Directed by
| Bud Yorkin | ||
Writing Credits
| Neil Simon | ... | (play) |
| Norman Lear | ... | (screenplay) |
Cast (in credits order) complete, awaiting verification
Produced by
| Howard W. Koch | ... | executive producer |
| Norman Lear | ... | producer |
| Bud Yorkin | ... | producer |
Music by
| Nelson Riddle | ||
Cinematography by
| William H. Daniels | ... | director of photography |
Editing by
| Frank P. Keller | ||
Art Direction by
| Roland Anderson | ||
| Hal Pereira | ||
Set Decoration by
| Sam Comer | ||
| James W. Payne | ... | (as James Payne) |
Makeup Department
| Frederic Jones | ... | hair styles: Miss McGuire |
| Jay Sebring | ... | tonsorial artist |
| Gene Shacove | ... | hair styles: Miss St. John |
| Wally Westmore | ... | makeup supervisor |
| Christine Widmeyer | ... | hair styles: Miss Rush |
Second Unit Director or Assistant Director
| Daniel McCauley | ... | assistant director (as Daniel J. McCauley) |
| Tony LaMarca | ... | assistant director: New York (uncredited) |
Art Department
| Gene Lauritzen | ... | construction coordinator (uncredited) |
Sound Department
| John R. Carter | ... | sound recordist (as John Carter) |
| John Wilkinson | ... | sound recordist |
Visual Effects by
| Paul K. Lerpae | ... | special photographic effects |
Stunts
| Roger Creed | ... | stunts (uncredited) |
Camera and Electrical Department
| Bill Johnson | ... | camera operator (uncredited) |
| William Read Woodfield | ... | still photographer (uncredited) |
Costume and Wardrobe Department
| Edith Head | ... | costumer |
Editorial Department
| Richard Mueller | ... | color consultant: Technicolor |
Music Department
| Gil Grau | ... | orchestrator |
Script and Continuity Department
| Claire Behnke | ... | script supervisor |
Additional Crew
| Jack Baker | ... | choreographer |
| Thom Conroy | ... | dialogue coach |
| Michael Ellis | ... | produced on the stage by |
| William Hammerstein | ... | produced on the stage by |
| Jane Hoyt Thompson | ... | production assistant (uncredited) |
