A cop quits the force after too much disappointment in the system. He becomes a bodyguard of a rich recent widow. She is on trial for her husband's murder. He decides to help her clear her name... and get over her husband.
An American Army officer is recruited by Jews in Palestine to help them form an army. The surrounding Arab countries are opposed to the creation of the state of Israel. He is made commander... See full summary »
During an evacuation in the waning days of the Korean War, three American soldiers retrieve an enemy airman and take him prisoner aboard the civilian ship returning them to their lines. ... See full summary »
Robert Walker Jr.,
Ben and Howdy are a couple of aging cowboys who bust broncos out of Sedona for Jim Ed Love, a slick operator if ever there was one. Sisters, Meg and Agatha, have their eyes on Ben and Howdy... See full summary »
The head of a large publishing empire is dismayed when a top army general is about to be appointed to an atomic energy committee. She's determined to discredit him prior to the appointment ... See full summary »
Brendan O'Malley arrives at the Mexican home of old flame Belle Breckenridge to find her married to a drunkard getting ready for a cattle drive to Texas. Hot on O'Malley's heels is lawman ... See full summary »
Neon sign outside BATES gas station appears to be same neon (identical font) used for the motel in Alfred Hitchcock's Psycho, produced at the same studio. See more »
Look at him.
[A portrait of her late husband]
The typical American father: kind, generous, patient, understanding. And as a result his daughters are typical American kids - spoiled rotten.
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Bright, shiny and fluffy soufflé that is almost so lightweight that it practically floats away under its own silliness. That it doesn't is a credit to the cast.
Kirk Douglas not known for his comedy chops brings his usual intensity to the part he just molds it into a softer direction. His role is written more for a Cary Grant but he does pretty well in the part.
More at home and therefore more at ease are his co-stars Mitzi Gaynor, Gig Young and Thelma Ritter. Young's part, one that he could play in his sleep, of the slick playboy is rather small but he injects a merry tone into the picture whenever he shows up.
Mitzi, and her gravity defying hair which though it never moves still looks good on her, is sly and knowing decked out in some eye popping creations. The red dress and white coat with matching red lining is a particular knockout.
Thelma Ritter, somewhat underused since she brings the film to life the minute she shows up, is her usual wry, caustic fabulous self. For once not a maid or a spinster she like Mitzi is decked out in one beautiful if at times outlandish outfit after another.
Julie Newmar and Leslie Parrish, both early in their careers, don't have much to do as the younger sisters but are stunning creatures nonetheless.
Nothing more than a fizzy comedy from the mid-60's with over bright colors to show off its Technicolor photography, cool cars, handsome men, gorgeous women in beautiful clothes and a mind to entertain. If you are looking for any kind of depth look elsewhere but to relax and see talented performers having some fun this will fill the bill.
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