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The Cardinal
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The Cardinal (1963) More at IMDbPro »


Overview

User Rating:
6.8/10   1,518 votes »
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Down 13% in popularity this week. See why on IMDbPro.
Director:
Writers:
Contact:
View company contact information for The Cardinal on IMDbPro.
Release Date:
12 December 1963 (USA) See more »
Genre:
Plot:
A young Catholic priest from Boston confronts bigotry, Naziism, and his own personal conflicts as he rises to the office of cardinal. Full summary » | Add synopsis »
Awards:
Nominated for 6 Oscars. Another 5 wins & 5 nominations See more »
User Reviews:
A Heavy Preminger Pastry See more (45 total) »

Cast

  (in credits order) (complete, awaiting verification)

Tom Tryon ... Stephen Fermoyle

Carol Lynley ... Mona / Regina Fermoyle

Dorothy Gish ... Celia
Maggie McNamara ... Florrie
Bill Hayes ... Frank
Cameron Prud'Homme ... Din

Cecil Kellaway ... Monsignor Monaghan
Loring Smith ... Cornelius J. Deegan

John Saxon ... Benny Rampell
James Hickman ... Father Lyons
Berenice Gahm ... Mrs. Rampell

John Huston ... Glennon
Jose Duvall ... Ramon Gongaro (as Jose Duval)
Peter MacLean ... Father Callahan

Robert Morse ... Bobby (as Robert {Morse} and His Adora-Belles)
Billy Reed ... Master of Ceremonies
Pat Henning ... Hercule Menton

Burgess Meredith ... Father Ned Halley

Jill Haworth ... Lalage Menton
Russ Brown ... Dr. Heller

Raf Vallone ... Cardinal Quarenghi
Tullio Carminati ... Cardinal Giacobbi

Ossie Davis ... Father Gillis
Francesco Mancini ... Master of Ceremonies (Ordination) (as Don Francesco Mancini of Veroli)
Dino Di Luca ... Italian Monsignor
Donald Hayne ... Father Eberling

Chill Wills ... Monsignor Whittle
Arthur Hunnicutt ... Sheriff Dubrow
Doro Merande ... Woman Picket

Patrick O'Neal ... Cecil Turner

Murray Hamilton ... Lafe

Romy Schneider ... Annemarie
Peter Weck ... Kurt Von Hartman
Rudolf Forster ... Drunk Man at the Ball
Josef Meinrad ... Cardinal Innitzer
Dagmar Schmedes ... Madame Walter
Erik Frey ... Seyss-Inquart (as Eric Frey)
Josef Krastel ... Von Hartman Butler
Matthias Fuchs ... Father Neidermoser
Vilma Degischer ... Sister Wilhelmina

Wolfgang Preiss ... S.S. Major
Jürgen Wilke ... Army Lieutenant (as Jurgen Wilke)
Wilma Lipp ... Soloist
Eric van Nuys
Stefan Skodler (as Stephan Skodler)
rest of cast listed alphabetically:

John Breslin ... Priest (uncredited)

Jed Curtis ... Young Monk (uncredited)
John Dierkes ... Redneck (uncredited)

Adolf Hitler ... Himself (archive footage) (uncredited)
David Opatoshu ... Mr. Rampell (uncredited)
Glenn Strange ... Redneck (uncredited)

Dan White ... Lamar (uncredited)
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Directed by
Otto Preminger 
 
Writing credits
Robert Dozier (screenplay)

Henry Morton Robinson (novel)

Ring Lardner Jr.  uncredited

Produced by
Otto Preminger .... producer
Martin C. Schute .... associate producer
 
Original Music by
Jerome Moross 
 
Cinematography by
Leon Shamroy (director of photography)
 
Film Editing by
Louis R. Loeffler 
 
Casting by
Bill Barnes 
 
Production Design by
Lyle R. Wheeler  (as Lyle Wheeler)
 
Set Decoration by
Gene Callahan 
 
Costume Design by
Donald Brooks 
 
Makeup Department
Robert Jiras .... makeup artist
Frederic Jones .... hairdressing (as Frederick Jones)
Dick Smith .... makeup artist
Maurice Seiderman .... makeup artist (uncredited)
 
Production Management
Guy Luongo .... production manager (International Film Services-Rome )
Eva Monley .... production manager
Harrison Starr .... production manager
Paul Waldherr .... production manager (Danubia Films-Vienna )
Henry Weinberger .... production manager
 
Second Unit Director or Assistant Director
Bryan Coates .... assistant director
Roberto Fizz .... assistant director (as Robert Fiz)
Hermann Leitner .... assistant director
Gerry O'Hara .... assistant director
Bob Vietro .... assistant director
Erich von Stroheim Jr. .... assistant director (as Eric Von Stroheim Jr.)
 
Art Department
Fred Bockstahler .... construction grip
Art Cole .... property master
Tom Frewer .... property master
Otto Niedermoser .... art director: Vienna
Saul Bass .... poster designer (uncredited)
Italo Tomassi .... scene painter (uncredited)
 
Sound Department
Morris Feingold .... sound
Walter Goss .... sound
Red Law .... sound
Harold Lewis .... sound
Peter Thornton .... sound effects editor
 
Stunts
Jack Cooper .... stunts (uncredited)
 
Camera and Electrical Department
Jack Atcheler .... camera operator
Fred Hall .... chief gaffer
Kenneth Lang .... best boy
Leo McCreary .... key grip
Saul Midwall .... camera operator
Piero Portalupi .... second unit camera
Morris Rosen .... key grip
Paul Uhl .... camera operator
Francesco Brescini .... electrician (uncredited)
Clyde Taylor .... gaffer (uncredited)
 
Costume and Wardrobe Department
Hope Bryce .... costume coordinator
Joe King .... wardrobe
George Newman .... wardrobe
Flo Transfield .... wardrobe
 
Music Department
Leon Birnbaum .... music editor
Gary Hughes .... orchestrator (uncredited)
Elfi von Dassanowsky .... vocal coach (uncredited)
Albert Woodbury .... orchestrator (uncredited)
 
Other crew
Saul Bass .... titles
Don Nivardo Buttarazzi .... abbot: Abbey at Casamari
Kathleen Fagan .... script supervisor
Donald Hayne .... technical advisor
Otto Preminger .... presenter
Nat Rudich .... executive assistant to producer
Don Raffaele Scaccia .... prior: Abbey at Casamari
Buddy Schwab .... choreographer
Max Slater .... dialogue coach
John Dunaway .... production secretary (uncredited)
 
Crew verified as complete


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Additional Details

Also Known As:
Runtime:
175 min
Country:
Language:
Color:
Color (Technicolor)
Aspect Ratio:
2.20 : 1 See more »
Sound Mix:
6-Track Stereo (Westrex Recording System)
Certification:
Argentina:13 | Australia:PG | Finland:K-16 | France:U | Netherlands:14 (orginal rating) | Sweden:15 | UK:A (original rating) | USA:TV-14 | USA:Approved (certificate #20518) | West Germany:12

Did You Know?

Trivia:
The movie includes one real-life character and incident. In 1938, Bishop Fermoyle is sent to Vienna to deal with Cardinal Theodor Innitzer (played by Josef Meinrad), the real-life Archbishop of Vienna. Innitzer's public support for the "Anschluss" annexation of Austria by Nazi Germany put him at odds with the Vatican, who ordered him to retract his statement of support. In the months following the annex, the Nazis reneged on their earlier agreements with the Church of Vienna, and prohibited Church institutions and Catholic newspapers. Afterwards, Innitzer became a critic of the Nazi regime. In October, 1938 (as seen in the film), Innitzer held a Catholic rally in Vienna, in which he proclaimed, "There is just one Führer: Jesus Christ." The following day (also seen in the film), a Nazi mob stormed Innitzer's Vienna offices and ransacked the Archbishop's residence.See more »
Goofs:
Anachronisms: All along the movie, we see, leading to St Peter's square, the Via della Conciliazione and its palazzi, built for the Holy Year of 1950, under the pontificate of Pius XII, whose election Cardinal Fermoyle is supposed to take part at the very end of the movie.See more »
Quotes:
Monsignor Monaghan:For Heavens sake, get them out of the church...!See more »
Movie Connections:
Soundtrack:
Stay with MeSee more »

FAQ

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16 out of 28 people found the following review useful.
A Heavy Preminger Pastry, 13 January 2008
Author: dowdosean from Culver City, USA

The stiffness in the telling marks the destiny of this confused tale. At times is quite simply, unendurable. The wooden rigidity of Tom Tryon makes things even harder to take. Unconvincing should be the polite way of putting it. Preminger shows an eye for the travelogue part but a total diffidence in the subject at hand. No feel for it at all. Solemnity shouldn't be the way but it is and a rather phony solemnity at that. At times, they all behave like creatures from another planet and nothing they say or do sounds or looks credible. The over long saga is told in little disjointed episodes, the only thing that remains constant is the inexpressive brow of Mr Tryon. Most of Otto Preminger's opus looks terribly dated now. "The Cardinal" is, perhaps, the most dated. Carol Linley goes from saintly sister to exotic dancer in one single throw and Romy Schnaider has a brief and calculated moment. If I had to save something it would be the scene in which John Huston goes to visit his dying friend Burgess Meredith. But those kind of moments are rare. For some reason that I haven't been able to figure out there is a long musical number by Robert Morse, but as absurd as it was, it came as a welcome change from the agonizing pace the film suffers through its interminable length.

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