Parker Ballantine is the most respected and forthright of the New York theater critics. Most of his closest friends are part of the Broadway community, such as his ex-wife actress Ivy London and producer S.P. Champlain. These friendships are not affected by bad reviews from Parker. Angie Ballantine is Parker's current devoted and faithful wife, who goes with him to show openings and even waits in the newsroom for him to write his reviews. Parker and Ivy's son, John Ballantine, lives with his father and Angie, who he loves. Angie has had problems in her life seeing projects through to completion, so Parker reacts with some skepticism when Angie announces she plans to write an autobiographical play about her growing up period. This project does become one that Angie does see through to completion, at least to a first draft stage, and despite Parker's disdainful reaction to at least the process, she is eager for his opinion on this draft. He complies. He hates it and tells her as such. ... Written by
Everybody's 'choice' for a great big wonderful time!
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Did You Know?
The collage of stylized posters for Broadway plays (The Music Man, Life With Father, Fanny, Gypsy, Camelot) that appeared under the opening credits, were all productions that had (or in the case of Camelot, would later be) filmed by Warner Bros. See more
Listen to this: Opening night report by Parker Ballentine. I think it's time for all us Transylvanian peasants to pick up our torches and march menacingly up to that castle on the hill because Dr. Frankenstein is making monsters again.
Charlotte Orr aka Charlie
Marge, get me a drink.
This time, he's attached the arms and legs of 'Agamemnon' to the torso of 'Rebecca of Sunnybrook Farm.' S.P. Champlain has lead the creature over to the 46th Street Theater where it stumbled around for a few minutes and fell over dead.
Ending: "The absolute End" See more
References Mary, Mary