Leaving home, young Buddy Baker arrives unannounced at the luxurious Manhattan apartment of his older brother, Alan, a swinging girl chasing bachelor who prefers his carefree life to ...
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Gordon Miller is rehearsing a musical comedy in the penthouse suite of Gribble's hotel...on credit. The mounting bill is driving Gribble frantic. Chaos increases when playwright Glen ... See full summary »
Montmartre, 1896: the Can-Can, the dance in which the women lift their skirts, is forbidden. Nevertheless Simone has it performed every day in her night club. Her employees use their female... See full summary »
In this retelling of Gunga Din (1939) transplanted to the 1870's American West, three cavalry officers and a bugler work together to thwart a Native American chief intent on uniting local tribes against the white man.
Sammy Davis Jr.
Danny Wilson and partner Mike make a meager living singing in dives and hustling pool. One night they meet entertainer Joy Carroll, who gets them a job at racketeer Nick Driscoll's posh ... See full summary »
The fashion industry and Paris provide the setting for a comedy surrounding the mistaken impression that Joanne Woodward is a high-priced call girl. Paul Newman is the journalist interviewing her for insights on her profession.
Ellen McNulty loses her hamburger joint and goes to see her son, who marries a socialite at the same time. Due to her modest background and a case of mistaken identity, Ellen poses as the newlyweds' cook.
The townsfolk of Cripple Creek fear Johnny Concho (Frank Sinatra), who acts tough and takes advantage of the populace because his brother is a notorious gunfighter. But when a stranger ... See full summary »
Leaving home, young Buddy Baker arrives unannounced at the luxurious Manhattan apartment of his older brother, Alan, a swinging girl chasing bachelor who prefers his carefree life to working in the family business. Pleased at his brother's show of independence, Alan introduces him to New York night life. Their father is unhappy at Alan's mentoring and the loss of an important account. Buddy is so successful that he soon takes over his brother's liquor cabinet and his girl friends. After giving up a woman who lives in the same building, Alan gets beaten by the husband of another conquest. Scared off, Alan alienates his favorite girl friend, Connie, staying away from all commitment. Hit by the futility of his life, Alan urges Buddy to end his swinging life style, but Buddy is having too good a time. After their argument jolts Alan proposes to Connie. Following their marriage, Alan helps their parents reconcile, works seriously in the family business and turns his bachelor pad over to ... Written by
The names Bud Yorkin and Norman Lear always look good on the credits for a comedy--until you realize Lear's success was relegated strictly to the tube and Yorkin has no sense of humor. Add to the mix a script based on the play by the highly uneven Neil Simon, and you have a slick but scattershot affair. Frank Sinatra sleepwalks through role as swinging New York bachelor (now there's a stretch) who takes his gawky younger brother under his wing, much to the chagrin of their mother and father (the torturous Molly Picon and Lee J. Cobb, both giving the term 'Old World' a bad rap). Just about every one-liner falls flat, Tony Bill is hopeless in his debut as the kid brother, and Sinatra's one song (the title cut) is mediocre. Dean Martin has a cameo that's not bad, and Dan Blocker is wonderfully big and colorful as a disgruntled businessman, but the rest of this "Horn" blows. *1/2 from ****
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