A shorty, kind, very innocent and efficient locksmith is cheated by a burglar in order to rob a car and to open a safe strongbox. The police catches him and is sent to jail. Once there some... See full summary »
Aston (Robert Shaw), a quiet, reserved man, lives alone in a top-floor cluttered room of a small abandoned house in a poor London district. He befriends and takes in Mac Davies (Donald ... See full summary »
Anthony Hancock gives up his office job to become an abstract artist. He has a lot of enthusiasm, but little talent, and critics scorn his work. Nevertheless, he impresses an emerging very ... See full summary »
In 1944, Kay and Jane travel on an overnight train from Miami to New York, accompanied by Harry. Kay is the mistress of "The Man", a rich industrialist, whom they are to meet so that they ... See full summary »
While investigating a high-profile murder case, a savvy but unorthodox veteran police inspector has to cope with a bad conscience, bad health, an overzealous partner, a timid superior and ... See full summary »
Shirley Jones plays an innocent young American abroad (Italy, specifically), assistant to the cynically sarcastic art historian Sanders. She becomes romantically involved with Sanders' ... See full summary »
Two escaped convicts (Robert Shaw and Malcolm McDowell) are on the run in an unnamed Latin American country. But everywhere they go, they are followed and hounded by a menacing black ... See full summary »
A shorty, kind, very innocent and efficient locksmith is cheated by a burglar in order to rob a car and to open a safe strongbox. The police catches him and is sent to jail. Once there some gangsters gain his friendship to cheat him again and help then to escape. Written by
Michel Rudoy <firstname.lastname@example.org>
British comedian Charlie Drake is an acquired taste, and at his best as the hapless "cracksman" of the title in this modest little spoof of crime pictures. The script is sharper than one might expect from this kind of film, and little Charlie is up to his ears in trouble. His endearing innocence (if not talent) suggests a contemporary version of Chaplin; while his physical appearance suggests the love child of Ned Beatty and Mickey Rooney, making him wholly appropriate for comedy,--and nothing else. He plays so well with bad guy George Sanders, who really comes to life here, that I can almost imagine them as a comedy team, which sounds ludicrous I know, as they would have seemed so incongruous together, but then again comedy teams generally do,
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