6.9/10
6,045
65 user 27 critic

Donovan's Reef (1963)

Not Rated | | Adventure, Comedy, Romance | 19 July 1963 (Japan)
Comedy subtly dealing with moral issues such as racial bigotry, corporate greed, American belief of societal superiority and hypocrisy.

Director:

Writers:

(screenplay) (as Frank Nugent), (screenplay) | 1 more credit »
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Cast

Complete credited cast:
...
...
...
...
...
...
...
...
...
Jacqueline Malouf ...
Cherylene Lee ...
Sarah 'Sally' Dedham
...
Luki Dedham (as Tim Stafford)
...
Boston Attorney Francis X. O'Brien
Jon Fong ...
Mister Eu
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Storyline

'Guns' Donovan prefers carousing with his pals Doc Dedham and 'Boats' Gilhooley, until Dedham's high-society daughter Amelia shows up in their South Seas paradise. Written by Jim Beaver <jumblejim@prodigy.net>

Plot Summary | Add Synopsis

Taglines:

Gangway...For This Years BIG Adventure! See more »


Certificate:

Not Rated | See all certifications »

Parents Guide:

 »
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Details

Country:

Language:

|

Release Date:

19 July 1963 (Japan)  »

Also Known As:

Die Hafenkneipe von Tahiti  »

Box Office

Budget:

$2,686,585 (estimated)
 »

Company Credits

Production Co:

 »
Show detailed on  »

Technical Specs

Runtime:

Sound Mix:

(Westrex Recording System)

Color:

(Technicolor)

Aspect Ratio:

1.85 : 1
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Did You Know?

Trivia

"Boats" is Navy slang for the rating of *Boatswain's Mate*. "Guns" is Navy slang for the rating of *Gunner's Mate*. See more »

Goofs

When Amelia first starts skiing, she loses her bathing cap. After falling in the water, the cap is back on her head. See more »

Quotes

Michael Patrick 'Guns' Donovan: Permission to speak.
Dr. William Dedham: Shoot.
Michael Patrick 'Guns' Donovan: What started it was this knothead tried to push a hootchie-cootchie dancer off on me in Panama!
[Gilhooley laughs]
Dr. William Dedham: Gilhooley? Well, What's wrong with that?
Michael Patrick 'Guns' Donovan: Nothing, except a marriage licence and wedding ring through my nose went with it!
See more »

Connections

References They Were Expendable (1945) See more »

Soundtracks

Frere Jacques
(uncredited)
Traditional
Sung by the children
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User Reviews

 
Paradise Isle
9 April 2004 | by (Buffalo, New York) – See all my reviews

My conceptions about the South Pacific were formed when I saw this movie at the Elm Theatre in Brooklyn growing up. It has an honored place in my collection.

First off that music does get you. Every John Ford film is marked by a great use of music, in his westerns the use of traditional western themes pace the action. Here in Donovan's Reef the music under the credits sets the mood for the story set on this South Seas Paradise.

Secondly this was the last film that John Ford made with John Wayne. I believe this is the most successful actor/director relationship in the history of film by just about any standard you want to use, box office, quality of work, etc. The partnership went out on a high note.

John Wayne's westerns are usually a self contained world that operates on the principles of his universe. This film does also, but here it is more believable. This mixed group of people really do know the secret of living and let living. And the outside world occasionally does intrude and violently as the World War II background of the principal characters demonstrates.

This is also a film about believing stereotypes. John Wayne, Lee Marvin and the rest of the island believe Elizabeth Allen will be a racist. She's hurt by the abandonment of her father (Jack Warden) but she does come to accept her half-siblings. The film is anti-racist, but it also teaches a great moral lesson in not making your mind up about people prematurely.

The comedy as in all Ford films is heavy handed, but I still crack up at Wayne and Marvin and their escapades.

This is what the definition of escapist entertainment is.


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