France, 1936-37. The Popular Front wins elections, the Spanish Civil War begins, and Hitler and Stalin are manipulating and spying. The brilliant exile, Fiodor Voronin, a general at 20, is ... See full summary »
Six vignettes set in different sections of Paris, by six directors. St. Germain des Pres (Douchet), Gare du Nord (Rouch), Rue St. Denis (Pollet), and Montparnasse et Levallois (Godard) are ... See full summary »
Felicie and Charles have a serious if whirlwind holiday romance. Due to a mix-up on addresses they lose contact, and five years later at Christmas-time Felicie is living with her mother in ... See full summary »
Frédéric van den Driessche,
In the second of Rohmer's moral tales, he examines the relationship between two friends and a girl who at first appears easily exploited. It is a complex tale of feelings and misconceptions, acted out within the head of the main character, as part of Rohmer's attempt to more easily simulate the mindscape quality of literature within a film. Written by
David Gibson <firstname.lastname@example.org>
This film by Eric Rohmer shows that the style for which he has become famous was developed at an early stage - a concentration on the relationships between young people performed by unknown actors in an almost documentary style. As usual with Rohmer the performances of the actors are variable and not much happens in terms of plot. Instead the film concentrates on the emotional development of its young subjects, with the central character a little wiser by the end. The scenes on central Paris in the early sixties mean that part of the film's appeal is as an historical document in the same way as Chabrol's "Les Bonnes Femmes" and Varda's "Cleo De 5 a 7".
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