Leaving home, young Buddy Baker arrives unannounced at the luxurious Manhattan apartment of his older brother, Alan, a swinging girl chasing bachelor who prefers his carefree life to ...
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Gordon Miller is rehearsing a musical comedy in the penthouse suite of Gribble's hotel...on credit. The mounting bill is driving Gribble frantic. Chaos increases when playwright Glen ... See full summary »
Ellen McNulty loses her hamburger joint and goes to see her son, who marries a socialite at the same time. Due to her modest background and a case of mistaken identity, Ellen poses as the newlyweds' cook.
SINATRA: All or Nothing at All is an up-close and personal examination of the life, music and career of the legendary entertainer. Told in his own words from hours of archived interviews, ... See full summary »
Montmartre, 1896: the Can-Can, the dance in which the women lift their skirts, is forbidden. Nevertheless Simone has it performed every day in her night club. Her employees use their female... See full summary »
In this retelling of Gunga Din (1939) transplanted to the 1870's American West, three cavalry officers and a bugler work together to thwart a Native American chief intent on uniting local tribes against the white man.
Sammy Davis Jr.
Danny Wilson and partner Mike make a meager living singing in dives and hustling pool. One night they meet entertainer Joy Carroll, who gets them a job at racketeer Nick Driscoll's posh ... See full summary »
The fashion industry and Paris provide the setting for a comedy surrounding the mistaken impression that Joanne Woodward is a high-priced call girl. Paul Newman is the journalist interviewing her for insights on her profession.
Leaving home, young Buddy Baker arrives unannounced at the luxurious Manhattan apartment of his older brother, Alan, a swinging girl chasing bachelor who prefers his carefree life to working in the family business. Pleased at his brother's show of independence, Alan introduces him to New York night life. Their father is unhappy at Alan's mentoring and the loss of an important account. Buddy is so successful that he soon takes over his brother's liquor cabinet and his girl friends. After giving up a woman who lives in the same building, Alan gets beaten by the husband of another conquest. Scared off, Alan alienates his favorite girl friend, Connie, staying away from all commitment. Hit by the futility of his life, Alan urges Buddy to end his swinging life style, but Buddy is having too good a time. After their argument jolts Alan proposes to Connie. Following their marriage, Alan helps their parents reconcile, works seriously in the family business and turns his bachelor pad over to ... Written by
I have to agree with most of what the previous commenter says; this is a largely disappointing movie. Neil Simon's wit here is not yet up to "Odd Couple" or "Sunshine Boys" speed, and some of the acting is lame. Jill St. John is a tad too cutesily dumb, and Tony Bill's Buddy is somewhat grating, especially after his unconvincing conversion from youthful innocent to roue. However, Sinatra is always worth watching and listening to, especially in the masterful Nelson Riddle's arrangements (here an original song, actually). However, the movie is almost worth watching solely for Lee J. Cobb's performance as papa Baker; his sidesplitting performance as the terminally frustrated Mr. Baker is a study in comic skill, particularly in the scenes where he invades the brothers' apartment. I had never see Cobb do comedy before; now my estimation of him as an actor has increased immeasurably. Catch this one just for Cobb.
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