When Arthur Davis, a junior bachelor in the British secret service's African section, is seen taking a file with him -to meet his girlfriend Cynthia- the brass fears he may be the leak to ... See full summary »
Junie Moon's face has been disfigured by ill-gotten burns, and depends on her friends and her wit to cope. She, Warren, and Arthur leave the hospital - they yearn for independence - and ... See full summary »
Young Joan of Arc comes to the palace in France to make The Dauphin King of France and is appointed to head the French Army. After winning many battles she is not needed any longer and soon... See full summary »
In a bold coup a Palestinian terrorist group captures the yacht Rosebud and kidnaps the millionaires five daughters on it. At first they demand film clips to be shown on major European TV ... See full summary »
Following the Second World War, a northern cannery combine negotiates for the purchase of a large tract of uncultivated Georgia farmland. The major portion of the land is owned by Julie Ann... See full summary »
John Phillip Law
It is a toss-up as to who is most displeased when Patrolman Moe Finkelstein is given the duty of guarding the German consulate ran by Karl Baumer; neither Moe nor Baumer are too happy with ... See full summary »
Stephen Fermoyle has grown up in Boston at the turn of the twentieth century knowing that his destiny lies with the Catholic priesthood. Finally finishing his studies in Rome, he returns to America full of certitude and ambition to one day join the College of Cardinals. But his road to that office is a long one, paved with crises. In Boston, he must decide whether to save the life of his sister or her unborn child, conceived out of wedlock. In Austria, he confronts the question of whether to remain with the priesthood or abandon his oath so that he can be with the woman he loves. In Georgia, he contends with Rome's indifference in the face of racial bigotry. And in Austria, he finds himself personally involved in the church's dealings with the Third Reich. Written by
Shannon Patrick Sullivan <email@example.com>
As Father Stephen Fermoyle (Tom Tryon) crosses the street to enter a Boston pawn shop (approximately 00:52), the shadows of an arc light and grip stand are seen on the pavement during a sweeping pan. See more »
We've never had a priest working with the Mafia before. But I suppose you made some interesting contacts in Rome.
I had no choice, Your Eminence. I had to work my way through the seminary by selling opium in St. Peter's Square.
You're not afraid of me.
Why not? Most people are.
I think it's because you remind me of my father. He was known as "Den the Down Shouter," but I soon learned his roar was the only fierce thing about him.
He's a lucky man to have a son who's not afraid of him.
See more »
Tom Tryon's rise to Cardinal is just not compelling enough...
TOM TRYON has the central role in Otto Preminger's majestic looking film version of THE CARDINAL, but he's one of those handsome actors with an impassive face whose emotions never come to the surface. Instead, we get a hint of what he might be thinking without any real clue. And since the film is all about the moral and personal issues facing him as he enters the College of Cardinals, an actor with more emotional capabilities would have been more impressive.
The other flaw is the three hour length for a film in which the story is simply not that compelling. Furthermore, director Preminger has chosen to direct whole scenes at medium length lensing (no close-ups inserted) which gives a flat affect to the dynamics involved.
Aside from these weaknesses, the film has a lot about it to commend. All the interiors of church activities are impressively staged and photographed in beautiful WideScreen photography. The performances around Tryon range from good to excellent, including John Huston, Carol Lynley, Bill Hayes, John Saxon and Burgess Meredith. Huston is particularly commanding as the brusque Cardinal Glennon, who confronts Tryon with: "You're not afraid of me, are you?" when the young man speaks his mind.
All of the technical aspects of the film are professional, giving the story more credibility than it deserves from a rather lumbering script. The icing on the cake is the rich musical score by Jerome Moross.
Holds the interest despite the length as it deals with a young man confronting bigotry, Naziism, and his own personal beliefs as he ascends the ladder of success in the Catholic Church.
3 of 3 people found this review helpful.
Was this review helpful to you?