Brick, an alcoholic ex-football player, drinks his days away and resists the affections of his wife, Maggie. His reunion with his father, Big Daddy, who is dying of cancer, jogs a host of memories and revelations for both father and son.
Action-packed look at the beginnings of the fall of the Roman Empire. Here is the glory, the greed and grandeur that was Rome. Here is the story of personal lust for power, and the ... See full summary »
Marcellus is a tribune in the time of Christ. He is in charge of the group that is assigned to crucify Jesus. Drunk, he wins Jesus' homespun robe after the crucifixion. He is tormented by ... See full summary »
The only son of wealthy widow Violet Venable dies while on vacation with his cousin Catherine. What the girl saw was so horrible that she went insane; now Mrs. Venable wants Catherine lobotomized to cover up the truth.
Joseph L. Mankiewicz
In 48 B.C., Caesar pursues Pompey from Pharsalia to Egypt. Ptolemy, now supreme ruler after deposing his older sister, Cleopatra, attempts to gain favor with Caesar by presenting the conquerer with the head of Pompey, borne by his governors, Pothinos and Achillas. To win Caesar's support from her brother, Cleopatra hides herself in a rug, which Apollodorus, her servant, presents to Caesar. The Roman is immediately infatuated; banishing Ptolemy, he declares Cleopatra Egypt's sole ruler and takes her as his mistress. A son, Caesarion, is born of their union. Caesar, however, must return to Italy. Although he is briefly reunited with Cleopatra during a magnificent reception for the queen in Rome, Caesar is assassinated shortly thereafter, and Cleopatra returns to Egypt. When Mark Antony, Caesar's protégé, beholds Cleopatra aboard her elaborate barge at Tarsus some years later, he is smitten and becomes both her lover and military ally. Their liaison notwithstanding, Antony, to ... Written by
Joan Collins was cast in the title role in 1958, but after several delays she became unavailable. After Collins' departure, producer Walter Wanger considered Audrey Hepburn as a replacement. Wanger then offered the role to Elizabeth Taylor. He called her on the set of her latest film, Suddenly, Last Summer (1959), and relayed the offer through Taylor's then-husband Eddie Fisher who had answered the phone. As a joke, Taylor replied "Sure, tell him I'll do it for a million dollars." In October 1959, Taylor became the first Hollywood star to receive $1 million for a single picture. See more »
Although we learn that Cleopatra is supposed to be the incarnation of the Egyptian goddess Isis, everybody except Taylor pronounces it "Isis." Taylor pronounces it "Isis" if the line is not dramatic and "Ises" if it is. See more »
You know it's possible Octavian that when you die... You will die without ever having been alive.
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I have always thought it was one of the most underrated Hollywood epics.First of all,it's only partially an epic:most of the scenes are intimate,generally two characters who are constantly tearing each other apart.Joseph L. Mankiewicz,one of the most intelligent director of his time,rewrote the dialogue during the shooting,night after night ,and the results are stunning,considering the difficulties he encountered with his budget and his stars.Cleopatra's dream is perfectly recreated,much better than in De Mille 's version -a good one,though-:It's Alexandre the great 's plan ,this Alexandre from whom she's descended,to make a huge empire,uniting the Orient and the Occident.One of the major scenes takes place near the great conqueror's grave .The second part has Shakespeareans accents:Cleopatra becomes some kind of Lady Macbeth,and Marc Anthony is left alone against the whole Roman army (the Shakespearian trees).The last lines (repeated twice) are some of the finest you can find in an epic movie.And look how Fellini has been influenced by Mankiewicz for the final of his "Satyricon":the photograph turning into a fresco. As for the epic scenes,they are here,of course but they are little over 20% of the movie.And to Cleo's awesome Rome entrance ,you can prefer Ceasar's epilepsy fit.The actors are not as uneven as it's often said.Elizabeth Taylor had already worked with Mankiewicz (the extraordinary "suddenly last Summer") and she learned a lot with him;she's now ready for the great roles of the sixties:"Virginia Woolf","Secret ceremony" "taming of the shrew".Richard Burton had been "Alexander the great" (coincidence!) in a rather academic movie,and here he portrays a clumsy,almost Don Quixotesque Marc Anthony with art.However,Rex Harrison steals the show in the first half.Supporting actors ,including Roddy MCDowall ,a puny but shrewd Octavious,and Richard O'Sullivan ,an effeminate Ptolemy. This visual poem,a feast for the eye and for the mind must be restored to favor.
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