Young, handsome, dashing but cynical, Octave Mouret arrives in Paris, determined to conquer the belles of the capital. His first attempts are not too successful though as he is rebuffed by ... See full summary »
In a moment of madness a respectable pharmacist kills a young woman who is sun-bathing by a lake. Unable to take in what he has done, he flees from the scene of the crime and behaves as if nothing has happened.
The mirthful adventures of Police-Sergeant Samuel Dudfoot and his two constables, Albert Brown and Jeremiah Harbottle, who stage a fabricated crime-wave to save their jobs---and then find themselves involved in the real thing.
An elderly countess strikes a bargain with the devil and exchanges her soul for the ability to always win at cards. An army officer, who is also a fanatic about cards, murders her for the ... See full summary »
On the Wirral in the grim early years of Margaret Thatcher's premiership, the opportunities for thrill seeking young men looking to escape 9 to 5 drudgery are what they've always been: sex,... See full summary »
In the suburbs of Paris, an old maid has just been murdered. Every body talks about that, except the misanthrope Mr Hire. The same evening, Alice, just getting out of jail, arrives and ... See full summary »
Locksmith Daniel Boisett (Robert Hossein) and his co-worker Paul Genest (Jean Sorel), friends since childhood, supplement their income with the occasional burglary until life spins wildly out of control one rainy night after Paul kills a man who catches them robbing his apartment. Paul manages to escape but Daniel's wounded by police and, taking the fall alone, is later sentenced to 20 years in prison but, enroute to the big house, he escapes and hitches a ride with the middle-aged Thomas (Georges Wilson) who offers him a job at his roadside restaurant. Daniel quickly accepts but soon finds out that Thomas' sexy young wife, Maria (Catherine Rouvel), has had her eye on the nest egg in her husband's safe for a long time and could use a man like him...
Julien Duvivier's classic French noir, based on a ripe piece of pulp fiction by James Hadley Chase ("Come Easy -Go Easy"), careens into THE POSTMAN ALWAYS RINGS TWICE territory at this point but the story takes so many breathless twists and turns, any comparisons are ultimately unfair. All kinds of complications ensue when Maria's husband ends up dead and Paul pops up again but "no good deed goes unpunished" in this perverse universe where greed, lust, and self-preservation trump decent human emotions like love and friendship every time. Daniel's the quintessential noir anti-hero, caught in a vortex of nightmarish cause and effect, and the femme fatale's a feral sex kitten who double-crosses anyone who crosses her path. Like MGM's version of THE POSTMAN ALWAYS RINGS TWICE, much of HIGHWAY PICKUP takes place in broad daylight, giving the film an "evil under the sun" aura and even though a stylistic shadow world, hallmark of the American Film Noir, is absent here, thematically the film's as bleak and as black as they come. The bitterly ironic ending, reminiscent of both Robert Siodmak's CRISS CROSS and Stanley Kubrick's THE KILLING, is a memorable one.
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