A send-up of the bawdy life of Romantic composer/piano virtuoso Franz Liszt, with ubiquitous phallic imagery and a good portion of the film devoted to Liszt's "friendship" with fellow ... See full summary »
Director:
Ken Russell
Stars:
Roger Daltrey,
Sara Kestelman,
Paul Nicholas
The thirty year-old hard-worker Bobby Grady is married with two children with the frigid Amy Grady and their marriage is in crisis. Bobby is invited to work in the night shift for the owner... See full summary »
Director:
Ken Russell
Stars:
Kathleen Turner,
Anthony Perkins,
Bruce Davison
A drab little English seaside town tries to improve its image - and increase its revenues - by holding a film festival. When a famous continental star agrees to attend, things get out of hand.
The film is held in the National Film and Television Archive in the UK and had been also theatrically released in Argentina, Australia, Canada, Germany and Japan. In the home video market the film had only previously been released on VHS in Japan but eventually was released in the UK in 2015 on DVD. See more »
This has always been a weakness of mine: one of Ken Russell's earliest made-for-cinema efforts after a prestigious early career in TV documentaries. It stars one of my favourite minor British actors, James Booth, who went on to appear so memorably in 'Zulu' the year after, the late Roy Kinnear as a corpulent side kick, as well as the irreplaceable Bryan Pringle, as the corruptible and egoistical Mayor. The weaknesses, and charm, can be put down to its time and some of Russell's own uncertainties on a larger canvas: EG the awkward apeing of some Nouvelle Vague mannerisms for outside shots, and the varying tone - psrtly due to Russell's attempts to reconcile so many disparate elements. But to offset that, his surreal vision of a small English sea-side resort (Herne Bay), seeking to raise its cultural and tourist profile was (and remains) delightful to anyone who was familiar with the run down, determinedly unsexy reality at the time. Its a film a long way from the later Russell's variable excesses and, although sometimes awkward, is never heavy handed. He works well in black and white, maintaining a narrative interest and drive which only falters at the end, even if wide boy Booth is unable to project the warmth and passion his character's infatuation ultimately needs. This is one of those rare British films in which the imported continental talent - in this case, Marissa Mell (who plays 'Francoise Fayol', clearly modelled on Bardot) 'works' as a character - her exotic sexuality, so out of place in drab Gormley-on-Sea, is the point of a film that pointedly contrasts expectations, then results, throughout. And, as a view of small town municipal life, 'French Dressing' would bear some closer investigation by British critics than it has hitherto received. It's good too to see a falling out of opinions on IMDb's hallowed pages about this film - a sure sign that it is alive and kicking...
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This has always been a weakness of mine: one of Ken Russell's earliest made-for-cinema efforts after a prestigious early career in TV documentaries. It stars one of my favourite minor British actors, James Booth, who went on to appear so memorably in 'Zulu' the year after, the late Roy Kinnear as a corpulent side kick, as well as the irreplaceable Bryan Pringle, as the corruptible and egoistical Mayor. The weaknesses, and charm, can be put down to its time and some of Russell's own uncertainties on a larger canvas: EG the awkward apeing of some Nouvelle Vague mannerisms for outside shots, and the varying tone - psrtly due to Russell's attempts to reconcile so many disparate elements. But to offset that, his surreal vision of a small English sea-side resort (Herne Bay), seeking to raise its cultural and tourist profile was (and remains) delightful to anyone who was familiar with the run down, determinedly unsexy reality at the time. Its a film a long way from the later Russell's variable excesses and, although sometimes awkward, is never heavy handed. He works well in black and white, maintaining a narrative interest and drive which only falters at the end, even if wide boy Booth is unable to project the warmth and passion his character's infatuation ultimately needs. This is one of those rare British films in which the imported continental talent - in this case, Marissa Mell (who plays 'Francoise Fayol', clearly modelled on Bardot) 'works' as a character - her exotic sexuality, so out of place in drab Gormley-on-Sea, is the point of a film that pointedly contrasts expectations, then results, throughout. And, as a view of small town municipal life, 'French Dressing' would bear some closer investigation by British critics than it has hitherto received. It's good too to see a falling out of opinions on IMDb's hallowed pages about this film - a sure sign that it is alive and kicking...