The Crimson Blade (1964)
"The Scarlet Blade" (original title)

This historical adventure is set during the English Civil War. When King Charles I is captured by Roundhead forces led by the tyrant Colonel Judd and his right-hand man Captain Sylvester, ... See full summary »

Director:

John Gilling

Writer:

John Gilling (screenplay)

Stars:

Lionel Jeffries, Oliver Reed, Jack Hedley

Nominated for 1 BAFTA Film Award.

Cast

Cast overview:
Lionel Jeffries	...	Col. Judd
Oliver Reed	...	Capt. Tom Sylvester
Jack Hedley	...	Edward Beverley, The Scarlet Blade
June Thorburn	...	Claire Judd
Michael Ripper	...	Pablo
Harold Goldblatt	...	Jacob
Duncan Lamont	...	Maj. Bell
Clifford Elkin	...	Philip Beverley
Suzan Farmer	...	Constance Beverley
John Harvey	...	Sgt. Grey
Charles Houston	...	Drury

Storyline

This historical adventure is set during the English Civil War. When King Charles I is captured by Roundhead forces led by the tyrant Colonel Judd and his right-hand man Captain Sylvester, it is up to a band of locals loyal to the King to try and rescue him. They are helped by Judd's daughter Claire who secretly helps them in defiance of her father

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Plot Keywords:

interrupted hanging | prison cell | whipping | arms tied overhead | prison escape | 

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Taglines:

The Bold Avenger...Whose Blade Slashed a Kingdom in Half!

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Genres:

Adventure | Drama | Romance

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Details

Country:

UK

Language:

English

Release Date:

March 1964 (USA)

Also Known As:

The Crimson Blade

Filming Locations:

Bray Studios, Down Place, Oakley Green, Berkshire, England, UK

Company Credits

Production Co:

Associated British Picture Corporation (ABPC), Hammer Film Productions

Technical Specs

Runtime:

83 min

Sound Mix:

Mono (RCA Sound Recording)

Color:

Color (Technicolor)

Aspect Ratio:

2.35 : 1

Did You Know?

Trivia

Double-billed with "Son of Captain Blood."

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Quotes

Capt. Tom Sylvester: [to Claire Judd] I love you even more when you're angry. It does something for your complexion.

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Connections

Version of Children of the New Forest (1998)

User Reviews

Brisk and lively – but forgettable - Hammer swashbuckler.

Hammer studios are most fondly remembered for their horror output, but they occasionally dipped their beak into other genres. The Scarlet Blade (US title: The Crimson Blade) is an example of their non-horror releases. Made in 1963 and directed by Hammer veteran John Gilling, this English Civil War swashbuckler cracks along at a brisk pace and, at a mere 83 minutes, never taxes the patience. It also features an early appearance from the brooding Oliver Reed, here perfectly cast as a tough but charming villain. Reed would go on to die 36 years later during one of his countless drinking binges, and his death marked a sad but inevitable loss to the acting profession. It's always pleasant to look back at his early works and remind ourselves what a fine actor he was, especially before years of alcohol abuse took its toll on his features and figure. In fact, roguish Reed's villain is much more interesting in this film than the "good guys" portrayed by June Thorburn and Jack Hedley…. that, coupled with the fact that the other main villain played by Lionel Jeffries is also far more charismatic than the dreary heroes, is probably the film's principal drawback!

Cromwellian soldiers Colonel Judd (Lionel Jeffries) and Captain Sylvester (Oliver Reed) capture King Charles of England (Robert Rietty). Colonel Judd has a beautiful young daughter named Claire (June Thorburn). Little does the Colonel suspect that his daughter is actually a Royalist supporter, totally opposed to her father's political sympathies. While Claire is seemingly intended for an eventual marriage to the handsome but ruthless Captain Sylvester, the reality of the matter is that she is very much in love with Cavalier adventurer Edward Beverly (Jack Hedley). Edward and Claire realise that they must gather the sparse Royalist supporters together in their struggle to rescue the king.

The Scarlet Blade is pleasing enough whilst on, but soon forgotten afterwards. It paints a typically romanticised view of history, portraying the Cavaliers as whiter-than-white heroes with justice on their side, and the Roundheads as tyrannical baddies with few - if any

• likable qualities. The film ends on a rather sour note, much more

downbeat than expected, and the decision to do this should be applauded. Happy and convenient endings can sometimes be a bit too conventional, so it's nice to come across a film from time to time which reminds us that things don't always work themselves out perfectly. On a less positive note, the performances are generally wooden and unconvincing (only Jeffries and Reed escape this criticism). Much of the dialogue is unconvincing too, but this is more to do with the film's innocent, old-fashioned charm than anything and provides some unintended pleasures. I'm not going to stand here and claim that The Scarlet Blade is a lost classic, nor am I going to slate it as a lesser-quality time waster. This film is brisk, lively and perfectly forgettable, a period adventure flick that fills a little time harmlessly enough if you're in the mood. If you're lucky enough to find it, give it a go.