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The Organizer (1963)
"I compagni" (original title)

Not Rated  |   |  Drama  |  1963 (Yugoslavia)
8.2
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Ratings: 8.2/10 from 1,274 users  
Reviews: 13 user | 19 critic

A former high school teacher turned unionist tries to organize workers laboring with inhuman conditions at a late 19th Century textile factory.

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(story) (as Age) , (story) (as Scarpelli) , 1 more credit »
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Title: The Organizer (1963)

The Organizer (1963) on IMDb 8.2/10

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Nominated for 1 Oscar. Another 5 wins & 6 nominations. See more awards »
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Cast

Cast overview, first billed only:
...
Professor Sinigaglia
...
Raoul
Gabriella Giorgelli ...
Adele
Folco Lulli ...
Pautasso
...
Martinetti
Raffaella Carrà ...
Bianca
François Périer ...
Maestro Di Meo
Vittorio Sanipoli ...
Baudet
Mario Pisu ...
Manager
Kenneth Kove ...
Luigi
...
Niobe
Edda Ferronao ...
Maria
Anna Di Silvio ...
Gesummina
Roberto Diamanti
Elvira Tonelli ...
Cesarina
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Storyline

The story of exploited textile factory workers in Turin, Italy at the turn of the century and their beginnings of their fight for better working conditions. Professor Sinigaglia (Marcello Mastroianni) is sent by (presumably) the Socialists to help them organize their strike and give form to their struggle. Written by alfiehitchie

Plot Summary | Add Synopsis

Genres:

Drama

Certificate:

Not Rated | See all certifications »
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Details

Country:

| |

Language:

Release Date:

1963 (Yugoslavia)  »

Also Known As:

The Organizer  »

Company Credits

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Technical Specs

Sound Mix:

Aspect Ratio:

1.85 : 1
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Did You Know?

Quotes

Niobe: How'd you get messed up in all this?
Professor Sinigaglia: Out of selfishness.
Niobe: I don't understand.
Professor Sinigaglia: Because I like it, and when you like something, it's not a sacrifoce, and to ensure someday that a girl like you...
Niobe: What?
Professor Sinigaglia: ...won't have to make the choices you had to.
See more »

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User Reviews

 
Absorbing, one of Mastroianni's best performances.
26 December 1998 | by (Connecticut) – See all my reviews

I Compagni is memorable. When we consider why films move us, affect our lives, indeed, create us to some extent, we think of films such as this. This is not just an artistic triumph for all its filmmakers, but also a moving document of humanity. We take measure of Mastroianni not by his range of performance but by his deep involvement. Like France's Charles Aznavour has his heart in his song, Marcello Mastroianni is fully engaged in his performance. As Professor Sinigaglia in I Compagni, Mastroianni is at his best form. The source of his intensity is not his surface emotion, but the depths of his soul.


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