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The Cardinal (1963)

 -  Drama | History | War  -  12 December 1963 (USA)
6.8
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Ratings: 6.8/10 from 1,534 users  
Reviews: 45 user | 13 critic

A young Catholic priest from Boston confronts bigotry, Naziism, and his own personal conflicts as he rises to the office of cardinal.

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Title: The Cardinal (1963)

The Cardinal (1963) on IMDb 6.8/10

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Nominated for 6 Oscars. Another 5 wins & 5 nominations. See more awards »

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Cast

Cast overview, first billed only:
...
...
...
Maggie McNamara ...
Bill Hayes ...
Cameron Prud'Homme ...
Din
...
Loring Smith ...
...
James Hickman ...
Berenice Gahm ...
...
Jose Duvall ...
Ramon Gongaro (as Jose Duval)
Peter MacLean ...
...
Bobby (as Robert {Morse} and His Adora-Belles)
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Storyline

Stephen Fermoyle has grown up in Boston at the turn of the twentieth century knowing that his destiny lies with the Catholic priesthood. Finally finishing his studies in Rome, he returns to America full of certitude and ambition to one day join the College of Cardinals. But his road to that office is a long one, paved with crises. In Boston, he must decide whether to save the life of his sister or her unborn child, conceived out of wedlock. In Austria, he confronts the question of whether to remain with the priesthood or abandon his oath so that he can be with the woman he loves. In Georgia, he contends with Rome's indifference in the face of racial bigotry. And in Austria, he finds himself personally involved in the church's dealings with the Third Reich. Written by Shannon Patrick Sullivan <shannon@mun.ca>

Plot Summary | Add Synopsis

Genres:

Drama | History | War

Certificate:

TV-14 | See all certifications »
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Details

Country:

Language:

| |

Release Date:

12 December 1963 (USA)  »

Also Known As:

El cardenal  »

Filming Locations:

 »

Company Credits

Production Co:

 »
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Technical Specs

Runtime:

Sound Mix:

(Westrex Recording System)

Color:

(Technicolor)

Aspect Ratio:

2.35 : 1
See  »
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Did You Know?

Trivia

Final feature film of Russ Brown. See more »

Goofs

As Father Stephen Fermoyle (Tom Tryon) crosses the street to enter a Boston pawn shop (approximately 00:52), the shadows of an arc light and grip stand are seen on the pavement during a sweeping pan. See more »

Quotes

Monsignor Monaghan: For Heavens sake, get them out of the church...!
See more »

Connections

Featured in Preminger: Anatomy of a Filmmaker (1991) See more »

Soundtracks

They Haven't Got the Girls in the U.S.A.
Lyrics by Al Stillman (as Al Stillman)
Music by Jerome Moross (uncredited)
Performed by Robert Morse (uncredited)
See more »

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User Reviews

 
Tom Tryon's rise to Cardinal is just not compelling enough...
24 January 2011 | by (U.S.A.) – See all my reviews

TOM TRYON has the central role in Otto Preminger's majestic looking film version of THE CARDINAL, but he's one of those handsome actors with an impassive face whose emotions never come to the surface. Instead, we get a hint of what he might be thinking without any real clue. And since the film is all about the moral and personal issues facing him as he enters the College of Cardinals, an actor with more emotional capabilities would have been more impressive.

The other flaw is the three hour length for a film in which the story is simply not that compelling. Furthermore, director Preminger has chosen to direct whole scenes at medium length lensing (no close-ups inserted) which gives a flat affect to the dynamics involved.

Aside from these weaknesses, the film has a lot about it to commend. All the interiors of church activities are impressively staged and photographed in beautiful WideScreen photography. The performances around Tryon range from good to excellent, including John Huston, Carol Lynley, Bill Hayes, John Saxon and Burgess Meredith. Huston is particularly commanding as the brusque Cardinal Glennon, who confronts Tryon with: "You're not afraid of me, are you?" when the young man speaks his mind.

All of the technical aspects of the film are professional, giving the story more credibility than it deserves from a rather lumbering script. The icing on the cake is the rich musical score by Jerome Moross.

Holds the interest despite the length as it deals with a young man confronting bigotry, Naziism, and his own personal beliefs as he ascends the ladder of success in the Catholic Church.


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