La boulangère de Monceau (1963)

Director:

Eric Rohmer

Writers:

Genre:

Romance | Short

Plot:

Early new wave effort from Rohmer which was the first of his six moral tales. It concerns a young man who approaches a girl in the street...

Plot Keywords:

Street | Date | Pick Up | Paris France | Baker

Cast

Barbet Schroeder	...	Young Man
Claudine Soubrier	...	Jacqueline
Michèle Girardon	...	Sylvie

Also Known As:

The Baker of Monceau
The Baker's Girl of Monceau
The Bakery Girl of Monceau (USA)
The Girl at the Monceau Bakery

Runtime:

23 min

Country:

France

Language:

French

Color:

Black and White

Aspect Ratio:

1.37 : 1

Sound Mix:

Mono

Certification:

UK:U

Filming Locations:

Monceau, Paris 8, Paris, France

Company:

Les Films du Losange

Movie Connections:

Followed by La carrière de Suzanne (1963)

French Pastry

The first of Eric Rohmer's six moral tales, The Girl at the Bakery Monceau is probably what newcomers to the unorthodox style of film-making Rohmer employs should first be exposed to. Not because they should be seen in order but more or less due to the fact that the film is under thirty minutes. As in all the tales the theme ( chauvinist male protagonist conflicted over two women) remains the same and in Monceau you are given a small dose of what will carry over into the full length explorations of men in self righteous struggle with reality and ideals.

A young law student on a nearly daily basis passes a young woman he is attracted to on the streets of Paris. Encouraged by his friend to pursue her he asks her out after literally bumping in to her. She agrees to set a date when they meet again but then disappears for days after. The young man begins to search for her by combing the area, sacrificing his meals to give him more time to do so. He substitutes pastry from a local bakery to cover his nourishment. Having no luck with finding Sylvie, he begins to pursue Jacqueline the bakery counter girl while he continues his search.

Rohmer's literary style can be quite trying and his protagonists obnoxiously condescending. His characters are neither heroic or noble. Rohmer's narrative style which depends heavily on interior monologue reveals some ugly truths that may not cause catastrophe but offer insightful points of view that makes the audience pause in reflection. We sometimes see ourselves in such reflections as well as friends and acquaintances.

Eugene O'Neil said "We live in illusion and die in reality." Nothing supplies illusion better than the darkened dream palace which allows us to storm a beach, race a car through city streets, go a round or two with Sugar Ray or get close to Sophia Loren and Ava Gardner. In all of his tales Rohmer narrows that gap, exposing a hum drum reality with a fickle illusion born of self deception. There is a subtle subversive reward to be found in all of the "Moral Tales" and with The Girl at the Bakery Monceau he is off to an excellent start.