In this retelling of Gunga Din (1939) transplanted to the 1870's American West, three cavalry officers and a bugler work together to thwart a Native American chief intent on uniting local tribes against the white man.
Sammy Davis Jr.
George lives with her lover, Childie and plays a cheerful district nurse in a BBC soap opera. However, her character is to be killed off, and George realises that the only other job she can... See full summary »
Tony Rome, a tough Miami PI living on a houseboat, is hired by a local millionaire to find jewelry stolen from his daughter, and in the process has several encounters with local hoods as well as the Miami Beach PD.
Jill St. John,
Harry manages The California Dolls, a female wrestling tag team endlessly touring America, and he's also romantically involved with one of them. Their fortunes seem on the slide (... See full summary »
Ad-agency president Dan Edwards who, when he goes to Mexico to celebrate his nineteenth wedding anniversary, winds up getting divorced by mistake - whereupon his wife Valerie marries his ... See full summary »
Sharpshooters Zack Thomas and Joe Jarrett are in a Texan stage-coach and manage to fight off Matson's robber gang, so afterward they can fight over the $100,000 cash carried by a railroad official. Both make it to Galveston, where each, including vexed Matson, meets up with respective accomplices in various dirty schemes. The money keeps changing hands and the scene shifts to a river boat, which should multiply the winnings as a casino, but the crooks and bullets follow. Written by
What, I wonder, would a director do on the set of a movie starring Frank Sinatra and Dean Martin? Light their cigarettes? Mix their drinks? Laugh at their jokes? One thing he certainly does not do is play "auteur." The director is present to say "Cut" and "Print," not to pursue his "vision" or any of that arty stuff. "Four for Texas" gave Robert Aldrich a pair of stars who, in terms of popularity, may have been the male equivalent of Bette Davis and Joan Crawford whom he had directed the previous year in "Whatever Happened to Baby Jane?" But whereas Davis and Crawford were passionate enemies, Ol' Blue Eyes and Ol' Dino were the best of buddies, and their movies treated as casually as any of their swingin' Vegas gigs. It was an opportunity to have some fun and get paid doing it. If that fun translated to the screen, fine, but in this movie the cast appears to be entertaining itself while putting the audience to sleep. If Aldrich had no control over Frank and Dino, he compensated by overdirecting Charles Bronson who is as animated--for him--as Bugs Bunny. The whole shebang is a comedy-western, but there are virtually no laughs, only snickers--from the cast, not the audience. In comparison, "Ocean's 11" is some kind of classic.
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