1945. Enrico Corsi, in Rome, reflects on his relationship with his eight year younger brother, Lorenzo Corsi, following Lorenzo's recent passing from a long and debilitating illness at age ... See full summary »
Summer, 1943: wealthy youth in the Riccione district of Rimini play while the war gets closer. Carlo Caremoli, a young man who follows the crowd, has found ways to avoid military service. ... See full summary »
In Italy, the gambler and professor of poetry Daniele Dominici arrives in the seaside town of Rimini and is hired to teach for four months in the Liceu replacing another teacher. His ... See full summary »
Lorenzo, who's 16 and born to a wealthy family in Parma, tries to make things right toward a showgirl, Aida, whom his older brother has mistreated. In extending kindness and standing up for... See full summary »
Women love handsome Antonio because they think of him as the perfect lover. But he has problems to fullfill this ideal and Barbara only notices his failures when they are married. When the ... See full summary »
In Shakespeare's classic play, the Montagues and Capulets, two families of Renaissance Italy, have hated each other for years, but the son of one family and the daughter of the other fall desperately in love and secretly marry.
1945. Enrico Corsi, in Rome, reflects on his relationship with his eight year younger brother, Lorenzo Corsi, following Lorenzo's recent passing from a long and debilitating illness at age twenty-seven in Florence. Their mother passed away days after Lorenzo's birth due to complications from the childbirth exacerbated by illness. With their veteran father still in hospital at the time unable to care for the children, Lorenzo was taken in by Sig. Salocchi, the butler of a wealthy English baron, literally to be raised as his and his wife's son in privilege, while Enrico remained with their maternal grandmother in relative poverty. The brothers did not truly get to spend time with and get to know each other until 1935 when Lorenzo was on the cusp of adulthood. For Enrico, theirs ended up being a largely strained but still loving relationship. Despite growing up in wealth, Lorenzo, who longed for what Enrico had, namely a history with blood relations, was unable to cope with real life ... Written by
In war-ravaged Italy, tubercular journalist Marcello Mastroianni (as Enrico) learns little brother Jacques Perrin (as Lorenzo) has passed In flashback, we learn the brothers were separated upon the death of their mother, and led different lives. They are reunited as estranged adults, grow to love each other as brothers, and are again separated by death. The co-starring lead actors give it all the believability they can muster - which, when you have Mastroianni and Perrin acting, is considerable - but, there is a noticeable age difference, they never look deathly ill, and are each distractingly handsome. As a result, they often seem more like lovers than brothers. Shameless as ever, Sylvie (as Grandmother) claims it's "easy to see" that they are brothers. Well, okay. Director Valerio Zurlini and cameraman Giuseppe Rotunno make this English-retitled "Family Diary" look amazingly beautiful - herein, a old radiator against a stark wall is a work of art. They, and the haunting performances, do make it worth watching.